Jefferson in Paris

It is documented that John Adams, second President to the United States, loathed Parisian excess and found the endless gossip, parading, and parties to be a bore. Thomas Jefferson, on the other hand, it is reported, liked Paris much better, and had a reputation of being more of a dandy than is portrayed in this film. Not only is 35% or more of the movie's dialogue in untranslated French, that is, without subtitle either, but the endless tedium of the suffocating excesses of 17th century France are too accutely conveyed. I found Nick Nolte uncompelling and Gwynneth Paltrow's performance doesn't seem like it was fully captured, somehow. The costuming is beautiful and particular attention seems to have been invested in hair and wig styling history. As far as the story goes, though, I kept wondering what Jefferson saw in either his European love interest, or in Sally Hemmings that drove him into the arms of either of them. The accents of all the actors just don't work for me. I didn't buy it that Sally Hemmings would have such a pronounced country accent after living exclusively with Jefferson and his immediate family for such a time, if anything, she would have picked up a French lilt to her speech.

It was said by one of Thomas Jefferson's successors that when he (John F. Kennedy) gathered a distinguished group from the arts and sciences for a White House dinner, Kennedy was wont to remark that this was the most eclectic and brilliant group of people ever gathered at the White House except when Thomas Jefferson dined alone. A tribute indeed to the versatility and genius of our 3rd president who more than dabbled in so many fields.

Philosopher, inventor, politician, farmer, musician, and chronicler of events this film focuses on Jefferson as father and lover and slavemaster. Whatever else he was Thomas Jefferson was a product of his times and culture in the colonial plantation culture of tidewater Virginia.

Nick Nolte who did a lot of action/adventure films cuts a nice figure as Jefferson. Certainly better than the originally intended Jack Nicholson would have been. No reflection on Jack, but can you see all those imitators reciting the Declaration of Independence in that Nicholson voice?

When Jefferson became our Minister to France under the Articles of Confederation he brought his eldest surviving daughter Patsy played by Gwyneth Paltrow. He was a widower at the time, formerly married to Martha Wayles Skelton who died in 1781.

During that time Jefferson had a rather open affair with artist Maria Cosway who was married to a regency rake type Richard Cosway. As Cosway played by Simon Callow was a serial cheater, Maria didn't let grass grow under her feet either. The times were pretty bawdy in Paris during those last years of Louis XVI. A seductive Cosway is played by Greta Sacchi.

Later on Jefferson is joined by his younger daughter Polly and she gets accompanied by slave Sally Hemmings who was maybe 15 at the time she first came over. Hemmings was actually a biological half sister of his late wife,, she was fathered by the father of the late Mrs. Jefferson. As played by Thandie Newton, Sally is one sly little minx.

Over earlier with Jefferson was her brother who was brought over to Paris to learn the art of French cooking. The dialog between Seth Gilliam as the brother and Thandie Newton about how slaves survive in a white man's world is quite insightful. In fact Gilliam demands and gets wages from Jefferson while in Paris.

Paris and continental France may not have had slaves, but I daresay Gilliam might have changed certain attitudes as he was not possibly aware of what the French were doing in the West Indies, especially Haiti. That pot would boil over in the beginning of the upcoming century.

What I liked best was the recreation of decadent Paris of the 1780s before the Revolution. The producing directing team of Merchant-Ivory did a superb job recreating the period with Nick Nolte narrating some of the correspondence of Jefferson as commentary. Other foreign observers had a much different take on these events. Just read A Tale Of Two Cities for an alternative view of events.

Jefferson In Paris is a superb production and highly recommended to those who want to learn about Thomas Jefferson and a slice of the time he lived in.

This is a screen account, directed by James Ivory, of a fascinating historical episode - Thomas Jefferson's period as US ambassador in Paris for the five years leading up to the 1789 revolution. Many Americans may be put off the film, because they do not accept its assumption that Jefferson was the father of children born to his young slave Sally Hemings. Non-Americans may be less interested in this arguable relationship than in the undoubted fact that Jefferson - a passionate believer in individual liberty and draftsman of the Declaration of Independence with its ringing references to equality and inalienable rights - was a slave-owner, and that he could justify his two-way stance (at least to himself).

Jefferson also displays double-think when, though a fierce defender of religious liberty, he stops his pious, dutiful daughter Patsy (Martha) -an admirable portrayal by Gyneth Paltrow in a difficult role - from converting to Catholicism and joining a convent. Overall, Jefferson does not come out of the movie too well. In addition to revealing him as a child-molesting hypocrite, Ruth Jhabvala's scenario allows Nick Nolte to convey the tentative and observant side of Jefferson's character, but gives him scant opportunity to bring out the depth and breadth of Jefferson's mind or his political philosophy.

In addition to the visual delights of costume and setting that we have learned to expect from Merchant-Ivory productions, the most successful aspect of the movie is the all-but love affair between Jefferson and witty, charming Maria Cosway - the wife of a foppish English artist (Simon Callow in full make-up) - a role in which Greta Scacchi lights up the screen. By contrast, Thandie Newton has been criticised for her awkward hamming as Sally, but it should be remembered that she is playing an uneducated 14 or 15 year old girl.

Perhaps the movie's worst features are the "framing" sequences set in the late 19th century, where a Jefferson/Hemings descendent (James Earl Jones) relates his family history to a newspaper reporter. If these superfluous scenes had been cut, perhaps there would have been time to go deeper into Jefferson's politics, which after all is why the man is remembered today.

