User reviews

I had the opportunity to see this last evening at a local film festival. Herzog introduced the film and did an hour long Q&A afterward.

This is a brilliantly done "documentary"; Herzog explained afterward that he does not consider his films to be true documentary since facts sometimes camouflage the truth. Instead he scripts some scenes and ad-libs some to introduce a new element that may have been missed if he followed the original story outline.

Little Dieter, unlike Timothy Treadwell, is a real person that you fall in love with; you cheer for him, you feel the anguish that he feels. You admire the sense of humor and joy for life that he exhibited here 30 years after he was taken into captivity by the Viet Cong. You are disappointed to hear afterward that Dieter passed on not too long ago.

As in most Herzog films, the imagery is breathtakingly beautiful with a wonderful choice of background music. Especially a scene of battle taken from archives of the Viet Nam war but fitting the story line of Dieter.

The core of the film has Dieter return to the hellish jungle where he was a POW and he re-enacts his journey with some locals. Harrowing for us to watch, I can't imagine what he felt as he was bound again.

One of the better films to depict and discuss the nightmare of the Viet Nam war. It should serve as a lesson to us all.

Werner Herzog again explores the psyche of a man. In "Little Dieter...", we meet an effervescent, brilliant man who survived the war in Bavaria seeing starvation and strange sights, moved to the U.S. and fulfilled his dream of being a flier. War, food, death, survival, hoarding, planes, heads coming off... how one American is born. Herzog again sees madness as plane of existence and the surreal blends with the poignant as Herzog himself narratives this psychic travelogue of a German becoming an American who flies prop planes in a late 20th century war where the culmination of technology, pilgrimage and eating out of garbage cans with spoons is melded with constant optimism into a man redefined into American. As always with Herzog we are faced with florid madness, brilliance and what is man in the face of his own excesses, societal and personal. We laugh and cringe and are amazed at this man. Where else for this man but America?

One word: wow.

I am not inclined to give a 10-star rating to any documentary. However, if I did, this would be the one so far.

Mr. Hertzog's story-telling provided me with a few gut-wrenching moments, all of them captivating.

And Mr. Dieter's story is beyond compelling, and was, at times, difficult to experience. Nonetheless, I view him as a man of admirable, almost superhuman proportions, and a hero indeed.

All in all, a very worthy investment of my time, and I give it my highest recommendation.

This documentary film from the great film-maker Werner Herzog, tells the story of Dieter Dengler, who grew up in Germany with a passion for flight. Emigrating to the US he joins the Army in order to become a pilot, during the Vietnam War.

Dieter's incredible story is told in his own words. Most of the film involves Dieter in the various locations of his story, describing what happened to him. Dieter comes across as very likable and good-natured. With his eye for the telling detail and surreal moment, Herzog once again explores the mysteries of the world and human nature.

This is a humorous, powerful and deeply moving work and is well worth catching.

I consider this a breathtaking but deceptive film because it seems so simple and straightforward: a Vietnam survivor tells his harrowing tale and some of the story is reenacted on location. Reviewers sometimes even claim that Herzog's presence in the film is minimal, but how wrong they are. We know that all documentaries are "mediated" to some extent and this one has Herzog's subtle hand all over it, most notably in the stunning music, the unbelievably expert selection of archival footage, and the management of cascading images. The evocative power of this film is astounding, starting with its title, the opening title card from the book of "Revelation," and the initial voice-over. This is a movie that one can watch repeatedly with increasing wonder, not a simple commodity that is gulped down with one's favorite beverage on the way to the evening news. This is one of those movies that can resonate with you for a lifetime.

