After an explosion in space and subsequent two-minute radio-out period, two astronauts return home to their wives. Slightly it's revealed that they're not the same as they were.After an explosion in space and subsequent two-minute radio-out period, two astronauts return home to their wives. Slightly it's revealed that they're not the same as they were.After an explosion in space and subsequent two-minute radio-out period, two astronauts return home to their wives. Slightly it's revealed that they're not the same as they were.
- Awards
- 1 nomination
Gary Carlos Cervantes
- Doctor
- (as Carlos Cervantes)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe movie that Jillian and Spencer watch together is Penny Serenade (1941), which also centers on a dramatic child rearing.
- GoofsAll NASA shuttle astronauts live and work in the vicinity of the Johnson Space Center in Houston, many of them in Clear Lake, a Houston suburb. Yet in the film, Jillian teaches school in Florida, where she and Armacost clearly live. Astronauts only go to Florida for launches.
- Alternate versionsThe Indian Censor Board made cuts for an 'A' (adults) certificate by deleting the word "motherfucker", muting the word "fucking" from the line "Jesus fucking Christ" and reducing 50% of the love-making scene especially reducing to a flash the thrusting movements on the bed (when shown continuously) (Length Retained: 37.00 ft).
- SoundtracksPoor Butterfly
Written by Raymond Hubbell, John Golden
Featured review
I have to say, I always enjoy Johnny Depp's work. He is a chameleon; an actor who can take literally any role, who can step outside the boundaries of typecasting. And, his performance in this film is in no way weaker than any other character; it is merely a role that not many are likely to recall when asked about him. The film builds decently enough. Depp and Theron play a married couple, and a significant element of stress begins to grow on Theron following Depp's events during an orbital assignment given to his character.
I also like Charlize Theron; my one nitpick is how she seems to always find her way into these 'tormented woman' roles, like in the Devil's Advocate. Her skills are not necessarily hindered by this repetitiveness; I just find it a redundancy she needs to work beyond. Those of you watching this film for a horror-themed thriller are going to be mostly put off. This film really does not rely to such an extent the horror mechanisms; rather it builds the tension through a number of strictly dialogue scenes, using the plot to intrigue rather than scare tactics.
The ending - quite literally, the last twenty minutes, is the only place you're likely to see what may be called horror. I will not give away what happens here; you have to watch it and see. All I will say is that the ending left me anticipating more. That said, my overall opinion is this movie is satisfactory at best, not a true stand out in the annals of cinema history, but certainly not one of the poorest examples of the profession.
I also like Charlize Theron; my one nitpick is how she seems to always find her way into these 'tormented woman' roles, like in the Devil's Advocate. Her skills are not necessarily hindered by this repetitiveness; I just find it a redundancy she needs to work beyond. Those of you watching this film for a horror-themed thriller are going to be mostly put off. This film really does not rely to such an extent the horror mechanisms; rather it builds the tension through a number of strictly dialogue scenes, using the plot to intrigue rather than scare tactics.
The ending - quite literally, the last twenty minutes, is the only place you're likely to see what may be called horror. I will not give away what happens here; you have to watch it and see. All I will say is that the ending left me anticipating more. That said, my overall opinion is this movie is satisfactory at best, not a true stand out in the annals of cinema history, but certainly not one of the poorest examples of the profession.
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Details
Box office
- Budget
- $75,000,000 (estimated)
- Gross US & Canada
- $10,672,566
- Opening weekend US & Canada
- $4,027,003
- Aug 29, 1999
- Gross worldwide
- $19,598,588
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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