A decidedly odd couple with ulterior motives convince Dr. Grant to go to Isla Sorna for a holiday, but their unexpected landing startles the island's new inhabitants.A decidedly odd couple with ulterior motives convince Dr. Grant to go to Isla Sorna for a holiday, but their unexpected landing startles the island's new inhabitants.A decidedly odd couple with ulterior motives convince Dr. Grant to go to Isla Sorna for a holiday, but their unexpected landing startles the island's new inhabitants.
- Awards
- 5 wins & 16 nominations total
Blake Michael Bryan
- Charlie
- (as Blake Bryan)
6.0363.8K
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Summary
Reviewers say 'Jurassic Park III' offers thrilling dinosaur action and a welcome return of Sam Neill as Dr. Alan Grant, though it lacks a compelling plot and deep character development. The absence of Steven Spielberg is noted, with some missing the original's magic. Special effects receive mixed reviews, and the film's pacing is debated. Overall, it's an enjoyable yet flawed installment.
Featured reviews
Between Script Stumbles and Insufferable Humans, the Jungle Still Belongs to the Dinosaurs. And That, I Confess, Remains Irresistible
Every franchise, sooner or later, is questioned for its insistence on continuing. But personally, all it takes is a dinosaur on screen, some polished production value, and I'm already sold. All I need are prehistoric animals, bared teeth, people running. You can call it an infinite franchise; I'll be there. However, if The Lost World: Jurassic Park still had enough charm to win me over - even without the first film's magic - Jurassic Park III treads on swampier ground. Not because of the production (which remains impeccable), but because this time, I simply couldn't bring myself to care about almost anyone. And in Jurassic Park, sympathizing with the characters is half the adventure.
The film even starts promisingly: Alan Grant playing with a baby, reuniting with Ellie (until her husband shows up, just for us to discover she took a different path - what a shame!). I always preferred Ian Malcolm's charismatic chaos to Alan's rigidity, but I respect his arc in the first film: the man who preferred fossils to children being forced to protect two. Here, however, not even Grant himself could hold my attention. He returns as the guide for an expedition funded by a supposedly eccentric millionaire couple, the kind who seem destined to become appetizers for a hungry crocodile. Of course, the story holds a secret: it's not extreme tourism, but a mission to rescue their missing son. It's noble, it's family-oriented, it's even coherent with the franchise's DNA... but the couple drove me up the wall. From start to finish, all I saw was people arguing, blaming each other, and dragging the film down with them.
And it's curious, because the script, in terms of premise, is tighter than the second film's. It's almost a "Jurassic terror," straight to the point. And when Spielberg isn't at the helm, what remains is precisely this shift: the plane crash shredded by the Spinosaurus (a new competitor for the T-Rex's crown), it tearing through the fuselage like opening a can of sardines, the foggy bridge infested with pterodactyls tossing bodies through the air like toys, the velociraptors communicating with disturbing intelligence, the boat attack complete with fire, gasoline, and near-drowning. In these moments, the film delivers - and how. The problem is that, away from the teeth and claws, the plot insists on a family drama that doesn't captivate me, no matter how much I admire the boy surviving miraculously for eight weeks and even saving Grant himself.
Deep down, what's missing isn't terror, nor dinosaurs - it's humanity. The first film had characters that entered the pantheon: Hammond and his megalomaniacal stubbornness, Ian Malcolm and his rock'n'roll sarcasm, Alan and Ellie with their bittersweet chemistry, even the kids with their mix of fear and courage. Here, on the other hand, we're left with a gallery of disposable characters. Some crew members, introduced as elite expert hunters, barely take a breath before becoming statistics. Billy, Grant's loyal student, does get his moment, but he never sets the screen on fire. And the couple, despite competent actors, only made me root for them to become the Spinosaurus's dinner. Perhaps Jurassic Park III would work better if it had fully embraced the horror, without relying on characters who can't hold our empathy.
