User reviews

Vulgar is just that. A cheap, nasty but reasonbly watchable exploitation movie of the type that was being made in the late 70's. Sort of a less existential "Driller Killer". The film also has the sort of flatness and flabbiness that characterised much of this type of film.

The sorry tale of Flappy the clown and his treatment at the hands of a bunch of sickos isn't the greatest of stories and there are some agonisingly boring scenes but it is enthusiastically made with a caustic misanthropic eye.

The greatest controversy will doubtlessly be about the rape scene and its perpetrators. These three guys aren't gay - the father is shown as married with a kid and it is his two sons he commits his terrible crimes with. These are a family of psychopaths who delight in homophobic cruelty. "Lets make hate" Dad says as he begins his abuse of Flappy. For a viewer to automatically label the twisted protagonists gay is wrong. They are psychopathic rapists not gays.

The film raises some interesting questions but it just doesn't have the panache to answer them. Unlike "Happiness" and "Contre Seul Tout" there doesn't seem to be much thought behind the provocative nature of the film and certainly the filmmaking isn't as accomplished. A possible cult item of the future but far from an essential view

I almost rated this movie a 5 due to the audio track being about one-two seconds out of sync with the video, but figured that would be a rating on the DVD and not the movie itself.

'Vulgar' attempts to be a dark dramady. Bryan Johnson incorporates the humorous stylings of its producer, Kevin Smith, with a sinister tale of extreme abuse, and a weak man's response to it. Johnson, in attempts not to rush the story uses lengthy character studies with the camera. Occasionally, this means boring. The shadowy realm that Johnson is attempting to create occasionally threatens to blot out necessary story-telling. Brian O'Halloran the under-employed resident of View Askew studios turns in a top-notch performance. All of the actors do give it their all and present a kingdom of mire and helplessness for Flappy/Vulgar. Nice touches are Kevin Smith's blessing, in the form of a brief appearances as a TV show producer (and his first appearance will cause many a double-take).

Overall a good movie, but not a great movie, certainly worth a watch on video. I'd rate it a 6 out of 10.

Damion Crowley

Will Carlson is a birthday clown who is having some troubles. He can't pay the rent, his mom hates him, and everybody gives him a difficult time. He gets the idea of being an adult entertainer party clown. On his first job he is tortured and raped by an insane father and his two sons. He is too embarrassed to call the authorities, so he keeps the entire incident a secret. Some time later, he saves the life of a little girl who is held hostage by her father and becomes famous and gets his own show. Finally, his dream has come true. He gets a call from the family of rapists who had videotaped his performance and tell him to give them a share of his money. He does, but then they also want a repeat reenactment of that fateful night or they will leak the tape to the press. This film doesn't try to be special. It isn't stylized, or done artfully or tastefully. It can be considered many things, but one thing the film can't be criticized for is being pretentious. This is, to put it properly, an old-school exploitation grindhouse style picture. This film is very effective and quite shocking. It certainly is not a film for everybody. It is a hell of an experience. The film is ugly, rough, grainy, and dimly lit. The acting is very intense and the characters are often quite abrasive. The plot of the film is quite realistic to an extent. The rape scenes are pretty horrific and brutal, some of the roughest I've seen in fact. The spends enough time getting us to sympathize and feel sorry for the character of Will Carlson. His roommate(Bryan Johnson, the director of VULGAR) is probably the best character in the film. Ethan Suplee and Matthew Maher are both pretty creepy as the two rapists, Jerry Lewkowitz is quite nasty as the father, and Brian O'Halloran gives a pretty strong performance. In fact, the only serious issue I had with this film is that it tries to be a comedy at times. Ultimately, the attempts at humor come off really poorly. The humor in this film feels out of place and is distracting at times when it shouldn't be. I guess I could call this a black comedy, but the film is actually really disturbing and difficult to watch. Maybe the comedy element was added to make the whole film seem even more wrong. As it is, it's a merciless film and is nasty. If you are a fan of exploitation you will probably love this film. For others, you could probably do with this film.

