IMDb RATING
6.3/10
1.1K
YOUR RATING
Rebecca Miller's riveting drama examines how two sisters cope with their mother's mental illness.Rebecca Miller's riveting drama examines how two sisters cope with their mother's mental illness.Rebecca Miller's riveting drama examines how two sisters cope with their mother's mental illness.
- Awards
- 4 wins & 1 nomination
Miranda Rhyne
- Angela
- (as Miranda Stuart Rhyne)
Charlotte Eve Blythe
- Ellie
- (as Charlotte Blythe)
Caitlin Hall
- Anne
- (as Sara Caitlin Hall)
Frances Conroy
- Anne's Mother
- (as Francis Conroy)
Rodger Phillips
- Frank
- (as Rodger L. Phillips)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsBoom mic visible. Several times throughout the film, a boom mic (and even part of the boom) is VERY clearly visible, mostly in outdoor scenes when the boom was more necessary. This is a masking problem on an early DVD release, and is probably present on any VHS release as well (the DVD is likely transferred from the VHS). The movie was filmed in academy ratio with the intent to mask it to widescreen, in which it was shown in theaters. When telecined to VHS/DVD for home use to watch on your TV set, or perhaps even for TV broadcast, it wasn't masked: black bars were not placed over the top and bottom to make it letterboxed for widescreen. This was commonly done in Pan&Scan versions of many theatrical movies for TV broadcast and VHS release so you could get the whole screen without those annoying black bars which would give you a smaller amount of image to squint at. Unfortunately, with the whole screen image you also get portions of the image that were not meant to be seen, such as boom mics and track lights on the top and cables and camera dolly tracks and crew-members feet on the bottom. Older DVD releases of many movies just copied the full-screen without remasking it, which would require a whole new telecine transfer from the original film source. Even some newer DVD releases INCORRECTLY masked some movies, as the bars either weren't covering enough or were disproportional (covering too much on top and too little on bottom or vice-versa), since the widescreen aspect ratio varies and WHERE you put the masks can vary in a single movie. This is a big controversy, and happens more frequently than you might think; see the 3-DVD release of the Back To The Future trilogy for a famous example of improper masking. Pretty much, whenever you see boom mics visible, it is almost always a masking problem on a video release (TV broadcast or VHS or DVD transfer); it is not the fault of the director or cinematographer or editor.
- Quotes
[Angela tackles the boy who threw a doll at her sister, Ellie]
Angela: You could've killed my sister!
[the boy doesn't say anything, so she turns to Ellie]
Angela: Sit on his head.
[Ellie sits on the boy's head]
Tom: Get the kid away from me!
Angela: Apologize or she'll fart!
Tom: Sorry...
Angela: Say, I'm very, very, sorry, Ellie and I love your smile.
Tom: I'm very, very, sorry, Ellie and I love your smile.
Angela: Okay, Ellie. Take it away.
[Ellie gets up]
- ConnectionsReferenced in Wear (2015)
Featured review
I caught ANGELA on IFC a couple of years ago; it's been in the back of my mind since then. ANGELA is about two young girls who create their own realities in order to deal with the painful reality of their mother's manic depression. It pinpoints and explores the relationship between the interior self and the subjective world--the process by which we create meaning when meaning runs riot in the "objective" world.
Its direction by Rebecca Miller is impeccable -- she coaxes sensitive, complex performances out of each and every character, most notably in the young protagonist and in her even younger sister. Such fine performances are a tribute the script, as well.
From cinematography to art direction to costumes, it manages to convey a truly unified, important, tender and thought-provoking vision... The world would be a better place with more films like this one. Thank you, Ms. Miller!
Its direction by Rebecca Miller is impeccable -- she coaxes sensitive, complex performances out of each and every character, most notably in the young protagonist and in her even younger sister. Such fine performances are a tribute the script, as well.
From cinematography to art direction to costumes, it manages to convey a truly unified, important, tender and thought-provoking vision... The world would be a better place with more films like this one. Thank you, Ms. Miller!
- How long is Angela?Powered by Alexa
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