User reviews

Istanbul has always been my favorite city. Not just because I live there. But I guess the reasons are best "felt" in this movie. Hamam, not only tells us what traditions originally are (not restricting rules, but guidelines to keep senses, the family and the body together), but also reminds us the mystique remains of a city, where nothing is considered wrong, where life just floats along the steam of the Hamam.

Beautiful and sensual, Hamam is a soft and relaxing movie, like its title suggests.

"Hamam" tends to keep one's interest through its presentation rather than its actual content. Nothing much happens of significance, but the director has his characters exchanging furtive glances, knowing expressions, and shoots his scenes in a mysterious manner. The feeling is that something significant is going to happen at any moment; it doesn't really until close to the film's end. Indeed, the director has taken a pretty lame script and made it appear like a minor suspenser. The characters do not say much of anything important, just a lot of small talk and petty attentions. Yet a kind of sensual atmosphere is created by use of the lush color photography and atmospheric Turkish music and scenery. How one enjoys this film will depend on individual tastes. I saw this as part of an international film festival, and simply appreciated an opportunity to sample a Turkish contemporary film, nicely subtitled.

In the US, this film is being 'pitched' as a film about sexuality. In truth, that is not the film's focus. The main character travels to Turkey and undergoes an unexpected personal transformation. Part of this transformation has to do with same-gender sexuality. But you will enjoy the film much more if you forget about that entirely, and let the story unfold.

I think that the film's main characteristic is that it is subtle. The main character is not shouting his confusion from the rooftops; the viewer is left to draw conclusions from glances and actions (or the lack thereof). Some self-reflection comes in the form of letters that his aunt wrote to his mother, with the implication that he feels the same way.

Steam, or Hamam, is about suddenly finding one's "home", and being willing to accept that discovery and embrace it.

Marketing this as gay-themed is sort of misleading. There is an important gay relationship in it, but it's handled in a subtle manner. The Turkish family is either tolerant or in denial, (probably both). Reminds me a little of the Italian film 'I Am Love', which also takes a dramatic turn near the end. Prior to that, though, the story moves rather slowly. The quality of the lighting and the DVD itself is not great. I hope someday it will be 're-digitized'. Anyway, the film is remarkable for portraying a quietly ambivalent acceptance of homosexuality in a culture that is non-western and cosmopolitan: Istanbul. And interestingly, it suggests that the quietly ambivalent acceptance has been going on for a very long time. (10/2012)

I've decided to watch all Ozpetek films. Then, I've started with this one. So, it was not under my expectation limit. As a Turkish, I've seen very much interesting cultural points. That is, the movie is not "usual" or "boring" for an ordinary Turkish.

"Things flow more softly there" for Istanbul... It was a good point.

The story of Francesco at the Turkish bath is demonstrating parallel to his aunt's story. It gives attraction to the movie. "Istanbul might be stunning for an Italian". It's all that I catch from the film. Maybe everyone should watch it like an Italian. Finally, it is important to me, I do not think that choosing Alessandro Gassman is not a good decision. This role would be better.

I found this videotape at a local library's gay and lesbian section. However, there was only one scene that is related to homosexuality. The main character's partner can also be another female.

It is really a nice movie about a person's simple life pursuing happiness. In this material world, sometimes people forget what the ultimate happiness is all about. It really does not matter how much one can make, this film showed that happiness is when you found something that you like to do.

A good movie.

An official selection of the Cannes Film Festival, "Steam (The Hamam)" is a mesmerizing, astounding film that grips you almost from the beginning. Francesco and Marta are a feuding, materialistic, adulterous married couple. But when Francesco inherits a Turkish bath from an aunt he barely knew, he heads to Instanbul to sell it. There, he is seduced away from his high-tech, wealth-obsessed life by the slow, human pace of life led by the people of the ghetto. Francesco finds his bitterness salved by the love of the family who manages the hamam, his heart stolen by the family's hunky son Mehmet, and his too-fast life slowed by the need to rebuild and maintain the hamam. And then Marta arrives, wondering what the heck has gotten into her husband... The film even has a surprise ending. The musical soundtrack was a major hit on the dance circuit. And the film itself became notorious when the Turkish government refused to nominate it for a best foreign film Oscar because of its homosexual content. (The controversy led the Academy to change the way foreign films are nominated.) "Steam" is MUST-see, ranking right up there with "Muriel's Wedding" and "Four Weddings and a Funeral."

An Italian man named Francesco inherits am old Turkish bath from his aunt and travels to Turkey to sell it. The ensuing story deals with his involvement with the bath, with the community of people in its milieu, and especially an attractive young cousin Mehmet who stirs his sexual ambivalence in the men's world of the "hamam" (the bath), and the triangle completed by his wife Marta who has her own issues.