Pros: -very engaging and moving at times -decent acting -well established dark tone -intense -a guilty pleasure

Cons: -unneeded humor -graphic violence, rape, and sexual torture may be too much for a lot of viewers -bad marketing

okay. this is a very bad movie. it is not because of the subject matter, which is occasionally disturbing but so nonsensical that even the darkest moments tend to undermine themselves. kevin smith(whose work i sometimes really like) has his fingerprints all over this movie. the stilted dialogue, the poor plot logic, the uncanny ability to pick a cast who have no acting ability. brian o'halloran is always awful and the rest of the cast deliver their lines as if from cue cards. the one exception is smith himself, whose cameo role is the best actual performance he's turned in to date. i really sort of believed him.

anyhow, one of two things will happen. you will either get irritated with the illogical, aimless plot and clumsy acting and struggle to wade through the final 30 minutes (by the climax i couldn't have cared less about what happened) or you will find something in the concept and odd execution here that makes you forgive all that. for me, not possible.

This is not a Kevin Smith film. Although he did produce it, it does not have any of his elements in it. There is no funny dialog, nor witty talk. Instead, you get to see the life of a clown who is down on his luck. Things happen to this character, some of it very vulgar, and finally he succeeds in his life. What is the point of this story, though? There is no moral, and because of that, no point for us to watch all the gruesome circumstances in the flick. BTW, the director does have talent, and will eventually make a really good flick. Vulgar is far from one of those.

Some trivia for the film: the old man in the metal contraption in the middle of the film is the director's dad.

I don't know, maybe I don't understand what the director was trying to show us. When I was watching this movie, i thought, huh, maybe it will get better and when it didn't i though maybe it will actually go somewhere but no. This movie suckes the whole way through. Nothing made any sense. I can't think of one good thing.

A film that sets out to both physically (through a piercing overloud soundtrack) and emotionally (through horrible imagery, rape scenes, abuse of children and much more) hurt its audience then expects them to switch gears and follow their cute little comedy scenes.

It doesn't work. The director has no sense of pacing or flow so the film is like a car with a bad clutch, jerking and bouncing about with nothing to redeem it.

The film lacks wit, humour, characters to sympathise with or a terribly believable plot. This film is worth nothing more than avoiding.

2 out of 10.

I have seen a lot of bad movies. However, I suspect "Vulgar" was intentionally bad. The film plays like a drunk nihilistic comedy that demonstrates an absolute vile contempt for humanity and life in general.

Brian O'Halloran is not a very talented actor and should especially steer clear of serious roles. Of course, "Vulgar" falls into that genre of "other". It tries to be a comedy, but there is no comedic value in rape, even if the raped is dressed as a transvestite clown.

Everything about the film equates to "vulgarity". Its mixture of sexual violence with children's television shows, its poking fun at psychological anguish suffered by a son mentally abused by his mother, and its apathetic attitude towards murder and death.

Films like "Vulgar" cause me to feel unclean, a filth that only the buffer of several days can rinse away. Even then, the film leaves a permanent residue.

by Dane Youssef

Bryan Johnson shows amazing talent and depth as a first-time greenhorn filmmaker. There's more than just one worthwhile film here. There's two.

"Vulgar" plays out like a scrappy, slapped-together little campy comedy and then shifts wildly into much darker territory. And then back again. And back...

Johnson seems to have a natural wild indie touch and while it has touches of some of the darkest nature ever uncovered on the screen, it also has some nice Jersey-blue collar comedy.

Now here's a movie Tarantino would enjoy. It's kinda like a soup. It plays out like a stew of movies, styles and ideas. European avant-garde cinema, indie film and campy, low-budget comedy. It's a shame this movie didn't play in Europe and France. Or college kids. This is the kind of thing they all gobble up.

I'm glad I bought a copy. It gives me hope as an aspiring filmmaker... and joy and thrills as a movie-lover who loves off-kilter stuff.

Brian O' Halloran is touchingly determined and vulnerable as the clown. He scrapes out a meager existence as a "party whore" and lives in his hovel of a home, living on s**t-wages, barely making ends meet. His landlord is understanding and sympathetic and lets him "mow the lawn or do some maintenance" and knocks off a few.

