Superintendent Dalziel and partner DI Pascoe investigate murder, and find a bond forming between them despite their blatantly different personalities.Superintendent Dalziel and partner DI Pascoe investigate murder, and find a bond forming between them despite their blatantly different personalities.Superintendent Dalziel and partner DI Pascoe investigate murder, and find a bond forming between them despite their blatantly different personalities.
- Awards
- 2 wins & 3 nominations total
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Did you know
- GoofsThe first name of the pathologist played by James Puddephatt changed during series 7. For all episodes up to and including For Love Nor Money (2002), his name was listed in the credits as Dr Paul Ashurst; for all episodes from Dialogues of the Dead: Part 1 (2002) onwards, his name was credited as Dr James Ashurst.
- ConnectionsEdited into Total Cops (2003)
Featured review
I love Reginald Hill's novels upon which these shows were based and having read the lot, I have to agree with others in saying that the cast is less than accurate, though Warren Clarke and David Royle come closer in spirit to their book counterparts, if not physically. Colin Buchanan is too insubstantial to make Pascoe as strong as he is in the books and Susannah Corbett, while getting Ellie's smug self-satisfied know-it-allness down pat, looks and acts too hard - she fails to relay the bits of vulnerable sweetness of the book Ellie that makes it clear why Pascoe adores her. That being said, the stories remain fairly true to the novels, if far less bawdy and they retain much of the dark Northern humor that makes the books so enjoyable. With Clarke lacking the sheer bulk and crudity of the book Fat Andy, the scenes demonstrating his brilliance as a detective and perspicacity about the human condition are far less surprising than when they emerge in the novels. Even after you've read several of the stories, Hill makes Dalziel so obnoxious and primitive, you can visualize the scrapes on his knuckles from dragging them on the ground, when his genius and sensitivity lead to the truth - and that is what Dalziel is all about, getting to the truth - it still startles. However, judging the TV versions without considering the novel versions, the series is a cut above the standard fare in the UK, let alone the US, and is literate, funny, intriguing and thoroughly enjoyable. The acting, direction, pacing and scenery are completely credible and it is a treat to suspend reality to watch this - and the other UK coppers like Barnaby, Frost, Morse, et al.
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