When Raj meets Simran in Europe, it isn't love at first sight but when Simran moves to India for an arranged marriage, love makes its presence felt.When Raj meets Simran in Europe, it isn't love at first sight but when Simran moves to India for an arranged marriage, love makes its presence felt.When Raj meets Simran in Europe, it isn't love at first sight but when Simran moves to India for an arranged marriage, love makes its presence felt.
- Awards
- 15 wins & 4 nominations total
Storyline
Did you know
- TriviaWhen Shah Rukh Khan drops Kajol at the end of "Ruk Jaa O Dil Deewane," director Aditya Chopra did not tell Kajol what was going to happen, so that her reaction would be genuine.
- GoofsDuring the climax, the railway station where Raj and Kuljit have a fight is shown to be 'Apta' (as seen on the signboard). Apta is a small station near Mumbai and is more than 1700 km away from Punjab where the plot is based.
- Quotes
Simran Singh: I'm sorry. I said a bit too much in anger.
Raj Malhotra: It's all right, Señorita. In big countries, such small things keep happening.
- Crazy creditsThe movie had a special credit for suggesting the movie's name and the credit was for Kirron Kher.
- ConnectionsFeatured in Ninne Pelladatha (1996)
- SoundtracksGhar Aaja Pardesi
Written by Anand Bakshi
Composed by Jatin Pandit and Lalit Pandit
Performed by Pamela Chopra and Manpreet Kaur
Courtesy of Saregama HMV
Featured review
This was the top Bollywood film of the 90s and after seeing it I really can't think of one that was better. There are some that are just as good but I can't recall seeing one that's better. The story's pretty routine: boy meets girl in Europe, they fall in love, girl is engaged to some other idiot, and the rest writes itself... Sound familiar? Well it wasn't back in '95 (or even if it was it wasn't done as well) and Aditya Chopra's treatment of the story was a big reason for it's success. In every other movie the couple first wants to kill each other before falling in love. But in this movie it's slightly different and more plausible. Shahrukh doesn't want to kill Kahol - I mean Kajol - and she doesn't really hate him either, she just (like the rest of us) is annoyed by the guy. Their situations aren't that far-fetched and their Europe storyline is played out quite realistically (of course the piano scene is an exception). This was the beginning of the "Shahrukh plays Shahrukh era" and, for what it's worth, he hasn't made a better movie or given a better performance since. Sure there are places where he overacts but there are just as many places where he's able to hit all his cues. His comic timing was never better and there was still some sincerity in his eyes, a reminder of the fact that he was still an actor, which has since been replaced by the cockiness of a megastar. This is the movie that shot him to superstardom and put him alongside Aamir and Salman. Kajol is just as good (if not better), and I think after their next movie they'll win the Nobel Prize for Chemistry. The supporting cast is fine although no one really stands out. There are many moments in the film, most notably in the script, where you might feel a sense of deja vu. But keep in mind that this was the original, it's everything else that's a rehash. Bollywood headed straight for the sewer after this movie with almost all films, many of them starring Shahrukh, copying the same formula. Even at its 3 hour length the movie never drags till after the two-hour mark. I also want to comment on the film's Art Direction because it warrants a mention. Whether it's in Europe, England, or India, the movie has a very natural look to it. Unlike today's big films like Dil To Pagal Hai, or K3G, this movie looks good without trying to look good and I think that's a quality that's been lost on today's films. Too much attention is spent on the look at the expense of the story (if there is one!). The soundtrack of course is a classic, truly one of the all-time bests, with almost every song being a hit. The film won an unprecedented number of awards while breaking many records. There was a feeling that Aditya would follow in his father Yash's footsteps but regrettably the pressure got to him. He followed this up with the dreadful Mohabbatein which was slammed by audiences and critics alike. But so what. His first film was good, and with the current state of Bollywood movies - Devdas anyone? - you really can't get better than this.
- omarhussaini
- Dec 26, 2002
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Big-Hearted Will Take the Bride Away
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- ₹40,000,000 (estimated)
- Gross worldwide
- $83,096
Contribute to this page
Suggest an edit or add missing content