Ethan Suplee and Matt Mawer are effective and creepy as his inbred and mentally-retarded sons who seem to have been phoned right out of "Deliverence."

Jerry Lewkowitz is just plain frightening and disturbing as Ed Fanelli. With his portly beer-belly, bug-eyes, raspy voice and bad wig that looks like a little boy's hair. I heard that the inspiration for this character was Dennis Hopper in "Blue Velvet," one of the scariest villains (or any kind of characters) to pop up on any kind of cinema in history.

The rape sequence with Will is just horrifying. It outdoes the whole scene in "Blue Velvet" and literally makes you BELIEVE and FEEL what this poor guy who just wants to entertain little kids is feeling.

The morning after where he has his emotional breakdown is just as strong. Will confides in Syd about the whole evening and Syd begs him to go to the cops, but Will swears him to secrecy. These scenes all shows strength, talent and feeling with both O' Halloran's acting and Johnson's directing.

Johnson himself, like Tarantino and producer Kevin Smith, once jockeyed in a video store. He gives the movie the flavor of a lot of low-budget films and masters past. He gives some "Kevin Smith" flavor in the dialouge and the juice of other great filmmakers', but he also gives it his own signature style. You'd have to see it to know what I mean.

Johnson has never been within 200 miles of a film school, so he seems to have gotten all of whatever film education and knowledge from Smith and Mosier.

You can tell Johnson is emulating Smith as a filmmaker, like the film's dialouge has an overwritten, over-articulate Kevin Smith-ness to it. Not to mention Smith's one-shot camera set-up. Still, there are moments that generate pain beyond words and conversation that Smith has never shown us.

And anyway, this is NOT a Kevin Smith film. I love the man, but this is another cup of tea altogether. Many will see because of the "Kevin Smith" name on the marquee. Which means they;ll be in for some serious shock and disappointment.

Johnson's only real mistake, in my opinion (and this is one that hurts the movie more than anything else) is his decision to act in it as the clown's only friend. You see why Smith only gave him bit-parts as Steve-Dave. He's no actor. He tends to mumble a lot of the time.

Look, read the other "user reviews" on IMDb about Johnson's "Vulgar." Listen to them describe it. YOU know if it's the movie for you. It all depends on your taste. Go to the site's OFFICIAL WEB PAGE and read the interview with Johnson. After hearing him, does it sound like your type of movie?

All in all, this is a hell of a debut. I liked Johnson's different stories and juggling them all at once. Comedy, drama, horror, working-class stories...

And at the center of it all, View Askew's poster boy--Flappy the Clown.

Have you ever wondered the real story about that clown? Here it is...

Don't see this because Kevin Smith produced it. See it because this is your taste. Read the reviews. Does this sound like your brand of poison? You know who you are.

SPECIAL NOTE: Jerry Lewkowitz deserves particularly special acclaim. Speaking as someone who has seen far more than his share of movies, Lewkowitz is the most frightening villain I've ever seen.

And as Ed Fanelli, he should be placed next to Michael Rooker in "Henry: Portrait of a Serial Killer" and Charlize Theron in "Monster." His role as the horrifying Ed Fanelli will stay with you to the grave...

--A Vulgar Movie Fan, Dane Youssef

This would have to be one of the more disturbing movies i've ever seen, but, i liked it. I mean of course I didn't like the raping sequences but the plot was pretty good, and it starred Dante from Clerks, and it has some funny lines in it. Yes, it's not my favorite movie, probably not top 50, but it was still pretty good. Not for children.

In hindsight, I don't know what I expected when I rented this, but I suppose I should have known better. The film is "vulgar," plain and simple, though you could also call it "disgusting," "disturbing," "stomach-churning," or even "unwatchable."

I guess I tried to watch it because I love "Clerks" (1994) and since the Askew-crew was involved I expected a certain level of quality. Well, the dialogue is Kevin Smith-esque but the events which occur in this film are horrible. It's a comedy for the first 10 minutes, then it seems more like a drama, and then it's "Deliverance" except there's no one to root for.

