58
Metascore
28 reviews · Provided by Metacritic.com
- 80Los Angeles TimesKevin ThomasLos Angeles TimesKevin ThomasTantalizingly structured to intrigue us right from the start.
- 80Dallas ObserverJean OppenheimerDallas ObserverJean OppenheimerOn one level it is highly intimate, yet it is also universal, a modern metaphor for the human condition and the precariousness of life itself.
- 75Charlotte ObserverLawrence ToppmanCharlotte ObserverLawrence ToppmanFoggy allegories and misty metaphors.
- 70Chicago ReaderLisa AlspectorChicago ReaderLisa AlspectorA painstakingly crafted nonrealist story, which doesn't seem to imply anything beyond what it depicts.
- 63Baltimore SunChris KaltenbachBaltimore SunChris KaltenbachThere's a ton of joy in The Legend of 1900 -- but it's laid on so thick that one ends up more numbed than stirred, overcome by one too many Hallmark moments.
- 63San Francisco ExaminerG. Allen JohnsonSan Francisco ExaminerG. Allen JohnsonWhat could have been an insightful, irresistible movie is instead a simple, self-contained fable, pleasing to look at but meaningless
- 50Miami HeraldCurtis MorganMiami HeraldCurtis MorganA muddled fantasy revolving around a really good cruise ship piano player, doesn''t live up to its title.
- 40Austin ChronicleMarjorie BaumgartenAustin ChronicleMarjorie BaumgartenA sumptuous ride with breathtaking scenes and a soaring musical score.
- 38New York Daily NewsJack MathewsNew York Daily NewsJack MathewsIt doesn't strike a single note of authentic emotion.
- 25San Francisco ChronicleEdward GuthmannSan Francisco ChronicleEdward GuthmannThe schmaltz is relentless in The Legend of 1900, the newest film from "Cinema Paradiso'' director Giuseppe Tornatore. It comes in waves, it leeches onto every surface and it turns decent actors into sticky-sweet fuzzballs.