The autobiographical story of Howard Stern, the radio rebel who is now also a TV personality, an author and a movie star.The autobiographical story of Howard Stern, the radio rebel who is now also a TV personality, an author and a movie star.The autobiographical story of Howard Stern, the radio rebel who is now also a TV personality, an author and a movie star.
- Awards
- 2 wins & 3 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsRobin makes the statement that Howard, "...wasn't old enough to be in Vietnam" and Howard replies, "no duh". The Vietnam War started in 1965 and ended in 1975. Howard was 18 years of age in 1972 which does make him old enough to be in the war.
- Quotes
[after seeing Howard in his Fartman oufit]
Ozzy Osbourne: What a fucking jerk.
- Crazy creditsStern cohort 'Stuttering John' Melendez rants about Howard not putting him in the movie.
- Alternate versionsFor its airings on the USA Network, the movie occasionally pauses and 'Howard Stern' appears to provide commentary on the movie. Also, in an atypical move for a basic cable channel, USA Network presented the movie with no edits -- but with all spoken obscenities bleeped and objectionable visuals (nudity, drug use) electronically masked. This version also airs on VH1.
- ConnectionsFeatured in Saturday Night Live: Alec Baldwin/Tina Turner (1997)
- SoundtracksThe Great American Nightmare
Written by Rob Zombie & Charlie Clouser
Performed by Rob Zombie with Howard Stern
Courtesy of Geffen Records
Featured review
I SO enjoyed this movie.
I watched this movie without realizing until close to the end that Howard Stern was playing himself.
I was a radio announcer myself, during the period when Stern got going. This movie has the 'feel' of reality to it. I recognized so many of the people I worked with in this movie. Every radio station has some of them. The studios of the period were just like this.
Of course, this movie was severely compressed in time and space. Radio is like warfare: lengthy periods of utter boredom punctuated by periods of pure panic. We don't need to see the slow bits. Each hour of on-air radio presentation requires something like three hours of preparation: we don't see the hard work that goes into such a show.
We do see a very funny and entertaining movie. Don't forget, I was in the industry at the time this all happened: and this one feels 'real' to me.
Many autobiographical pieces by "stars" turn into awful sycophantic schmaltz-fests. This one didn't. It could have been awful. Most of this kind are. This one... is excellent.
And if you've never worked in broadcasting -- it's still very funny!
I watched this movie without realizing until close to the end that Howard Stern was playing himself.
I was a radio announcer myself, during the period when Stern got going. This movie has the 'feel' of reality to it. I recognized so many of the people I worked with in this movie. Every radio station has some of them. The studios of the period were just like this.
Of course, this movie was severely compressed in time and space. Radio is like warfare: lengthy periods of utter boredom punctuated by periods of pure panic. We don't need to see the slow bits. Each hour of on-air radio presentation requires something like three hours of preparation: we don't see the hard work that goes into such a show.
We do see a very funny and entertaining movie. Don't forget, I was in the industry at the time this all happened: and this one feels 'real' to me.
Many autobiographical pieces by "stars" turn into awful sycophantic schmaltz-fests. This one didn't. It could have been awful. Most of this kind are. This one... is excellent.
And if you've never worked in broadcasting -- it's still very funny!
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Details
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $41,230,799
- Opening weekend US & Canada
- $14,616,333
- Mar 9, 1997
- Gross worldwide
- $41,230,799
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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