And let me take time to mention that this is BAD acting. When it feels like people are reading lines of a page, that's BAD. When the characters are as one-dimensional as the script they're printed on, that's BAD. When every single character in the film (right down to the waitress in the "posh" diner) is COMPLETELY unrealistic, that's BAD. Brian O'Halloran tries his hardest (A for effort, by the way) but this isn't gym class.

Please don't see this movie, not even as a rental. The only reason there aren't OVERWHEMINGLY negative reviews for this flick is because most people choose to ignore it. How I wish I done the same.

6 out of 10

Finally a movie that actually lives up to it's title. This is a film that cuts no corners and really doesn't particularly care if the viewer ends up liking it or not. In many ways the filmmakers seem to take a certain glee in just how disgusting and 'vulgar' they can make it. There is a different type of motivation here. It's a sort of assault on the viewers senses. It's a test at seeing just how much one person can take. It's crude and ugly all the way through. It's just one grotesque image or comment toppled onto another. Victory to these filmmakers seems to constitute how many viewers it can repulse. This seems especially evident on the DVD version where in the bonus section they proudly display all the rejection letters they have received from all the film festival organizations.

The story involves a hard on his luck guy who works as a clown for children's parties. He decides he needs some extra money so he decides to attend a adult party and pose as a male clown stripper, but it ends up all being a set up. Once he gets there he becomes accosted and eventually raped by three grown men.

The rape scene is actually not as disturbing as you might think. For one thing it is handled very well technically. It has some interesting camera angles and viewpoints. It also comes after so much other ugliness that by the time you get to this part it all seems very status quo. In fact the filmmakers become so obsessive in painting such a over the top tasteless and nihilistic portrait that eventually it all becomes darkly amusing. A good example of this is the protagonists mother who sits in a senior home and spews all every imaginable insult and put down that she can to her son. She seems so mean to her son, who otherwise seems like a nice guy, that at first you cringe at what she says. Eventually though she spews out so many that you just can't help but start to laugh.

There may actually be a message here somewhere. It may be saying that we live in a very mean and ugly world with no chance at defeating it or escaping it. Good guys and innocent people get raped by it all the time (Note how our protagonist is nothing more than an innocent children's clown.) You almost have to get ugly yourself in a way in order to deal with it because you can never really get beyond it. This is evident by the way our protagonist becomes rich and famous and yet his attackers just track him down and try to extort money from him by saying they have a videotape of the attack which they could send out and humiliate him with.

Overall this is a very cheap looking and grimy picture. It's excessively vile nature will be a test to just about any viewer. Yet it is well paced with a nicely compact structure. The dialogue is good and the three attackers are perfect enhancements to the mountain men in DELIVERANCE. If anything it has it's own vision. This is a viable candidate for future cult status.

Geez, dunno how people can like this movie.

It tries for the snappy dialogue of Pulp Fiction. Failed miserably. Really bad acting.

You wonder why there are so many starving actors around...well this movie's a good reason why.

It was a little interesting in the beginning, but just went completely downhill from there.

Still can't get over how bad the acting job was.

Don't these people watch their own movies and reshoot mistakes and crap?

Kevin Smith made "Clerks" on low budget with a little help from his friends. That movie became a hit, and smith earn a cult reputation with it. Smith has to be a nice guy, because then he helped few Jersey friends with their projects. One of that friends was Brian Johnson, and his project was named "Vulgar".

People are using words like original, shocking, vulgar, violent for this movie. And they are pretty right, but I add just one more – very bad.

Brian O'Halloran who's not a great actor to begin with, plays Will – blunderer, who works as clown at children parties. He doesn't earn a lot of money, he drives old ramshackle car, and live in a hovel, when everyday he can be beaten by his neighbors. This movie starts like avenger comedy and goes from there in direction not many movies have a courage to go. It ends like pulp fiction drama.

The problem is – this movie isn't comedy, this movie isn't drama, this movie doesn't know what it is, and most important the director doesn't know what moves makes a good movie, he doesn't even got the clue. At the end it taste like "bad acid-trip" that tries to be rip-off of "one of the pulp fiction rape story". Its not the idea is total rubbish, it had potential, but execution is so bad its almost depressing.

