A black Harvard graduate confronts racism.A black Harvard graduate confronts racism.A black Harvard graduate confronts racism.
- Awards
- 1 nomination
- Director
- Writers
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- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Siner calls on the white doctor who visits his sick mother and then takes him in, the house is clearly the same one as the doctor who refuses treatment unless he's paid ten dollars. Not a goof, but an example of the economies Michaux used , particularly in his sound films.
- GoofsWhen Peter and Cissy are walking down the street talking about the Peter's being swindled, the shadow of a boom mike is to the left of her throughout the shot.
- Quotes
Peter's Mother: I 'clare fo gawd. Dis Darktown is a white man's pocket. Every time he misplaces something he feels in it to see if it ain't there... if a white man eat a flap jack and hit didn't give him belly-ache, he'd get out a search warrant to see if some Negro didn't steal it on the way down his throat.
- ConnectionsFeatured in Movies of Color: Black Southern Cinema (2002)
- SoundtracksAll God's Children Got Rhythm
Music by Walter Jurmann
Featured review
I had wanted to see this film-- and many others by Micheaux-- for decades, and was relieved to see that TCM presented it as part of a restoration project (DVDs are also being released).
There's no doubt that Micheaux occupies a significant and often mercurial place in American film history. He directed films from the silent era well beyond the conversion to sound, confronting concerns about African Americans' experiences through a wide range of stories, and yet many of his works have been lost forever.
In this case of this film, the first two reels are missing, but the restoration has preserved that part of the story with script notes and stills that introduce the action. Thereafter, the tale of a Harvard-educated black man, who returns to his southern town to face racist attitudes and family strife, conveys sincere and articulate statements about relevant political issues of that period that still resonate today.
You will quickly recognize hallmarks of low-budget conditions, such as insert shots that often break continuity, but the film remains a vital testament to racial conditions in the 1930s as the culture was overcoming the Depression and about to head into another major war. Micheaux also has a prescient sense for the civil rights movement that would energize the next generation.
I hope that further work is done to locate and preserve these historical artifacts, which help us to understand our past beyond the dominant Hollywood tradition that has otherwise absorbed all the attention.
There's no doubt that Micheaux occupies a significant and often mercurial place in American film history. He directed films from the silent era well beyond the conversion to sound, confronting concerns about African Americans' experiences through a wide range of stories, and yet many of his works have been lost forever.
In this case of this film, the first two reels are missing, but the restoration has preserved that part of the story with script notes and stills that introduce the action. Thereafter, the tale of a Harvard-educated black man, who returns to his southern town to face racist attitudes and family strife, conveys sincere and articulate statements about relevant political issues of that period that still resonate today.
You will quickly recognize hallmarks of low-budget conditions, such as insert shots that often break continuity, but the film remains a vital testament to racial conditions in the 1930s as the culture was overcoming the Depression and about to head into another major war. Micheaux also has a prescient sense for the civil rights movement that would energize the next generation.
I hope that further work is done to locate and preserve these historical artifacts, which help us to understand our past beyond the dominant Hollywood tradition that has otherwise absorbed all the attention.
Details
- Runtime1 hour 14 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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