I wouldn't have been too surprised if Merchant and Ivory had attempted to suit up Anthony Hopkins as Thomas Jefferson or perhaps even fitted Hugh Grant with shoe lifts and an ersatz Viriginia accent for the role. Instead they went with Nick Nolte - who at first glance seems an almost equally unlikely choice. However the casting proved to be inspired for Nolte does a remarkable job of capturing Jefferson during his stint as U.S. ambassador to France on the the eve of the French Revolution. Nolte effectively projects Jefferson's pride, intelligence and intellectual curiosity............ and human frailties.

Most of what I read and heard about this movie led me to believe that it was chiefly concerned with Jefferson's relationship with Sally Hemmings (Thandie Newton) - However, there are other threads running through that take up as much time and attention in this film. If there is a central theme here it seems to be an examination of some of the failures of Jefferson as a man of principle. Both Jefferson's public and private ideals are put to the test during his stay in Paris. And he, arguably fails on every count. However, somehow (at least for me) he remains a sympathetic character-even with his many faults.

Early on in the film Jefferson is called to account by the liberal French aristocrats that he associates with regarding the failure of the American Revolution to address the issue of slavery. Jefferson admits that slavery is evil (he even tried to have an anti-slavery clause inserted in the Declaration of Independence) -but he has no answer when the Frenchmen assert that the American Revolution was "incomplete".

The question of slavery also figures into Jefferson's rather ethereal romance with the wife of an English painter (Mrs Cosway played by Greta Scacci). When questioned about the matter he is only able to put her off by simply saying that it would be impossible for a foreigner to understand slavery as practiced in the American south.

Gwyenth Paltrow gives perhaps the best performance in the film as Jefferson's troubled oldest daughter (Patsy). She sees her close relationship with her father threatened by both Mrs Cosway and then later by Sally Hemmings' appearance on the scene as the nursemaid to Jefferson's younger daughter. Jefferson puts Patsy into a convent but is later taken aback when she evidences an interest in converting to Catholcism. The Mother Superior (Nancy Marchand) of the convent taunts Jefferson, when he comes to retrieve his daughter. by pointing out that freedom of religion is an idea (after all) championed in the U.S. Constituion. The idea here, of course, is that Jefferson is being a hypocrite once again by denying his daughter her own choice in the matter. I must say though that the Mother Superior's jibes ring rather hollow to me in as much as an 18th century Catholic nun would not be my first choice to represent the voice of conscience regarding the promotion of human liberty.

Thandie Newton may have the most difficult job here in so much as so little is known about Sally Hemmings (We do get a couple scenes of ineffective exposition in the guise of Sally's son (James Earl Jones) being interviewed seventy years later). Newton chooses to play the character very broadly and she comes across as quite believable in both reflecting the speech and manners of a 15 year old slave girl fresh off a Virginia Plantation (all the more remarkable since she is a 22 year old Englishwoman---her accent only fails her in one scene I think). The character of Sally Hemmings stands in sharp contrast to the almost painful sophistication exhibited by the French nobility that Jefferson associates with. I note that some posters on IMDb criticize Newton's portrayal as lacking depth and even sinking at points to the "stepanfetchit" level. I disagree. Newton- is showing us a confused girl-far from home--and certainly a girl at times who has her own agenda--however naive.

It is obvious here that Merchant and Ivory are attempting to get us, at every point in the picture, to question the character of Jefferson--However,- the way the affair between he and Hemmings is handled speaks much to the limit of how far the film-makers were willing to go. The affair itself is still clouded by controversy but in almost all circumstances, a 50 year old man having an affair with a 15 year old girl must be considered, at least, culpable if not criminal. There really is no such thing as consensual sex between a slave and a master. Since nobody really knows the hows and whys of the affair, Merchant and Ivory had free license to present it in any light that they wanted---and they chose to make (unrealistically in my view) Sally Hemmings the sole initiator of the affair -- In fact, it's difficult to picture Nolte's Jefferson as initiating the affair--much less forcing it. I think that this version of events rather begs credulity.

As usual, Merchant and Ivory, have produced a movie that has wonderful period details - the costumes and sets are at the very top of the line in every way. The building storm of the revolution is set as the backdrop to all that happens in the film. Mob scenes are inserted between views into the luxury and leisure of the French nobility in an effort to remind us that many of these extremely glib and well dressed people will be without heads in the near future.

"Jefferson in Paris" offers a little something for everyone---History -Romance----class and race conflict----take your pick....It's a movie well worth watching.

We are invited here to see some of the more infrequently discussed aspects of the multifaceted Thos. Jefferson: architect, scientist, horticulturalist. Less of these perhaps than we might like, but more than we usually receive. Jefferson the scientist is mostly implied -- he witnesses one of the early Montgolfier ballooning experiments, for example.

The primary focus is on the contentious matter of Jefferson's affairs of the heart. These include, most notably, a speculative miscegenetic one, but there is a second one, better documented, for contrast. Even if one suspects that the decision to direct attention here was primarily a commercial one, those portions of the film are well enough executed, while the creators, Prawer Jhabvala and Ivory, do provide us with a little seasoned food for the intellect, both here and elsewhere.

"Jefferson in Paris" does contain a few speech anachronisms but otherwise seems to have found the flavour of the period. Altogether, not an exceptional film, but one which has much to recommend it.