The one shining thing in this mess is of course Kevin Smith, playing gay TV-producer, he is really funny, and maybe Lewkowitz playing pretty scary villain. But thats about it. All of the stuff here, cinematography, editing, story are BAD, a not M.Jackson kind of Bad.

Just one conclusion at the end – responsible for this mess is no one else but Kevin Smith, because sometimes helping your friends can lead to creating a really smelly monster. So shame on you Smith, shame on you.

When I saw this film at the 2000 Toronto International Film Festival it sounded like a lark and I knew I'd get to see Kevin smith, the producer, at the screening. I did but th film itself is offensive, poorly written, poorly acted and purely pointless.

The film fails on pretty much every level. The main character is a clown yet the actor who plays him has no sense of comedic timing. The film's pacing and plot change gears so often and so poorly watching it is like riding with a student driver first learning on a standard transmission car.

The subject matter of the film is far too dark to be treated comedicly. I'm not sure how long the film's rape scene actually is, maybe 10 minutes, but it felt like 30. And that's not even the most disturbing scene in the film. Yet 2 minutes later we are expected to laugh at silly trivial material. It doesn't work.

Even the soundtrack is so loud and grating it's physically painful and, at the screening I was at, the director overrode the complaints of audience members demanding it be turned down. That's inexcusable. No film should ever attempt to /physically/ hurt its audience.

In the end the film is forced to introduce ridiculous strings of coincidences in order to avoid a realistic response from its main character and allow a forced happy ending. It doesn't work, on any level, ever. The only positive thing I can say about writer/director/actor Bryan Johnson is that he saves the best, most realistic dialogue for the the character he plays himself. His character doesn't seem long he belongs in this movie but, then again, neither did anyone else, neither did I and neither do you.

Vulgar is what it claims to be, I give it a 1 out 10 and I think I'd rather gauge my own eyes out than see it again.

If you like Kevin Smith you'll probably know about View Askew. And If you are a dork like me and watch the view askew movies a lot you'll know that steve-dave and walt. Well Steve-Dave is Bryan Johnson. Bryan and Smith were tossing around an idea roughly based on their view askew logo at the time and Bryan asked if he could try writing it and Smith said yes. The writing has its moments. The beginning of the movie seems like that was the last thing written. the story is about a children's clown how has some bad things happen to him and he wants revenge. Once we get past willys, our clown, bad happenings the writing gets much better. It just seems that he wanted to get to the revenge and he rushed his way into the script and just needed a way to get into the story. The movie has a very dark plot, it seems that the dark evil bad guys could have had a little more tought put into them they were dark but not that interesting. There are some very good lines in the movie and a very good tone. By far the worst part of the movie is Bryan Johnson's acting. He really should not have put himself in his own movie. Smith knew better than to utter more than four or five words in a movie if you the actor saying them. As for the lead Brain O'Halloran when he's on he is on, but he is only on for about fifty percent of the movie. This is sad because the movie would be twice as good if O'Halloran was on the ball more. The rest of the actors wern't too bad, well none as bad as Johnson. Just like the story O'Halloran is worst in the beginning and best towards the end. The camera work is nothing special. there were times that i tought the subject should not have been so centered and should have followed the rule of thirds. All in all the movie is worth seeing if you can handle dark and disturbing. 7/10

For Howard Stern to be repulsed by a movie, you know that you're in for something special. Vulgar is the proper title for this work, which features a clown being gang raped. Kevin Smith produced this stomach churning work. Will makes a living as a birthday clown at kids parties, when he comes up with the idea to expand into the world of bachelor parties. He dresses in lingerie and strips to garters to fool the client into believing that he is gay. One day, while walking in his strange outfit, he is brutally assaulted by a guy and his two sons. They videotape the attack and warn him not to go to the police or they will embarrass him with the tape. He later rescues a kid and becomes the hero clown on the news. As a result, he gets a TV show, and his rapists extort him for money, while holding the tape over his head. He sets up a meeting in order to resolve the issue, and it leads to a silly ending. Bad acting and camera work make Vulgar a waste of time.

