IMDb RATING
6.4/10
6.4K
YOUR RATING
A visual montage portrait of our contemporary world dominated by globalized technology and violence.A visual montage portrait of our contemporary world dominated by globalized technology and violence.A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Marlon Brando
- Self
- (archive footage)
Elton John
- Self
- (archive footage)
Julia Louis-Dreyfus
- Self
- (archive footage)
Troy Aikman
- Self (at Super Bowl XXX)
- (archive footage)
- (uncredited)
The Beatles
- Themselves
- (archive footage)
- (uncredited)
Osama bin Laden
- Self
- (archive footage)
- (uncredited)
Fidel Castro
- Self
- (archive footage)
- (uncredited)
Warren Christopher
- Self
- (archive footage)
- (uncredited)
Bill Clinton
- Self
- (archive footage)
- (uncredited)
The Dalai Lama
- Self
- (archive footage)
- (uncredited)
Thomas A. Edison
- Self
- (archive footage)
- (uncredited)
Albert Einstein
- Self
- (archive footage)
- (uncredited)
Adolf Hitler
- Self
- (archive footage)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film's title has three meanings according to the closing credits. They are (1) a life of killing each other (2) war as a way of life and (3) civilized violence (interpretation).
- Crazy creditsStudio Feng Shui ... Marti Lovell
- ConnectionsEdited from Buffalo Running (1883)
Featured review
I read the other review here before seeing the movie and desperately hoped it was wrong - it wasn't. Koyaanisqatsi was, and still is, a great movie -- full of sweeping images and magnificent scope, the movie certainly had an eloquent statement to make. I was hoping for something similar in the third installment.
This was an exercise in tedium. It seemed as though the filmmakers raided the Time-Life library of iconic 20th century images and fed them through a special effects filter. It's as if they felt that what worked in Koyaanisqatsi, would work here -- extreme closeup, slow-motion etc. But the images here had nothing to say.
There was no emotion. Just wall-to-wall shots of everything from dollar signs, 0's and 1's, faces, bodies, computer chips, JFK, Martin Luther King, Bin Laden, buildings ripped by tornados... you get the picture. To make matters worse, everything was put through amateurish f/x-- mosaic, grain, vortex, inverted.
While it may have been a technical marvel, the end result felt empty and labored. Footage near the end consisted of juxtaposing images of real global street violence with video game violence -- but so what? Nothing new was said here. A real shame to end this way...
This was an exercise in tedium. It seemed as though the filmmakers raided the Time-Life library of iconic 20th century images and fed them through a special effects filter. It's as if they felt that what worked in Koyaanisqatsi, would work here -- extreme closeup, slow-motion etc. But the images here had nothing to say.
There was no emotion. Just wall-to-wall shots of everything from dollar signs, 0's and 1's, faces, bodies, computer chips, JFK, Martin Luther King, Bin Laden, buildings ripped by tornados... you get the picture. To make matters worse, everything was put through amateurish f/x-- mosaic, grain, vortex, inverted.
While it may have been a technical marvel, the end result felt empty and labored. Footage near the end consisted of juxtaposing images of real global street violence with video game violence -- but so what? Nothing new was said here. A real shame to end this way...
- sleazerama
- Oct 23, 2002
- Permalink
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Naqoyqatsi: Life as War
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $133,058
- Opening weekend US & Canada
- $17,154
- Oct 20, 2002
- Gross worldwide
- $155,640
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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