But here's the paradox: even without winning us over with its humans, the film works. Because Jurassic Park was never just about people - it was about the clash of eras, about the fascination and fear of seeing prehistory roaring before us. In the end, what remains are the creatures. And in that department, there's no denying it: the Spinosaurus leaves its mark, the duel with the old colossus is pure spectacle, the pterodactyls in the aviary are genuinely chilling. If the first was about wonder, and the second about surviving the spectacle, this third one seems to ask: "what if it were a nightmare?". Unfortunately, the nightmare can also be following certain characters. But, between script stumbles and insufferable humans, the jungle still belongs to the dinosaurs. And that, I confess, remains irresistible.
The film even starts promisingly: Alan Grant playing with a baby, reuniting with Ellie (until her husband shows up, just for us to discover she took a different path - what a shame!). I always preferred Ian Malcolm's charismatic chaos to Alan's rigidity, but I respect his arc in the first film: the man who preferred fossils to children being forced to protect two. Here, however, not even Grant himself could hold my attention. He returns as the guide for an expedition funded by a supposedly eccentric millionaire couple, the kind who seem destined to become appetizers for a hungry crocodile. Of course, the story holds a secret: it's not extreme tourism, but a mission to rescue their missing son. It's noble, it's family-oriented, it's even coherent with the franchise's DNA... but the couple drove me up the wall. From start to finish, all I saw was people arguing, blaming each other, and dragging the film down with them.
And it's curious, because the script, in terms of premise, is tighter than the second film's. It's almost a "Jurassic terror," straight to the point. And when Spielberg isn't at the helm, what remains is precisely this shift: the plane crash shredded by the Spinosaurus (a new competitor for the T-Rex's crown), it tearing through the fuselage like opening a can of sardines, the foggy bridge infested with pterodactyls tossing bodies through the air like toys, the velociraptors communicating with disturbing intelligence, the boat attack complete with fire, gasoline, and near-drowning. In these moments, the film delivers - and how. The problem is that, away from the teeth and claws, the plot insists on a family drama that doesn't captivate me, no matter how much I admire the boy surviving miraculously for eight weeks and even saving Grant himself.
Deep down, what's missing isn't terror, nor dinosaurs - it's humanity. The first film had characters that entered the pantheon: Hammond and his megalomaniacal stubbornness, Ian Malcolm and his rock'n'roll sarcasm, Alan and Ellie with their bittersweet chemistry, even the kids with their mix of fear and courage. Here, on the other hand, we're left with a gallery of disposable characters. Some crew members, introduced as elite expert hunters, barely take a breath before becoming statistics. Billy, Grant's loyal student, does get his moment, but he never sets the screen on fire. And the couple, despite competent actors, only made me root for them to become the Spinosaurus's dinner. Perhaps Jurassic Park III would work better if it had fully embraced the horror, without relying on characters who can't hold our empathy.
But here's the paradox: even without winning us over with its humans, the film works. Because Jurassic Park was never just about people - it was about the clash of eras, about the fascination and fear of seeing prehistory roaring before us. In the end, what remains are the creatures. And in that department, there's no denying it: the Spinosaurus leaves its mark, the duel with the old colossus is pure spectacle, the pterodactyls in the aviary are genuinely chilling. If the first was about wonder, and the second about surviving the spectacle, this third one seems to ask: "what if it were a nightmare?". Unfortunately, the nightmare can also be following certain characters. But, between script stumbles and insufferable humans, the jungle still belongs to the dinosaurs. And that, I confess, remains irresistible.
Why did we have to return?
I will say this about Jurassic Park III, I'm at least glad it didn't overstay its welcome. But just the fact that it had such a short run time already tells you what you need to know.
Unlike the previous movie where the characters were incredibly dumb and sometimes annoying, the characters here were dumb but also kinda bland. There's really not a character I was really rooting for to survive. Thank goodness for Sam Neil fortunately because he was really the only one I truly cared for and actually tried to make smart character decisions throughout.
And the action had its moments but overall, it was honestly kind of forgettable. The Lost World might've had terrible characters but at least they did a better job at tension building and using the dinosaurs the correct way.