Being an ardent fan of Kevin Smith films, I was looking forward to seeing this effort by one of his close colleagues Steve Johnson. Obviously people are going to be deterred by the obvious graphic material, as I was at first. But there is more to this film than the much maligned rape scene.

This is a film about a down and out clown called 'Flappy', played by the impressive Brian O'Halloran from Clerks fame. He entertains children at birthday parties for a living. He has a crazy mother in a old persons' home. He also has lunatics for neighbours, who throw glass bottles at him. He then gets an epiphany to become a transvestite clown for bachelor parties. This is where it goes horribly wrong. On his first party he is jumped by three inbreds who subject him to torture and rape.

He is obviously distressed by the whole situation and decides to give up his employment as a clown altogether. But on his way to one last party, he confronts a man who has kidnapped his daughter. Flappy is successful in his attempts of saving the girl. He's becomes a national hero overnight and has been assigned to present his own childrens' programme. It is here that the inbreds recognise the Flappy on television. They decide to bribe him, if Flappy does not comply then they have a cassette, which shows the whole rape incident.

Finally Flappy enlists the help of his friend to come up with a solution. He confronts them one final time and the situation is resolved with drastic consequences.

In my opinion this is a brave subject to be tackling on your first film but I feel Steve Johnson has passed with flying colours. At first I debated whether or not to watch the film but in the end I am glad I did. All I can say further is that you have to keep an open mind about the whole subject and try and enjoy the film for what it is. IMPRESSIVE!

This a terrible movie with a terrible story. It's low budget, so, of course, I forgive the acting and production flaws. But there's no excuse for a bad story. A down-on-his-luck clown who is determined to make it as a clown, decides to become a stripper clown and market himself as a joke for bachelor parties. His first gig goes really bad. A turn of events makes him rich and famous, but that bad gig comes back to haunt him. I rented this movie because of the Kevin Smith connection, since I'm a huge Smith fan. Don't make the same mistake I did.

When I watched this film I had no idea what to expect. I am a big fan of Kevin Smith's films, and was eager to see this when I learned of his involvement (and Jason Mewes too!), having enjoyed his unique brand of humour many times before. Therefore this film was not quite what I was expecting. It does in many parts contain that Kevin Smith style humour, but countered by a few extremely dark, disturbing moments. The problem with this film is exactly it's main attribute, and that is that it feels so real when you're watching it, I came away feeling like it had all happened to me, which is one of the hardest things to achieve in a film. The acting was good, the plot was brilliantly original and the acting was very convincing. The only reservations I have are that at times I really didn't want to be watching it. But that said I'm glad I did!

To date the only feature-film written and directed by the fascinating Bryan Johnson, "Vulgar" is one of those strange cult-releases that never really found an audience and has been more-or-less forgotten by the majority of fans and film-goers. Released seventeen years ago in the early- 2000's heyday of low-budget, independent and direct-to- video films, it's actually quite surprising that such a unique experience fell through the cracks... especially with indie-god Kevin Smith attached as a producer. "Vulgar" is a twisted and distressing thriller that pushes the audiences buttons in the best of ways. And yet... in my life I've never met anyone else whose actually seen it. Which is a shame, because despite the fact it does suffer from a cripplingly low budget and some occasion aimlessness in the structure, I found it quite enjoyable.

"Clerks" star Brian O'Halloran plays Will Carlson- a kid's party clown who loves entertaining children, but is struggling to make ends meet while getting absolutely no respect. In a desperate bid to make more money, he adopts the new moniker of "Vulgar the Clown" to serve as a prank entertainer for bachelor parties, and he takes on his first clients... only to find himself savagely attacked and gang raped by a ruthless father-and-son trio (Jerry Lewkowitz, Ethan Suplee, Matthew Maher) who abuse him over and over. Stuck in a crippling depression following his attack, Will is eventually given salvation after saving a child's life and becomes an overnight media darling, gaining the love and adoration he always wanted. However, his attackers learn about his new-found fame and threaten to release video of his attack to the public unless he will "perform" for them again. And so, Will must struggle with his own personal feelings of regret and guilt as he asks himself whether he will go through with it... or if he has it somewhere in him to try and murder his attackers...

