IMDb RATING
5.9/10
1.9K
YOUR RATING
A sexually frustrated serial killer takes a liking to a woman he comes across.A sexually frustrated serial killer takes a liking to a woman he comes across.A sexually frustrated serial killer takes a liking to a woman he comes across.
- Awards
- 1 win & 1 nomination
Photos
Coralie Trinh Thi
- La première femme
- (as Coralie)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIncluded among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
- SoundtracksBela Lugosi's Dead
Written by Daniel Ash, Kevin Haskins (as Kevin Dompe), Peter Murphy and David J (as David J. Haskins)
Performed by Bauhaus
Courtesy of Bauhaus Music
Featured review
Far from morality and any kind of convention, Sombre is a film that's all about seeing the world through the eyes of a killer. Sound and image on the hand of Grandrieux are combined into something that can only be described as a simulation of a panic attack.
The film is basically about a travelling puppeteer who kills women just before having sex them. Most of these women are prostitutes or strippers and it's natural that when he meets one whose concern is not to arouse him sexually, he finds himself unable to treat her the same. While that may seem contrived, Grandrieux is more concerned with the idea to travelling or moving than the actual story. The plot is there to follow all the changing locations and scenery and along with that the evolving emotions of the two main characters. It's actually real interesting to see that the film suggests that move is most likely the most natural human act, in the sense that being in motion is a type of struggle (interior or exterior) which is the only road to evolution and completion.
The film is basically about a travelling puppeteer who kills women just before having sex them. Most of these women are prostitutes or strippers and it's natural that when he meets one whose concern is not to arouse him sexually, he finds himself unable to treat her the same. While that may seem contrived, Grandrieux is more concerned with the idea to travelling or moving than the actual story. The plot is there to follow all the changing locations and scenery and along with that the evolving emotions of the two main characters. It's actually real interesting to see that the film suggests that move is most likely the most natural human act, in the sense that being in motion is a type of struggle (interior or exterior) which is the only road to evolution and completion.
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