Witchcraft VI

So why 10 out of 10? Mainly to counteract the "Academy". The Academy believes that no film which does not deal directly with some left-wing (gay anything!) societal issue, have a completely depressing ending, or at the very least involve unattractive actors mumbling philosophical nonsense to each other in Swedish or French has any right to be seen. Not so! Klaus Kinski in Herzog's "Aguirre, the Wrath of God" is tedious enough to make me want to peel off my own flesh. Stephanie Swinney in "Witchcraft 6", on the other hand, leads me to believe that some flesh just needs to be appreciated. It should be remembered that in its beginnings cinema never aspired to the status of art. It was entertainment pure and simple. That some film has indeed achieved the status of art is both inarguable and laudable, but it would be unwise to denigrate that which aims to merely titillate or entertain.