A basketball player's father must try to convince him to go to a college so he can get a shorter sentence.A basketball player's father must try to convince him to go to a college so he can get a shorter sentence.A basketball player's father must try to convince him to go to a college so he can get a shorter sentence.
- Awards
- 10 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSpike Lee originally wanted Kobe Bryant to play the part of Jesus Shuttlesworth. While Bryant liked the script, and the idea of working with Lee, he had just finished his rookie year in the NBA (the 1996-97 season), and had shot several air balls in a brutal playoff loss by the Lakers to the Utah Jazz. For this reason, Bryant planned a workout program that would help him maintain his strength through the longer NBA seasons (a major adjustment, as Kobe went straight from high school to the pros). After Bryant consequently turned the movie role down, noting that the summer of 1997 was too important to spend time making the film, Lee promptly sought out Ray Allen, who quickly accepted the lead role.
- Quotes
Jesus Shuttlesworth: Basketball is like poetry in motion, cross the guy to the left, take him back to the right, he's fallin' back, then just J right in his face. Then you look at him and say, "What?"
- SoundtracksJohn Henry
Performed by London Symphony Orchestra
Aaron Copland, Conductor
Written by Aaron Copland
The Aaron Copland Fund for Music, Inc., Copyright Owner
Boosey & Hawkes, Inc., Solo Publisher
Courtesy of Sony Classical
Featured review
Jesus Shuttlesworth is the number one hope for college basketball and has offers from colleges and sports agents ringing non-stop. His father is in jail for the manslaughter of his wife but is allowed out by the Governor for 4 days with a promise of further leniency if he can convince his son to go to Big State University. However Jesus has never forgiven him and this pressure, on top of everything else, is the last thing he needs.
I'm never too sure what I'm going to take away from this film each time I watch it, as it does tend to try and cover a lot of ground. Is the film about father/son relationship? Is it about the commercialisation of school sports? Or pressure on young athletes? It's hard to be sure and I'm not sure that Lee is totally sure either. As such it often leaves me searching for an adequate way to summarise what I just watched. Regardless I do feel that the film manages to cover a lot of bases well. The stuff about the sports system is well worked without ramming down your throat the exaggeration (or is it?) of the characters and scenarios is good and makes for good satire of sorts.
The central relationship between Jake and Jesus is also worked well through several key scenes throughout the film. It leaves questions open during the film and at the end, but I guess there aren't always answers for everything and that's the way it is. The dynamic between the two is good though and it makes for an interesting plot even though it does often feel like a subplot behind the basketball stuff. Other bits of the film don't fare as well. The two romantic strands are not as good as they should be certainly Jake's scenes with Dakota are less than inspiring.
The cast are all pretty good. Allen does OK but occasionally looks out of his depth with the talented cast. The array of basketball players and associates all add colour whether as themselves or playing characters. Washington carries the majority of the film and shows his ability in a difficult role he became the heart of the film for me even though I'm sure the intention was for that to be Jesus. Dawson plays well despite being eye candy for the majority, she does have better scenes near the end of the film. The support cast have a few Lee regulars including an amusing Turturro, a convincing Palagonia and a blink and you'll miss her Jennifer Esposito.
Overall this is not a perfect film as it overstretches itself a little and doesn't manage to deal with everything as well as it could have done. Ironically the overstretching is also a plus point as, every time I watch it, it gives me something else to concentrate on. Not Lee's finest work but a good film about his other passion with plenty of other stuff thrown in behind it.
I'm never too sure what I'm going to take away from this film each time I watch it, as it does tend to try and cover a lot of ground. Is the film about father/son relationship? Is it about the commercialisation of school sports? Or pressure on young athletes? It's hard to be sure and I'm not sure that Lee is totally sure either. As such it often leaves me searching for an adequate way to summarise what I just watched. Regardless I do feel that the film manages to cover a lot of bases well. The stuff about the sports system is well worked without ramming down your throat the exaggeration (or is it?) of the characters and scenarios is good and makes for good satire of sorts.
The central relationship between Jake and Jesus is also worked well through several key scenes throughout the film. It leaves questions open during the film and at the end, but I guess there aren't always answers for everything and that's the way it is. The dynamic between the two is good though and it makes for an interesting plot even though it does often feel like a subplot behind the basketball stuff. Other bits of the film don't fare as well. The two romantic strands are not as good as they should be certainly Jake's scenes with Dakota are less than inspiring.
The cast are all pretty good. Allen does OK but occasionally looks out of his depth with the talented cast. The array of basketball players and associates all add colour whether as themselves or playing characters. Washington carries the majority of the film and shows his ability in a difficult role he became the heart of the film for me even though I'm sure the intention was for that to be Jesus. Dawson plays well despite being eye candy for the majority, she does have better scenes near the end of the film. The support cast have a few Lee regulars including an amusing Turturro, a convincing Palagonia and a blink and you'll miss her Jennifer Esposito.
Overall this is not a perfect film as it overstretches itself a little and doesn't manage to deal with everything as well as it could have done. Ironically the overstretching is also a plus point as, every time I watch it, it gives me something else to concentrate on. Not Lee's finest work but a good film about his other passion with plenty of other stuff thrown in behind it.
- bob the moo
- Jul 12, 2003
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- No perdonarás
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $21,567,853
- Opening weekend US & Canada
- $7,610,663
- May 3, 1998
- Gross worldwide
- $21,567,853
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content