I found the earlier parts of the movie to be slow developing, picking up "steam" as the main character begins to discover himself in the culture of the hamam. The film seems true to Turkish city culture from my limited observations after two trips there. The cinematography seems unnecessarily dark and dingy in places where this wasn't needed for effect. The English subtitles show generally good, clear form (not knowing the original languages I can't vouch for their accuracy), although there is a mixture of Italian and Turkish spoken, with some of the characters speaking only one or the other and not understanding each other: all that isn't clear to us, because we just have the English translation in the same typeset.

This film will be mildly interesting if you like the subject matter, and a number of reviewers have appreciated its subtlety and treatment of a changing culture. For me, I'm glad I saw it, but a masterpiece it's not. I'm rating it a 5.

First off the bat, the homosexual suggestive advertising of this film is misleading: it was not the central theme nor occupy any more than a second's brief moment.

This film actually has a very poignant way of telling a story, which is set in Istanbul (this was what drew me to see this film as I remembered my visit to Turkey and fascinated by the city of Istanbul), and Istanbul is really the central backbone of this movie. Story unfolds in a very ordinary everyday way, and through out the film, yes, things just unfold and nothing is presented elaborately – no fuss no emphasis – they all come across in subtle nuances. One recurring activity is eating: breakfast, family dinner at home, dining at a restaurant -- the colorful food on the table, and the people at the table --- it's all happening in a casual simple everyday manner. Yes, it's like you're there with them -- the ‘regular' streets and neighborhood of Istanbul the city that tourists do not see. Meanwhile layers of emotions subtly unraveling and the central characters: Francesco and his wife, Marta, each of their own feelings go through stages of change…through each of their experiences of Istanbul and Francesco's aunt Anita's words… It all come together…and you will enjoy this film. An ordinary extraordinary film this is.

This film is really a very subtle, literate story. Nothing hits you over the head, there's nothing to win or lose at the end, it's just characters and events unfolding and interacting within a languid pace. It's really a beautiful film, both in scenery, sentiment and depth of feeling.

If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.

But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.

Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.

One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.

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I like a movie that has a distinct climax, yet is easy to overlook or perhaps miss altogether. The climax of Hamam is when Francesco hands his wife the letters from his aunt and asks that she send them back when she's finished reading them. It is a seemingly small, inconsequential gesture -- but an act of conviction that describes a person's inner workings far more than could ever be achieved with an abundance of words. It is truly a beautiful moment -- one of many -- and a reason this is a film worth viewing.

This movie was not at all what I expected. The way it was being advertised, one would have thought it was nothing more than a bunch of hot guys getting it on in a steam room. But this movie wasn't even close to being that shallow.

The story is very bittersweet, about two people finally finding themselves only to lose it in the end. There is no conventional happy ending here, but I cannot decide if it is a sad ending. You'll have to see for yourself. Definitely a must see for anyone, gay or straight. The story is the thing here. If you're looking for sex of any kind, you might as well look elsewhere.

I have seen this film twice now, and both times felt enchanted at the end. I was impressed by the fact that while in Italy, colors are bright and edges are sharp but life was just dull. In Turkey, the screen was inundated by drab colors, worn edges and crumbling buildings, but the humble people and surroundings were full of life.

While never afraid of subtitles, I felt their use was enlightening in this case. I was able to put myself in the main character's shoes in not understanding everything being said (well, I could read, but still...) The use of what I perceived to be 'broken Italian' also added to the mood.

The letters being read has been done before and I expected it to be a foreshadowing of things to come but I didn't expect the way it was carried out.

As for the sexuality mentioned in other reviews, I think I would call it sensuality, and it didn't always involve naked bodies.

All in all, this was a great movie. I have also added Istanbul to my list of cities I must visit before I die.

What is this movie? It brings up various subjects (a failing marriage, homosexuality, Turkish customs, etc. etc.), gives them all short shrift and goes nowhere with any of them. The photography is beautiful, but at times I felt like I was watching a travelogue, not a motion picture. The acting ranges from OK to horrible. The worst performance is by the leading man. He's always so stone-faced that you can't get a grip on his character. Considering that one section of the film deals with his sexual awakening, this is not good news. When someone was killed at the end (brutally and unnecessarily) I didn't care. Boring, pointless...go if you need a little nap.

This is a wonderful film about happiness and love, not some sex film. Finding your true place in life physically as well as emotionally is the theme. Everything is beautiful about this movie, the people, the love between the two men and the between the family and Francesco. Great performances by the cast, especially Alessandro Gassman. Beautiful scenes of Istanbul, which I am sure is not seen by the usual tourist.

I loved this movie and highly recommend it.

We have many films on the theme of how repressed English visit sunny Italy or Greece to discover new depths to their souls, from "Zorba the Greek" through "Room with a View," "Enchanted April," and "Shirley Valentine." "Steam," or "Hamam: Il Bagno Turco," breaks new ground.

To begin to understand the enormity of the life-transforming intensity of feeling the "cold" foreigners experience in Istanbul, the "cold" foreigners are ITALIANS, the very people whom film makers love to contrast with the supposedly cold Brits.