The film is almost beyond the concept of genre, and defies many conventions of film. It's a unique experience that takes elements of 70's exploitation, grim revenge thrillers and overt shades of horror, all while subverting it with instances of humor and lightness. A big part of why the film worked for me was it's uniqueness and strangely grounded approach to such a strange concept. The plot is a bit ridiculous, but the film plays it straight and treats the characters as real people. And it leaves you feeling truly shaken by the moments of violence and sexual assault. Many people who have gone into this film have emerged disturbed and disgusted by it, and I think a big part of that has to do with the fact that the film constantly defies expectations and goes into darker directions than you could possibly imagine. You really can't go into the movie with any pre-conceived notions. This movie is a love-letter to the twisted and the deranged, and you need to be completely open to it.

The cast all do incredibly well, and the movie is a great showcase for their talents. O'Halloran continues his low-budget winning streak following his breakout hit "Clerks", and the performance he pulls in is truly remarkable. Director Johnson has a minor supporting role as Will's best friend Syd, as does Kevin Smith as an ad executive, and they are both a lot of fun. And the trio of Lewkowitz, Suplee and Maher are just wild as our villainous presence. The three are among the most slimy and disgusting characters of the past twenty years and are insanely underrated. Lewkowitz in particular being just deliciously evil and depraved. You'll love to hate them. I was also quite taken by Johnson's visual direction and sharp ear for dialog. Despite having little money to work with, Johnson has a dynamic eye for composition and flow and his guidance of the material is very well accomplished. And his writing and handling of character is sharp, witty and very efficient. It really is a shame he hasn't written or directed another film since. I'd be fascinated to see him work on a new project given the potential he shows in "Vulgar."

Unfortunately, there are some major issues at play and they do bring the film down a bit for me. With a budget of only about $100,000, there's a lot of practical limitations and cost-cutting measures that needed to be made, and yet the movie doesn't seem to understand this. They try to show too much, and it becomes hard to buy a lot of what you're seeing. Everything looks a bit cheap and hokey, especially around the film's mid-point. Most blatantly being that there are a few too many sets that are clearly just made of paper and foam core. It created a bit too much of an aesthetic gap between myself and the film and it was hard to ignore. The film's audio is also questionable. While Ryan Shore's score is fantastic, the rest of the audio is very "off", and most scenes eventually have the dialog drifting and lagging behind, giving the film a strangely "dubbed" look. And I do think the movie meanders a bit too much. It loses focus on the narrative in a few key sequences that feel aimless and out of place.

But ultimately... I'd be lying if I said these problems ruined the film for me. The characters are identifiable and our protagonist is endlessly likable. The performances are unanimously excellent and there's no "sore thumbs" in the entire cast. The film's grim tone is suitably oppressive and hammers home the dark themes exceptionally well. And it's generally well made outside of the issues brought about by the low budget. "Vulgar" is most certainly not a film for everyone, and it might have been forgotten by the majority. But as someone who enjoys the strange and the macabre and the weird, I'd highly recommend it to open-minded audiences. I give it a pretty decent 7 out of 10.

I take that back, it ain't all that bad. It tied with Shakes The Clown, which also got a single laugh out of me. Funnily enough, the laugh came from Kevin Smith who might be cursed with the over-expressive Silent Bob acting technique, but was at least fun to watch and was obviously having a good time. Jason Mewes

was amusing too in a brief appearance.

The movie dragged...and if the dialogue was bad enough, Brian Johnson's

acting made it ten times worse. uggh. Too many scenes lingered forever- how can you be in love with dialogue that bad- cut to the next scene already. One note characters- (give props to Brian 'O Hall for some sincere moments) but

come on- this is bad. If he was just out to shock, I guess there's some value, but uhh...

is the review over yet? (snore)

I'll quit now.

There's better Askew movies out there- try elsewhere- there's a better place- like "A Better Place." Vulgar sucks. Oh NO! WHAT HAVE I DONE! Aww...Mawty

don't live up to fan standards by not praising every thing that's slightly related to Smith!

"BLAM!"

(collapses)

(looney tunes theme)