People from all different walks of life, encounter racial tension, rape, responsibility, and the meaning of an education on a university campus.People from all different walks of life, encounter racial tension, rape, responsibility, and the meaning of an education on a university campus.People from all different walks of life, encounter racial tension, rape, responsibility, and the meaning of an education on a university campus.
- Awards
- 1 win & 1 nomination
Busta Rhymes
- Dreads
- (as Busta Rhymez)
Jay R. Ferguson
- Billy
- (as Jay Ferguson)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOriginally, writer, producer, and director John Singleton wanted Leonardo DiCaprio to play Remy, while Michael Rapaport was originally going to play Scott Moss. DiCaprio was cast, but unable to be in this movie because of a scheduling conflict with The Quick and the Dead (1995). So Singleton had Rappaport play Remy once Cole Hauser was cast.
- GoofsRemy says he is from Idaho, but he speaks with a thick New York accent.
- Quotes
[after Malik referred to him as a "sell-out"]
Professor Phipps: So, Mr. Williams thinks I am an Uncle Tom, hmmm? Well, well, well. What does that have to do with your ability to place a comma in its proper place or put a period at the end of a sentence, hmmm?
- Crazy creditsUnlearn [appears in movie's closing shot, instead of "The End"]
Featured review
I found this film to be heavily laden with stereotypes - everything from the depiction of fraternity members being sexist, skirt-chasing rapists, to the african-american male doing the 'hood walk, to the white male hick who just has to end up becoming a neo-Nazi. The ending was uncalled for and decidedly cheesy. Makes you wonder if the writers/director ever went to college, and if so which ones, cause the one I went to was not nearly as exciting. I realize that Mr. Singleton was attempting to deal with multiple issues in a limited timespan, which accounts for the film having very little by way of realism, but that doesn't excuse many of the situations being as over the top as they were, nor does it warrant such heavy usage of stereotypes.
And the near lack of non-black and non-white (I don't count Jewish people as not being white) characters only served to lessen my respect for this piece of work. I am South Asian myself (that's the Indian subcontinent for those who feel geographically challenged) and, in general, find our lack of presence in any mainstream production about higher education just a little bit annoying, especially given the large numbers of such people on any college campus. And by presence, I don't mean "boy at fountain" or "girl in classroom" cardboard characters. I mean real, live people with relevant parts.
The cinematography, on the other hand, was great. His crowd scenes in particular were shot beautifully.
After being blown away by Boyz n' the 'hood, I was very disappointed by Higher Learning. I give it a 4 out of 10.
And the near lack of non-black and non-white (I don't count Jewish people as not being white) characters only served to lessen my respect for this piece of work. I am South Asian myself (that's the Indian subcontinent for those who feel geographically challenged) and, in general, find our lack of presence in any mainstream production about higher education just a little bit annoying, especially given the large numbers of such people on any college campus. And by presence, I don't mean "boy at fountain" or "girl in classroom" cardboard characters. I mean real, live people with relevant parts.
The cinematography, on the other hand, was great. His crowd scenes in particular were shot beautifully.
After being blown away by Boyz n' the 'hood, I was very disappointed by Higher Learning. I give it a 4 out of 10.
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Details
Box office
- Gross US & Canada
- $38,290,723
- Opening weekend US & Canada
- $13,276,662
- Jan 16, 1995
- Gross worldwide
- $38,290,723
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