Directed by
Michael Radford |
Writing Credits (in alphabetical order)
Andrew Davies | ... | (novel) |
Chloe King | ... | (writer) |
Michael Radford | ... | (writer) |
Michael Thomas | ... | (writer) |
Cast (in credits order)
Produced by
Laurie Borg | ... | co-producer |
Nik Powell | ... | executive producer |
Colin Vaines | ... | producer |
Bob Weinstein | ... | co-executive producer |
Harvey Weinstein | ... | co-executive producer |
Stephen Woolley | ... | producer |
Music by
Luis Bacalov | ||
Jennie Muskett |
Cinematography by
Ashley Rowe |
Editing by
Joëlle Hache |
Casting By
Sharon Howard-Field | ||
Karen Lindsay-Stewart |
Production Design by
Sophie Becher |
Art Direction by
David Hindle |
Set Decoration by
Careen Hertzog |
Costume Design by
Valentin Breton Des Loys |
Makeup Department
Dave Elsey | ... | special makeup effects artist |
Eammon Hughes | ... | assistant hair stylist / assistant makeup artist |
Red Miller | ... | make up/hair: second unit |
Beverley Pond-Jones | ... | makeup artist |
Jamie Pritchard | ... | chief hair stylist |
Colin Ware | ... | special makeup effects artist |
Production Management
Mederic Bourlat | ... | assistant unit manager |
Stephen Law | ... | post-production supervisor |
Nick O'Hagan | ... | unit production manager: second unit |
Christine Raspillère | ... | production manager |
Second Unit Director or Assistant Director
Ben Burt | ... | third assistant director |
Simon Emanuel | ... | second assistant director: reshoots |
Christopher Granier-Deferre | ... | first assistant director: additional photography |
Peter Markham | ... | second unit director |
Simon Moseley | ... | first assistant director |
Mary Soan | ... | first assistant director: second unit |
Sophie Sorensen | ... | third assistant director |
Rebecca Wright | ... | second assistant director (as Rebecca Tucker) |
Art Department
Barry Abbot | ... | carpenter |
Peter Adams | ... | construction runaround |
Brian Aldridge | ... | dressing props |
John Bastin | ... | carpenter |
Pete Beasley | ... | stand-by painter (as Pete Beasley) |
Lee Betts | ... | painter |
Alan Briant | ... | props runaround |
Anthony Caccavale | ... | stand-by painter |
Matthew Camacho | ... | scenic painter |
John Casey | ... | carpenter |
Julia Castle | ... | art department assistant |
Alan Chesters | ... | construction manager |
Sarah Jane Cornish | ... | assistant art director (as Sara-Jane Cornish) |
Penny Crawford | ... | production buyer |
Gerry Davies | ... | dressing props |
Will Draper | ... | dressing props |
Martin Duffy | ... | carpenter |
James Ede | ... | painter |
Brian Eke | ... | carpenter |
Gordon Fitzgerald | ... | property master |
Jim Foran | ... | construction supervisor (as James P. Foran) |
Peter Franklin | ... | carpenter |
Daniel Gordon | ... | graphics artist |
Michael Gunner | ... | painter supervisor (as Micky Gunner) |
Tom Hannam | ... | stand-by art director |
David Hears | ... | painter |
John Hedger | ... | scenic painter |
Douglas Ingram | ... | storyboard artist |
David Ned Kelly | ... | chargehand carpenter (as David Kelly) |
Sean Kiely | ... | painter |
Jamie Leonard | ... | production designer: preparation |
Jack Lovesay | ... | stagehand |
James McNeil | ... | carpenter |
David Reilly | ... | location property master (as Dave Reilly) |
Polly Richards | ... | art department runner |
Kevin Swabey | ... | carpenter |
Micky Swift | ... | chargehand stand-by |
Betty Vaughan-Richards | ... | art department runner |
Frank Walsh | ... | draughtsman |
Micky Webb | ... | chargehand stagehand |
Laurence Wells | ... | stand-by props |
Steve Wheeler | ... | property master |
Nicholas Wood | ... | painter |
Sound Department
Mike Dowson | ... | re-recording mixer |
Steve Finn | ... | sound assistant (as Stephen Finn) |
Rodney Glenn | ... | supervising sound editor |
Derek Holding | ... | dialogue editor |
Peter Lindsay | ... | sound mixer / sound recordist |
Julian Rodd | ... | additional sound editor |
Malcolm Rose | ... | sound maintenance |
