This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.
Photos
Featured reviews
If you don't mind cameo scenes shooting by faster than bullets, this 9-minutes is loaded. It's supposed to be 20-years of studio activity from 1924-1944, but we really only get glimpses of the first and last years. We do get a slick review of lush MGM productions from 1924, (Ben Hur, The Big Parade, et al.). However, the 30's are skipped over and we go directly to 1944, and the studio's cavalcade of stars plus features from that war year. (And did I see correctly, or is that a Code-defying young couple cuddling on the same bed! And what movie, pray tell, was that?) But most impressively, we get an aerial view of MGM's massive production facilities spread out like a city. And a big one. Wow!
Basically, the 9-minutes amounts to a studio promo. Nonetheless, it's still a nostalgic sprint across a Hollywood album of familiar faces and features. So old film fans, it's a short that remains flavorful despite the dispatch.
Basically, the 9-minutes amounts to a studio promo. Nonetheless, it's still a nostalgic sprint across a Hollywood album of familiar faces and features. So old film fans, it's a short that remains flavorful despite the dispatch.
Metro-Goldwyn-Mayer offers us a one-reeler celebrating the 20th anniversary of its founding -- its consolidation, actually, since it combined the three mid-sized studios in its name. After seeing a couple of minor employees who, we are to believe, came to work at MGM that year, we are told some of the exciting things going on in 1924 --foremost of them Calvin Coolidge as President -- a brief look at a couple of hits of 1925, and then a look at the current studio.
It's not too shoddy a reason to boast a bit and MGM takes it, along with a list of their current and hopeful stars. One of the studio's slogans was "More Stars Than There Are in Heaven" and with profits at an all-time high -- the profits from MEET ME IN ST. LOUIS alone was enough to keep the whole place open for a year, everyone was feeling good about the future.
It's not too shoddy a reason to boast a bit and MGM takes it, along with a list of their current and hopeful stars. One of the studio's slogans was "More Stars Than There Are in Heaven" and with profits at an all-time high -- the profits from MEET ME IN ST. LOUIS alone was enough to keep the whole place open for a year, everyone was feeling good about the future.
Did you know
- TriviaFour seconds of King Vidor's 1924 The Wife of the Centaur are seen in this film. That is all there is as The Wife of the Centaur is considered a lost film.
- ConnectionsFeatures He Who Gets Slapped (1924)
- SoundtracksAnchors Aweigh
Written by Charles A. Zimmerman (music)
Alfred Hart Miles and R. Lovell (lyrics)
Performed by studio orchestra
Details
- Release date
- Country of origin
- Language
- Also known as
- MGM: 20 años después
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime9 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content