This film is excellent! Fear of watching documentary movies? Cancel your shrink and watch little Dieter's story. You won't believe how captivating this fine piece of film making is until you have experienced it. I'm eager to say that it even out goes almost any Vietnam war movie, including Apocalypse Now. It's a real story, it's a personal story, a story about the love for flying, the dream of being a pilot and the nightmare of being shot down above enemy's territory. All is shot in a "return to..." style - at location, Herzog asking the questions, Dieter answering them in a memorable German-English accent, and with fine remembrance pointing out what happened where about 25 years before. There is this part that I told friends over and over again: bailed out from his US Navy plane, Dieter becomes a POW of the Vietcong. Blindfolded for the greater part of the days, he is being dragged through the Southeast Asian jungle for miles and miles - on bare feet. Tortured, insulted, disorientated, hungered and covered with infected wounds, they arrive in a small, friendly village to spend the night. The next morning, after walking for several hours, Dieter discovers someone stole his wedding ring from his finger. That is it. He can take no more. He starts to cry, as a result of complete exhaustion. The Vietcong men react surprised. Dieter manages to explain what happened. Immediately, the group returns to the village and starts searching for the person that stole the ring. They find the man, immediately chop of his finger and return the ring to Dieter. - The movie is full of these mind boggling and surprising situations. The immense cultural differences, the clash of East and West, the fear of the unknown (i.e. all that stands for America on the one hand, the Asian jungle and his secrets on the other) can be sensed the entire movie. Back problems? That's because you sat at the edge of your seat for two hours and didn't notice.

Wow.this is a touching story! First i saw 'Rescue Dawn'.I didn't 'like' it. And now i have seen the person , Dieter Dengler , about whom this story is being told by Herzog.Very Impressing.Dieter is a driven human being who encountered the most opposite emotions in his live on this earth.what an extraordinary life this person has led. His tale about the capture by the Patet Lao/Vietcong and thus his suffering is horrifying but what's most impressive is his incredible will to survive.How could he find the strenght ? In a haunting way , Dieter is telling us in full flowing sentences about his terrible ordeal during his captivity... he is a great storyteller and Herzog does him the justice this brave man deserves.

In my opinion.'Little Dieter needs to fly ' tells it all ! , leaving nothing to the imagination , thus making ' Rescue dawn ' a superfluous film. The horror doesn't get more real than in the words of Dieter Dengler himself.He totally succeeds in painting the picture.

Little Dieter Needs to Fly was my first film during the 1999 edition of the Göteborg Filmfestival. As I was extremely tired that evening, I was hesitant to see it, but the raving overall score of 9 here at IMDB made me go there.

It was 80 minutes of pure life-force! Experiencing Dieter Denglers life through his own telling was enchanting.

SEE IT! And if possible... see it at a cinema!

While Herzog provides his usual share of directorial novelties (including a "re-enactment" of Dieter's trek through the Laotian jungle with his captors--but not carried to the extent of re- enacting the tortures he went through), it's hard to see why this miraculous death-avoiding trek of Dieter's is any more worthy of a documentary than, say, a survivor's story of a Wehrmacht soldier walking his way back to Germany from the Russian front. In both instances, it's a tale of an individual surviving death at every turn--and not a tale of the slaughterhouse that dealt death to millions of people over the course of a war.

And while a Wehrmacht soldier's tale of survival might well include war crimes committed against civilians, Dieter's tale can hardly avoid that part of the tale--with the difference that the crimes committed by the soldiers of the Wehrmacht were never reported for the most part, whereas we have vivid technicolor imagery (incorporated into Herzog's film as well) of the horrors inflicted on the people of Vietnam.

Herzog's usage of historical footage of US bombing runs may indeed convey a deeply unsettling sensation of the contrast between the "glorious" technicolor pyrotechnics and the imaged horror felt by the people living the experience on the ground--and, I suppose, that's to Herzog's credit. But, in the end, this tale of an American pilot's escape from a POW camp--a tale that so defies credibility that it must be true--ends up endowing the protagonist with a hero's status. It's true enough that Dieter refuses the label "hero" (because "only the dead can be heroes"), but he also evidences not one iota of remorse for his participation in the war.

And this is the problem: A hero must be someone who embodies and realizes in his deeds the noblest virtues and values of our culture. Being a willing combatant in a war initiated by the US and that led to the deaths of between a million and a half and 4 million people for no good reason is not the stuff of heroes.

