After murdering an undercover DEA agent, two corrupt cops scramble to cover up what they've done.After murdering an undercover DEA agent, two corrupt cops scramble to cover up what they've done.After murdering an undercover DEA agent, two corrupt cops scramble to cover up what they've done.
- Director
- Writer
- Stars
Jim Belushi
- Det. Frank Divinci
- (as James Belushi)
Tom Lister Jr.
- Cutlass Supreme
- (as Tommy 'Tiny' Lister)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe spiky onscreen relationship between Jim Belushi and Tupac Shakur was helped offscreen by the fact that Shakur liked to nail his scenes in one or two takes, and was annoyed by Belushi preferring to do it in multiple takes.
- GoofsBefore Frank pulls up to Manny's for the first time, you can see a blue sandbag on the curb, marking the spot where Jim Belushi is to stop the car at the proper spot so as to be within the camera frame.
- Quotes
[Baylor is questioning Cynthia Webb in court]
Helen Eden: Objection! Mr. Baylor is purposely trying to confuse the witness.
Arthur Baylor: I am *not* trying to confuse the witness; the *witness* has been trying to confuse *this court*!
- Crazy creditsDedicated to Tupac Shakur (1971-1996)
- SoundtracksLost Souls
Written by Tupac Shakur, Noble and E.D.I., D. Frank & M. Murphy
Performed by 2Pac featuring Noble and E.D.I.
Artists courtesy of The "Untouchable" Death Row Records
Contains an interpolation of "Don't disturb this groove"
Featured review
I didn't have very high expectations for this one (partly because I am not terribly keen on James Belushi) but actually, the film was pretty good.
The important thing is to understand the film as a thriller, rather than as a realistic or atmospheric piece. The subject matter and designated environment would point to noir, but the film fails to capture a sense of place or encapsulate an environment and way of life in a way that would justify such a designation. The environment is not actually unrealistic, but again it is not really captured either. Instead, the grit and indeed realism, tends to throw off the viewer, causing him to anticipate a different type of film. "Gang Related" is about plot, and there are a satisfactory number of twists and turns for the viewer. One could easily imagine a movie like this being adapted to the stage.
The acting is generally of a very high standard with strong performances by Shakur and Belushi. The weakness of this film is rather in the fact that the film fails to create or capture a set of especially nuanced characters, and similarly fails to create a strong sense of place. A different director and different cinematography could have done this without substantial alteration. The dramatic twists and turns in the plot also could be considered a weakness, but this would be due to a misunderstanding of the type of story being told, rather than because that story is in itself a bad one.
The important thing is to understand the film as a thriller, rather than as a realistic or atmospheric piece. The subject matter and designated environment would point to noir, but the film fails to capture a sense of place or encapsulate an environment and way of life in a way that would justify such a designation. The environment is not actually unrealistic, but again it is not really captured either. Instead, the grit and indeed realism, tends to throw off the viewer, causing him to anticipate a different type of film. "Gang Related" is about plot, and there are a satisfactory number of twists and turns for the viewer. One could easily imagine a movie like this being adapted to the stage.
The acting is generally of a very high standard with strong performances by Shakur and Belushi. The weakness of this film is rather in the fact that the film fails to create or capture a set of especially nuanced characters, and similarly fails to create a strong sense of place. A different director and different cinematography could have done this without substantial alteration. The dramatic twists and turns in the plot also could be considered a weakness, but this would be due to a misunderstanding of the type of story being told, rather than because that story is in itself a bad one.
- PenOutOfTime
- Mar 16, 2007
- Permalink
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Details
Box office
- Gross US & Canada
- $5,906,773
- Opening weekend US & Canada
- $2,443,237
- Oct 12, 1997
- Gross worldwide
- $5,906,773
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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