Marco Streccioni | ... | sound engineer |
Mark Taylor | ... | re-recording mixer |
Mark Kenna | ... | consultant: Dolby film sound (uncredited) |
Special Effects by
Alan Hedgcock | ... | special effects make-up |
Cliff Wallace | ... | special effects makeup |
Stunts
Ray De-Haan | ... | stunts (as Ray De Haan) |
Tracey Feldon | ... | stunts |
Peter Miles | ... | stunt double: Jonathan Rhys Meyers |
Lee Millham | ... | stunts |
Andreas Petrides | ... | stunt safety coordinator |
Greg Powell | ... | stunt coordinator |
Lee Sheward | ... | stunt coordinator / stunts |
Camera and Electrical Department
Jon Best | ... | best boy |
Catherine Brandish | ... | clapper loader |
Julian Bucknall | ... | focus puller: second unit |
Neil Carr | ... | rigger |
Gary Chaisty | ... | electrician |
Ian Clark | ... | focus puller |
Bob Cooke | ... | clapper loader: second unit |
Jeffery Dance | ... | rigger |
John Field | ... | rigger |
Graham Frake | ... | director of photography: second unit |
Chris Hill | ... | grip: second unit |
Mark Hutchings | ... | electrician |
Ken Lowe | ... | electrician |
Oona Menges | ... | additional second assistant |
Tim Murphy | ... | rigger |
Gary Owen | ... | electrician |
Gary Parnham | ... | rigging electrician |
Martin Phipps | ... | stand-by rigger |
Jerry Sandler | ... | camera operator: second unit |
Keith Sewell | ... | steadicam operator |
Adrian Smith | ... | steadicam operator |
Laurie Sparham | ... | still photographer |
Andrew Taylor | ... | gaffer |
Roger Tooley | ... | steadicam operator |
Matthew Woolf | ... | camera assistant trainee |
Costume and Wardrobe Department
Stephanie Collie | ... | assistant costume designer |
Georgina Gunner | ... | wardrobe assistant |
Lisa Shanley | ... | wardrobe assistant |
Editorial Department
Lorraine Armstrong-Esther | ... | post-production coordinator |
David Hamme | ... | colorist |
Jo Harland | ... | second assistant editor |
Clara Ott | ... | first assistant editor |
Valérie Pasteau | ... | first assistant editor |
Tania Reddin | ... | second assistant editor |
Matthew Ritter | ... | Miramax Post Production |
John Stanborough | ... | color grader |
Neil Williams | ... | first assistant editor |
Location Management
Tony Clarkson | ... | location manager |
Rupert Hall | ... | location assistant |
Andrew Hill | ... | assistant location manager |
Sarah O'Toole | ... | assistant location manager |
Albert Pointer | ... | location assistant |
Toby Troyna | ... | location assistant (as Toby Troynar) |
Nick Waldron | ... | location assistant |
Chris White | ... | assistant location manager |
Music Department
Geoff Foster | ... | score recordist |
Bob Last | ... | music supervisor |
Gerard McCann | ... | music editor |
Michael Price | ... | score synth programmer |
Marco Streccioni | ... | music recorded and mixed by |
Kirsty Whalley | ... | synthesizer programmer |
Script and Continuity Department
Paola Minazzato | ... | script supervisor: second unit |
Anna Worley | ... | script supervisor |
Transportation Department
Paris Leonti | ... | uncredited |
Martin Smith | ... | transportation (as Camera Car Driver Yorkshire) |
Additional Crew
Barbara Berkery | ... | dialogue coach |
Kathini Cameron | ... | runner |
Gavin Charlton | ... | sous chef |
Matt Dalton | ... | accounting assistant |
Mike Day | ... | assistant production coordinator |
Tala Hadid | ... | assistant to director |
Lisa-Kim Ling Kuan | ... | assistant accountant |
Jamie Leonard | ... | production design preparation |
Sarah Lester | ... | stand-in |
Undine Marshfield | ... | unit publicist |
Karen McLuskey | ... | production assistant |
Peter Ogunsalu | ... | assistant to producer (as Pete Ogunsalu) |
Roger Phillips | ... | title designer |
David Rielly | ... | assistant to director |
Kevin Trehy | ... | production accountant |
Kirsty Whalley | ... | synthesizer programmer |
Winnie Wishart | ... | production coordinator |
Philippa Wood | ... | assistant to producer |
Steve Zielinski | ... | head of business affairs (uncredited) |