I love Herzog the Documentarian the most but wrapping his considerable doc-chops around this particular subject was a choice. We meet the bizarre and fascinating Dieter Dengler and he explains his escape from imprisonment and torture during the Vietnam war. I'd seen both this and Rescue Dawn before so his ordeal and the unforgettable way in which he unflinchingly relives it weren't new to me, but what was was the idea that he wasn't being super truthful about everything in his life. It was an angle I'd never considered but when I twigged early on that in almost every anecdote Dengler quantified random things as "two and a half" I became addicted to darkly interpreting his harrowing story from the angle of fraud. Specificity is such a tell, and I kept distractedly wishing the film had gone there, or even mused on it.

We see at the beginning of Little Dieter Needs to Fly Dieter Dengler, the subject of the film, an obsessive-compulsive. Or at least that's what he seems to be by way of constantly opening/closing doors and with his large stock-pile of food in the cellar. In a way director Werner Herzog sets up a central question, in a manner of speaking, to why Dieter is like this. Well, in fact, he's not necessarily obsessive-compulsive as he is just, well, prepared. And why shouldn't he be after the life he's lived? Aside from the juiciest, most dark and exhilarating and frightening and just downright haunting story of survival that's the core of the picture, the back-story to Dieter is fascinating too. Dieter's own childhood, for example, was already a slog from the start, being in post-war Germnay, poor in a family without much food or prospects, eating wallpaper for "the blue in the walls". But enter in a passion, an un-yielding desire (which, of course, is part of Herzog's bread & butter and love of man in his films), which is flying, and for Dieter there was nothing else but to fulfill this. What it ends up leading to, after becoming an American citizen, is more than he could've bargained for.

Dieter is one of Herzog's most compelling, quirky, and compassionately observed figures in his whole career, a man who's memory is scarred by brutal memories of his time being a Vietnam POW, though at the least it provides for some of the most compelling storytelling in any documentary of the last 20 years. Ironically, the storytelling comes through- unlike in The Wild Blue Yonder- mostly in lots and lots of exposition from Dieter on some of the most minute details of his time in the different prison camps (the torture tactics, the bugs, the brutal, wretched violence and threats like with the wedding ring tale), and leading into the most interesting and sad portions with his best friend Duane. They escaped the prisons together, but found that their journey to reach Cambodia would not be so easy. Now, through most of this, the talking does something that is enthralling, which is that as Dieter goes through his stories and occasionally does re-enactments (in fashion Herzog could only do, with Dieter already middle-aged being led in handcuffs et all through the jungle), one can picture all of this in the mind. It all becomes even more vivid to try and get these little details and the intensity of it all together into a form of reality. That Herzog keeps these portions simple, and knows when to hold Dieter back in his answers, makes him all the more a key figure of interest. He's not ever totally 'normal', but unlike a Timothy Treadwell, you wont think ever really about laughing at him either.

So, along with his hero (whether of war or not is hard to say, as Dieter disputes that claim as saying the ones who died were the real heroes, typical but perhaps quite true), Herzog stylizes his film with a mix of old stock footage when detailing Dieter's early life (the period footage of WW2 scenes and post German rubble is always a captivating sight, and with Herzog gets up a notch in his timing and assemblage with music), and in capturing the footage of Vietnam in aerial viewings of jungles and fields. Herzog is also very wise at not injecting politics much at all into the proceedings, there's no 'I was used by the Americans' or whatever thrown into the mix. There's even a sense that Dieter doesn't hold too much of a grudge with everything that happened to him, that it's just what happens in time of war (and, of course, he WAS dropping bombs on people from his plane). Now, through much of these harrowing- and even in the smaller bits involving what went on in prisons, bathrooms and the scraps of food it's always harrowing- luckily Herzog keeps a level of humor in check as well. One of my very favorite scenes in the film, where Herzog breaks away for a moment from Dieter, is when he shows a 'trainee' film used for American soldiers meant to show what should happen in case they get abandoned in the jungle alone...with all of the gear that they could possibly have including a knife, a flare gun, and a very fast helicopter to come around (and this is put to hilariously dead-pan voice-over work).

