An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.An extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.
- Awards
- 1 win & 9 nominations
- Ed
- (as Luis Guzman)
- Uncle John
- (as Joe Dallessandro)
- Pool Hall Creep
- (as Wayne Péré)
- DEA Guy
- (as John Cothran Jr.)
- DEA Guy
- (as Ousan Elam)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFootage from the 1967 film Poor Cow (1967) (Ken Loach's directorial debut) is featured as flashbacks of Wilson (Terence Stamp) with his baby daughter and wife.
- GoofsWhen Wilson and Elaine return to her apartment after she finishes work on the film set, in the first two shots of them driving into the garage, Wilson's car has no damage on the side from the previous car chase sequence. However, in the rest of the scene, where the car is parked, the damage on the side of the car is there again.
- Quotes
Wilson: How you doin' then? All right, are you? Now look, squire, you're the guv'nor here, I can see that. I'm in your manor now. So there's no need to get your knickers in a twist. Whatever this bollocks is that's going down between you and that slag Valentine, it's got nothing to do with me. I couldn't care less. Alright, mate? Let me explain. When I was in prison - second time - uh, no, telling a lie, third stretch, yeah, third, third - there was this screw what really had it in for me, and that geezer was top of my list. Two years after I got sprung, I sees him in Holland Park. He's sittin' on a bench feedin' bloody pigeons. There was no-one about, I could've gone up behind him and snapped his fuckin' neck, *wallop!* But I left it. I could've knobbled him, but I didn't. 'Cause what I thought I wanted wasn't what I wanted. What I thought I was thinkin' about was something else. I didn't give a toss. It didn't matter, see? This berk on the bench wasn't worth my time. It meant sod-all in the end, 'cause you gotta make a choice: when to do something, and when to let it go. When it matters, and when it don't. Bide your time. That's what prison teaches you, if nothing else. Bide your time, and everything becomes clear, and you can act accordingly.
- ConnectionsEdited from Poor Cow (1967)
- SoundtracksThe Seeker
Performed by The Who
Written by Pete Townshend
Published by Windswept Pacific Songs o/b/o Towser Tunes, Inc./ABKCO Music, Inc./Fabulous Music Limited
Courtesy of MCA Records/Polydor Limited
Under license from EMI Music Special Markets
Terrence Stamp, a fine actor who has appeared in more than his fair share of bad movies, really takes this role and runs with it. He radiates dignity and power as Wilson, the English career criminal out to avenge the death of his estranged daughter. My only problem with his performance, and the movie as a whole, is his Cockney accent, which borders on caricature. If you can get over that hurdle you'll be impressed by the depth of his performance.
Peter Fonda, who has never impressed me much as an actor in the past (not even his much lauded role in the overrated 'Ulee's Gold'), is also fine as the sleazy record producer who Wilson suspects of wrongdoing. Stamp and Fonda obviously relish playing these characters, and their chemistry together is the cornerstone of the movie. Both actors are supported by an impressive array of old and new faces - including a surprisingly effective Lesley Anne Warren (her best since 'Cop'), the always watchable Luis Guzman ('Boogie Nights', 'Carlito's Way', etc.), blasts from the pasts Barry Newman (cult classic 'Vanishing Point') and Joe Dallessandro (former Warhol superstar), and future star in the making Nicky Katt ('Strange Days', 'SubUrbia').
Soderbergh cleverly uses footage from Ken Loach's kitchen sink drama 'Poor Cow' for flashbacks, and plays upon Stamp and Fonda's 60s screen personas, but the film is no exercise in mere nostalgia. 'The Limey' is a rarity in Hollywood these days - an intelligent, thoughtful, well crafted and acted adult movie. I liked it a lot.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Denizci
- Filming locations
- The Astral House, 2210 Astral Place, Los Angeles, California, USA(Terry Valentine's house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $3,204,663
- Opening weekend US & Canada
- $187,122
- Oct 10, 1999
- Gross worldwide
- $3,325,736
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1