Directed by
| Roger Christian | ||
Writing Credits
| Roger Christian | ... | (screenplay) |
Cast (in credits order)
| Tony Vogel | ... | Sir Maddox | |
| James Gibb | ... | Anselm | |
| John Young | ... | The Old Man | |
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Patricia Christian | ... | The Maiden |
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Colin Booth | ... | Child of the Sickness |
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Yvonne Finlayson | ... | Child of the Sickness (as Yvonne Cameron) |
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Ian MacMillan | ... | Child of the Sickness |
Produced by
| Roger Christian | ... | producer |
| Leslie Dilley | ... | producer |
Music by
| Trevor Jones | ||
Cinematography by
| Roger Pratt | ||
Editing by
| Alan Strachan | ||
Casting By
| Ruth Parks Glasgow | ... | (as Ruth Tarko) |
| Irene Lamb | ||
Art Direction by
| John Beard | ||
Costume Design by
| Charles Knode | ||
Production Management
| Patricia Carr | ... | assistant production manager (as Pat Carr) |
| Bruce Sharman | ... | production advisor |
Second Unit Director or Assistant Director
| Nick Laws | ... | assistant director |
Sound Department
| Michael John Bateman | ... | sound editor (as Michael Bateman) |
| Kevin Bolen | ... | mix assistant: Skywalker Sound: 2015 restoration |
| John Countryman | ... | digital & audio transfer: Skywalker Sound: 2015 restoration |
| Godfrey Kirby | ... | sound mixer |
| Josh Lowden | ... | general manager: 2015 restoration, Skywalker Sound |
| Charlotte Moore | ... | bidding & scheduling: Skywalker Sound: 2015 restoration |
| Brandon Proctor | ... | mix engineer: Skywalker Sound: 2015 restoration |
| Bill Rowe | ... | dubbing mixer: E.M.I. Elstree |
Visual Effects by
| Lisa Cooke | ... | producer: end credits & additional post production |
| Alex D. da Silva | ... | digital intermediate executive supervisor (as Alex D. DaSilva) |
| Vanessa Galvez | ... | scanning project manager |
| Josh Haynie | ... | scanning vp of operations |
| Doug Johnson | ... | telecine client services manager |
| Mike Macklin | ... | technical director: end credits & additional post production |
| Alexander Maclean | ... | digital intermediate supervisor |
| Jorge Martinez | ... | restoration artist |
| Spencer Nilsen | ... | producer: end credits & additional post production |
| Brice Parker | ... | digital restoration producer |
| Jon V. Peters | ... | athena studios ceo / editor |
| Kent Pritchett | ... | digital intermediate colorist |
| Kim Salyer | ... | digital intermediate producer |
| Chris Taft | ... | scanning line-up |
| David Tanaka | ... | digital restoration producer / editor: end credits & additional post production |
| Mitchell Tanaka | ... | digital restoration artist / restoration artist |
| Jeanette Vera | ... | digital restoration artist / restoration artist |
Camera and Electrical Department
| Tony Andrews | ... | grip |
| Brian Herlihy | ... | focus puller |
| Roger Pratt | ... | camera operator |
| Mike Todd | ... | clapper loader |
Editorial Department
| Alex D. da Silva | ... | digital intermediate executive producer |
| Vanessa Galvez | ... | project manager |
| Alexander MacLean | ... | digital intermediate supervisor (as Alexander McLean) |
| Kent Pritchett | ... | digital intermediate colorist |
| Kim Salyer | ... | digital intermediate producer |
Music Department
| Paddy Kingsland | ... | electronic music realised by |
| John Richards | ... | music mixer |
Additional Crew
| Reg Dent | ... | horse trainer |
| Ron Swinburne | ... | production accountant |
Thanks
| Arjun Christian | ... | additional director support |
| Camille Christian | ... | additional director support |
| Thomas Christian | ... | additional director support |
| Lina Dhingra | ... | additional director support |
| Robert Lee | ... | additional director support |
| Nathan Mattise | ... | the producers wish to thank (as Nathan Matisse) |
| Jim Morris | ... | the producers wish to thank |
| Bob O'Neil | ... | the producers wish to thank |
| Guy Veale | ... | additional director support |
| Stella Zhamkochian | ... | additional director support |