Yet even the moments where one laughs only brings to mind the moments of absurdity in a time of absolute crisis, and how one can't ever really imagine what it's like to be alone in a foreign territory surrounded by people who will do anything to keep said person as a form of collateral in war-time. Dieter, aside from knowing that flying and airplanes are the only way of life he would ever want to have (and Herzog ends the film on a wonderfully somber, elegiac note where he flies over a large field of airplanes), knows what it is to have to survive at all costs. But yet, as well, as in many of Herzog's protagonist driven films, there's the near unalterable spirit that will keep on enduring if one's strong enough, even through horrid moments (the fate of Dunae) and problems all the way up to the rescue by the helicopter (is he American, or a spy, they ask on the chopper). Dieter is such a man with a spirit, and he's given via Herzog a fantastic, tragic, creative, well-shot, albeit maybe too short, tribute to his life. And, of course, it pumps me up even more for the upcoming dramatization Rescue Dawn.

Dieter Dengler was a child in Germany during WWII. His father died in the military. During an Allied air attack, he is in awe of the planes and determines that "Little Dieter Needs to Fly". Post-war Germany suffered severe shortages. He immigrates to America as an 18 year old. He joins the Air Force but ends up in the kitchen and the motorpool. He leaves for college and then the Navy. He finally gets the chance to fly. In 1966, Dieter flies his single-engine, propeller attack plane Skyraider into Laos and gets shot down. He is captured. Eventually, the prisoners break out of their jungle prison.

Documentary filmmaker Werner Herzog uses his unconventional style to bring Dieter's story to life. Herzog's voice is ever present. He even brings Dieter back to the jungle and recreates his journey. It's a fascinating story but I'm not sure Herzog's style works to bring out the intensity. It has an awkward surrealism but fascinating nevertheless.

Millions of innocent men, women and children died in Indochina due to the American assault and indiscriminate bombing and shooting of civilians. Why on earth would you create some nice heart-warming fairy tale about the plight of an American pilot who probably participated in the slaughter? At the very end we see a long shot of hundreds and hundreds of American military planes with the music suggesting that what we see is somehow the most beautiful thing imaginable, proof that there is still hope in this world of ours. This may be the single most twisted, heartless and disgusting thing i have ever seen in my life. Ask one of the civilians who had to spend years (!) in caves trying to survive the onslaught about what kind of emotions that image triggers inside them. You can't ask the millions of people who are dead due to the bombs and chemicals (Agent Orange) dropped on their home country by people like "Little Dieter".

"I'm not a hero. Only people who are dead are heroes." - Dieter Dengler

Little Dieter Needs to Fly, a 1997 documentary by Werner Herzog of the life of Vietnam war-hero Dieter Dengler, begins with a quotation from the Book of Revelations: "And in those days shall men seek death, and shall not find it, and shall desire to die, and death shall flee from them." As the film starts, Dieter walks into a tattoo shop in San Francisco and looks at a painting of Death in a fiery, horse-drawn chariot. "Death didn't want me," he says, referring to his survival after six months in a Viet Cong prison camp.

Herzog documents Dengler's life from his childhood in Wildburg in the Black Forest region of Germany to his escape and rescue from Laos. Growing up in Germany during World War II, Dengler listened to the constant sound of Allied planes overhead and dreamed of becoming a pilot. "As a child," Herzog says in voice-over, "Dieter saw things that made no earthly sense at all. Germany had been transformed into a dreamscape of the surreal." Dieter came to the United States when he was only 18, joined the Navy and was trained to become a pilot. He moved to California and was sent to Vietnam in 1966. "It all looked strange", Dieter says, "like a distant barbaric dream". On his first mission as a pilot, Dieter was shot down and captured by the Pathet Lao, then later turned over to the Viet Cong. He remained a prisoner in Laos for six months.

Told through archival footage, dream sequences, recreations in actual jungle locations, exotic music, and surreal imagery, the film is divided into four chapters, each representing a period from Dengler's life. Like a Greek tragedy, Herzog has named the sequences: The Man, His Dream, Punishment, and Redemption. Little Dieter Needs to Fly is not a linear documentary, but a very personal and poetic film, similar in a way to Agnes Varda's documentary essay, "The Gleaners and I". Having long been fascinated with the experience of men in jungles (Aguirre, the Wrath of God, Fitzcarraldo) and having himself grown up in Germany during the war, Herzog provides a voice-over commentary that is as much about himself as it is about Dieter Dengler.