"Il Bagno Turco" made me and two friends -- one of whom had never been there, another who'd lived there four months -- want to hop the next plane for Istanbul, and perhaps never leave.

The film reminded me of how surprised I was to experience the warm hospitality of the Turkish people.

It also reminded me and my friends, once again, of how profoundly civilized the Italian people are.

The cinematography and direction is nothing short of amazing. In one scene, toward the end, the frenzied rush of one of the main characters through the streets of his Istanbul neighborhood to seek help is carried off with balletic precision, while the unseen camera photographs him from a variety of swiftly turning angles, with no camera in sight.

Francesco and Marta are an Italian pair. They fight constantly, are unfaithful to each other, and take the other as a rival. But they are a married couple like Pope wants it. Both yearn for a change. An aunt dies and leaves a fortune but it is in Turkey. Francesco leaves for Istanbul. He finds a different kind of life, men who are more sensitive and able to listen each other, to share experiences, and eager to listen. He finds Mehmet, in years younger but humanly more mature. Mehmet's family and friends open Francesco's eyes to a world more friendly, more meaningful and full of tasks better scaled for a man. He also finds out that man and woman may live together but without family are doomed to be unhappy: they eat each other out. He falls in love with Mehmet. Marta follows to Istanbul and finds out the change. Her pride and her title to marriage are hurt but she also feels certain freedom. Francesco dies later and Marta understands her aunt's letters: as a free woman in Turkey she needs no men to be paired with. Men and women are citizens of same planet but their life are only parallel to each other, not together.

Visually interesting and an engaging-enough plot but the characters failed to arouse any emotion. Towards the end of the movie we learn that someone wanted to name their baby after Francesco and I asked myself why. He does nothing in the movie except brood and read his aunt's letters and for some reason everyone who meets him in Turkey seems to think he's Mr Charisma. All I can say is they obviously don't get out much.

Life is full of surprises. Everything was bright and promising for a young couple living in Rome --at least, everything looked beautiful on the surface... Then came most unexpected changes: Going to a most fascinating city (Istanbul) located in a drastically different country (Turkey) to finish some family business; meeting a loving, close-knit family; making personal connections with the members of the family and other local persons; discovering an architectural peculiarity --Turkish Steam Bath-- not well-known and appreciated even in that city; exploring, enjoying, and getting to know all the unique specialties of this type of "Bath"; and, above all, going through a major personal evolution and discovery. All of these are told with a most beautiful style. The way the story is revealed and the way camera is used in the process of this disclosure are absolutely superlative. The changes people go through and the emotions they experience during these changes are expressed in an exceptionally masterful way. A superb film from a great director.

I've dealt with clients that are Turkish, and though I have little knowledge on their way of life, it was interesting to see them portrayed: their kindness, generosity and hospitality. It might not speak for them all, but it was still pleasant to see something beyond my little exposure. Unfortunately, my interest stopped there in 'Steam: the Turkish Bath.' It might have perked a bit if it had better lighting. I haven't seen this dark of a film since any Tim Burton movie, and at least he did it on purpose. Perhaps, the gay aspect is new/controversial to the Turks, so maybe the movie should be applauded for setting, uh, out of the norm. But, it's all been done/seen before in countless other American/Asian, well, every group. And I get the fact it's about two cultures and learning/leaning on each other, but the lack of some of the subtitles for those who don't speak either Italian/Turkish was annoying. The plot was simple enough to follow the action (or lack thereof) by their emotions/motions. But, it would've been kind to know what was said. We get confusing opening where you have to put pieces to get who's who/where/what they do, but after awhile it slows down to a married Italian man who travels to Turkey following his Aunt's death and his strange desire to continue her hamam or bathhouse which was already going out of style before her death. Here he gets an awaking in his life he wasn't aware of back with his wife and life in Italy. He also finds a different kind of love, that was predictable from the get go. An odd twist in the closing doesn't save the movie. BTW, if you're looking for nudity due to the title, look elsewhere. This could've been rated G.

I agree with those who comment that marketing this as a gay film is an indulgence in false pretenses, but I and my friends have enjoyed this thoughtful, beautifully filmed parable of self-discovery as a parable for the coming-out process. The vagueness and the fact that so much of the story is told through glances, gazes, and shimmering vistas of Old Istanbul means that everyone can bring their own story along with them to illuminate the hints and nuances of this remarkable film.

The ensemble performances were very powerful, and I honestly couldn't find any false notes here, though the atmosphere of Mediterranean melodrama at the film's sudden and somewhat awkwardly contrived conclusion seemed a little heavy and perhaps unnecessary as an ending to the serenity of the film as a whole.

I quite liked the music, and I enjoyed the director's eye for everyday details in a landscape that is very exotic to a North American filmgoer--reminiscent of The Scent of Green Papaya, or Raise the Red Lantern.