Overall if I were to rank the Jurassic movies, I'd honestly put this in D tier. It's just so unnecessary.
Unlike the previous movie where the characters were incredibly dumb and sometimes annoying, the characters here were dumb but also kinda bland. There's really not a character I was really rooting for to survive. Thank goodness for Sam Neil fortunately because he was really the only one I truly cared for and actually tried to make smart character decisions throughout.
And the action had its moments but overall, it was honestly kind of forgettable. The Lost World might've had terrible characters but at least they did a better job at tension building and using the dinosaurs the correct way.
Overall if I were to rank the Jurassic movies, I'd honestly put this in D tier. It's just so unnecessary.
JP3 is trash.
JP3 is easily the worst out of the 7 Jurassic movies. The plot is dumb, it's only 92 minutes long, and the T. Rex ( even though it's not Rexy ) dies. This movie is the only reason why I'd rather watch the Jurassic World movies over the Jurassic Park. I'd only watch this movie because Alan Grant is one of my favorite characters in the Jurassic series.
JP3
With the OG Park, I can't quite decide what the standout moment is, there are so many brilliant ones. I have the opposite problem here, there's some fun but there are a couple of Yikes moments that... Dream raptor saying Alan, the ninjasaur that can sneak up on people in dead silence until the phone gives it away, the random bird cage, the kid collecting dino-pee... There's a lot of cringe in III and up until recently, I thought it was the most forgettable JP out there.
Seriously, how does a gigantic dinosaur sneak up on these people, but then somehow the phone rings and it's loud enough, FROM ITS STOMACH, that everyone hears it? GAH!
Seriously, how does a gigantic dinosaur sneak up on these people, but then somehow the phone rings and it's loud enough, FROM ITS STOMACH, that everyone hears it? GAH!
Jurassic Park 3
Definitely the worst of the Park Trilogy but it's not really much AWFUL. It just doesn't stand out and has nothing to it which is memorable. The plot is really basic, classic someone stuck on an Island and you need to find them but this time the bonus is there's dinosaurs running all around. It was nice seeing Sam Niell's Alan Grant return but aside that there isn't anything that makes this Film stand out in the franchise. Super forgettable. I mean, there's nice CGI and some sweet moments like Eric reuniting with his parents but that's about it. Decent Film but nothing special. Clear that in the Park Trilogy, the Films decline each time.
Did you know
- TriviaThe effects crew used two hundred fifty gallons of oatmeal to simulate Spinosaur droppings.
- Goofs(at around 1h 2 mins) Although the depiction of the Pteranodon showcases several inaccuracies (such as having teeth, being able to grab things with their legs, and being excessively aggressive), which, being genetically engineered clones, can be explained, one detail still counts as an error. Namely, no matter how strong these creatures are, they could never lift up and carry a human boy the size of Eric. They would simply plummet towards the ground, since these animals needed to be extremely light-weight in order to stay aloft (a real-life Pteranodon would weigh less than preschool child). Thus the Pteranodon's anatomical inaccuracies notwithstanding, the sequence in question very nearly breaks the laws of physics.
- Crazy creditsDuring the studio introductions, each logo is accompanied by the "ripple-in-the-water" effect and the sound of a heavy footstep.
- Alternate versionsDon Davis, the music composer for the film, stated that roughly 20 seconds of footage was cut from the battle between the T-Rex and Spinosaurus. This was mostly made up of the two animals roaring at each other and sizing one another up.
- ConnectionsEdited into Supergator (2007)
- SoundtracksBig Hat, No Cattle
Written by Randy Newman
Performed by Randy Newman
Courtesy of Dreamworks Records
Under license from Universal Music Enterprises
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Parque jurásico III
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $93,000,000 (estimated)
- Gross US & Canada
- $181,171,875
- Opening weekend US & Canada
- $50,771,645
- Jul 22, 2001
- Gross worldwide
- $368,780,809
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
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