Dieter tells his gruesome tale in a strangely chatty, matter-of-fact manner without anger or bitterness, almost nonchalantly recounting mind-numbing details of his captivity and torture. He does not try to place the events in a historical or political context or to comment on the rights and wrongs of the war, but provides a strictly personal account of his survival against overwhelming odds.

Footage of both bombed out German cities in World War II and bombs lighting up the dense foliage over the Vietnam jungle make the experience very vivid. Dvorak and Bach, Tibetan throat singing, and native African chants are brilliantly interspersed to add depth and beauty to the experience. A chant from Madagascar, "Oay Lahy E", sung while Dieter walks through a sea of fighter planes, adds a final transcendent touch. Little Dieter Needs to Fly is an unforgettable film that moves beyond the limitations of the genre to become a moving testament to both the absurdity of war and the resilience of the human spirit.

NOTE: Be sure to watch past the end credits. There is a postscript on the DVD that truly completes the experience.

Little Dieter Needs to Fly ranks among the very best of Herzog's work, and though it spawned the large scale production of 'Rescue Dawn', the original stands on its own as a masterpiece of documentary filmmaking.

A highly engrossing (and frankly, incredible) story, told from the eyes of Dieter Dengler, a man who enlisted in the army during the Vietnam war so he could fulfill his childhood fantasy of flying a plane.

I won't get into the details of his story, but I will say that it is one of the single most gripping and moving accounts of survival I have ever heard, and it is made all the more powerful by Dieter's retelling and countenance. His attitude towards life is unfazed; he amazingly not only survived, but kept his wits about him, a childlike innocence and curiosity about the world still intact.

This is one of the greatest documentaries ever made.

The questions and answers of the human spirit are all here in this masterfully crafted historical documentary. The shear beauty and horror of one mans walk through life, are revealed in totality. Dieter and Herzog are combined and connected through a mental maze that has been transformed into a single straight hallway which the walls have been plastered with images created by one mans characterization of himself by the vibrations of his own vocal chords. This film, for about 80 minutes, have discovered a new dimension of storytelling. What do I call this apparently new sense. Only God knows, after all, isn't a MIRACLE something that God does for us, but chooses to remain ANONYMOUS?

This is a requirement to see. If you like to experience the lovely horror of war, this documentary will cleanse your soul to the marrow.

With documentary films, the question of realism always crops up. How much of the film is real and how much is manipulated by the film maker? In LITTLE DIETER NEEDS TO FLY, Herzog is far too absorbed in telling the story of a man telling his own story to even address the question of realism versus formalism. From the beginning, Herzog's role as storyteller is obvious. Luckily, he is a master storyteller. LITTLE DIETER is the finest, most engaging documentary I have ever seen. Dieter's story is enthralling, and Herzog's efforts at reenactment, putting Dieter through the paces of reliving his story on location while it is being filmed, are very effective. The story that Dieter tells is real, but Herzog is ever-present, wrenching absurdist commentary from the realism. This film is a must-see for any students of documentary film and/or of Werner Herzog.

What attracts a man to military service? What prepares a man to survive brutal torture as a prisoner of war? What desperation leads to the planning and execution of an escape into the jungles of southeast Asia? How does he cope with the ghosts and memories he returns home with? Herzog tries to answer these questions in his documentary of Dieter Dengler, German emigre and U.S. Navy pilot shot down over Laos in 1966, who was taken prisoner, tortured and starved, but ultimately escaped to be haunted by the experience for the rest of his life. A powerful and personal first-hand account of the man, his life and experience recounted through the seemless integration of interviews, archival footage and new footage. You will never forget this story--or this man.

Little Dieter Needs to Fly tells the story of Dieter Dengler, an Air Force pilot who was shot down in Vietnam and miraculously survived in the jungle for quite some time. In other hands this narrative could become maudlin, melodramatic, and jingoistic, but fortunately we have Werner Herzog and his trademark thickly-accented narration to remind us that all in life is futile. We have the perverse, hopeless landscape of a film like Lessons of Darkness, but Dieter's story gives us at least a mild hope of escaping that world. At times the power of the story and Dengler's matter-of-fact recounting of it overpowers Herzog's heavy stylizing, and a times they work together. It's a quite interesting dynamic.

Some of the filming choices don't quite work -- take, for instance, the decision to have Dengler re-enact some aspects of his captivity with confused-looking Vietnamese villagers -- whereas others are downright moving -- the Mongolian throat-music, or the final shot of the field full of airplanes, suggesting how the government weaponizes and exploits the childish desire to fly. There are also times where one could accuse the film of being a simple "inspiring" survival story, but I think for the most part it rises above that genre while simultaneously serving as the best example of it.

Although German American pilot Dieter Dengler claims that he is not a hero, his triumphs over tough odds paint a different picture of a man who has vivid memories of his valiant escape during Vietnam war. Director Werner Herzog presents his film with a dual approach in which facts about Germany are also presented in order to depict a small segment of Dieter Dengler's past life. Accurate and detailed description of a war is something a viewer can cherish from this film. For this purpose, Werner Herzog accompanies Dieter Dengler to the places which were part of his harrowing ordeal. It is true that much has been written about "American dream" and its effects on American people. However, Werner Herzog is one of the few acclaimed directors who has shown the real success of an American dream in a film. What makes this film different as well as unique is its depiction of a foreigner making it big in life through his realization of an "American dream". Lastly, love and passion which many people in the world feel for an "American dream" is something which can be influenced by this film.

After I finished watching this intriguing documentary, I wondered; how much of Little Dieter was in Herzog, and vice versa? For Werner Herzog(and Dieter likewise) seemed capable of evoking a whole spectrum of human emotions in his works, however idiosyncratic they looked on the surface.

In this story of an American immigrant from Germany, who piloted a plane in Nam, got shot down, interned, escaped and survived, we got to see how the man lived, before, during and after this arduous period of ordeal. All that insurmountable pain and uphill battles might not have fazed the man, but it certainly took its toll. Memories of these experiences continue to haunt his being. Case in point, due in part to enduring that period of torture and starvation, the man now stocked his cellar with lotsa food in case he's ever locked in....

Could the above have been a reason why Herzog chose to film this man? A man seemingly steeped in personality dysfunctions but was in fact merely a wounded man living his life, the only way he knew how? Could it be that Dieter's story also somehow mirrored Herzog's life and outlook? Damned if I am to know the answers to these universal mysteries...

Much had been said about the questionable sanity of Werner Herzog. But during my intensive devouring of his films over this last week, I began to see a pattern unravelling. This man had many profound insights to share with us all about humanity. And they often transcended intellectual boundaries. Through those intangibly twisted tales he weaved, he conveyed his ideas to us all lucidly, impactfully. And he did them all without ever gauzing the profusion in his bleeding heart. This man was never afraid of showing his earnest emotions nor was he afraid of breaking cinematic conventions. If one cared enough to be touched by the man, he or she will do so without safety nets. I did. Nice.

Yes, its no longer fashionable in these times of impenetrable cynicism to embrace a man like Werner Herzog. But I am fascinated by this psycho visionary nonetheless. And I will follow the man to the very pits of wherever he's heading. As long as its somewhere I'm willing to go, that is....heh.

During the second world war Dieter Dengler was a young boy living in Germany. He was inspired then to one day fly like the pilots he could see from his bedroom window. As an adult he left home and followed his dream, training in the U.S. air force. Soon after in 1966, Dieter was shot down over Laos flying his first ever mission. He was tortured and starved extensively by his captors as were other U.S. prisoners at the same camp. Miraculously, Dieter not only survived the starvation but he eventually escaped barefoot and was later rescued.

This is Dieters story and Little Dieter needs to fly is the documentary. Here we see Dieter in conversation, in interview, at home and at play, but he is also taken back into the Laotian jungle to relive and reenact his capture. This really helps to illustrate not only his own war stories but also Herzog's own story about Dieter, as Dieter is deeply disturbed by the experience. These stories are told within the context of Dieters whole life and you really get to know him by the end. I think due to his improvising and adventurous nature each Herzog film is very much unique. The pacing, the edit and his relationship with his subject is always changing. By the films conclusion I must admit I was all choked up, it's an extraordinary story and a really fine film that will be watched for years to come.