An insane independent film director and his renegade group of teenage filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.An insane independent film director and his renegade group of teenage filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.An insane independent film director and his renegade group of teenage filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.
- Awards
- 2 nominations
Lawrence Gilliard Jr.
- Lewis
- (as Larry Gilliard Jr.)
Michael Shannon
- Petie
- (as Mike Shannon)
Eric Barry
- Fidget
- (as Eric M. Barry)
Erika Auchterlonie
- Pam
- (as Erika Lynn Rupli)
Harry Dodge
- Dinah
- (as Harriet Dodge)
Roseanne Barr
- Rosanne
- (as Rosanne)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe tattoos on the cast and crew are as follows:
- Cecil - Otto Preminger - left forearm
- Cherish - Andy Warhol - thigh
- Lyle - Herschell Gordon Lewis - left breast
- Pam - Sam Peckinpah - left arm
- Chardonnay - Spike Lee - stomach
- Lewis - David Lynch - knuckles
- Fidget - William Castle - chest
- Raven - Kenneth Anger - chest
- Rodney - Almodovar (presumably Pedro Almodóvar) - right arm
- Petie - Fassbinder (presumably Rainer Werner Fassbinder) - left forearm
- Dyna - Sam Fuller (aka Samuel Fuller) - right forearm
- GoofsIn the chase scene with the Baltimore PD, the left front tire of the police cruiser is shot causing it to go flat and the cruiser to crash into a movie theater box office. As the cruiser slams into the box office, the tire has miraculously been re-inflated.
- Crazy creditsThe credits thank "Fred and Ginger" both insinuating Fred Astaire and Ginger Rogers, the dance duo, and "Fred e Ginger" a movie by Federico Fellini, paying homage to the duo.
- Alternate versionsThere was a quick shot in earlier prints of the movie theater showing the director's cut of "Patch Adams", where we see the sign advertising the director's cut. This shot can still be seen on the intro to the DVD menu, and in one of the trailers.
- ConnectionsFeatured in SexTV: Pink or Blue?: The Science of Sex Selection/John Waters (2004)
- SoundtracksOpening Credit Theme
Written, Produced and Performed by Moby
Featuring samples from "Music for the Movies 1"
Written by Larry Hochman
Courtesy of V2 Records/ Mute Records/ Destiny Music Ltd.
Featured review
I started off enjoying this quite a lot but by the end, my feelings were more mixed.
To get some negatives out of the way first, it felt a little juvenile and simplistic, almost like it was written by a teenager (but a really smart one), not a guy in his 50s. Kind of neglects the idea that people can enjoy mainstream movies and weird stuff. I know Waters isn't really the most subtle director, but making things so black and white irked me towards the end.
Also there are things like all the main characters just getting away from the police halfway through the movie? They're shown surrounded, there's a cut, and then they're all off driving away?
And it's one of those movies that simplifies the filmmaking process in a surprisingly dumbed down way (sound? Editors? Shooting more than three or four scenes?) but it becomes apparent that maybe Cecil wasn't as concerned about releasing the movie, so maybe that's a dumb criticism.
Things in this are good though! It's got a great cast who are all utilised well (Adrian Grenier is even good!), the premise is a lot of fun, and I really enjoyed the first hour or so. And I do agree with many of the things Waters is trying to say- I just think it got a little on the nose towards the end.
To get some negatives out of the way first, it felt a little juvenile and simplistic, almost like it was written by a teenager (but a really smart one), not a guy in his 50s. Kind of neglects the idea that people can enjoy mainstream movies and weird stuff. I know Waters isn't really the most subtle director, but making things so black and white irked me towards the end.
Also there are things like all the main characters just getting away from the police halfway through the movie? They're shown surrounded, there's a cut, and then they're all off driving away?
And it's one of those movies that simplifies the filmmaking process in a surprisingly dumbed down way (sound? Editors? Shooting more than three or four scenes?) but it becomes apparent that maybe Cecil wasn't as concerned about releasing the movie, so maybe that's a dumb criticism.
Things in this are good though! It's got a great cast who are all utilised well (Adrian Grenier is even good!), the premise is a lot of fun, and I really enjoyed the first hour or so. And I do agree with many of the things Waters is trying to say- I just think it got a little on the nose towards the end.
- Jeremy_Urquhart
- Sep 28, 2021
- Permalink
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Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $1,284,646
- Opening weekend US & Canada
- $127,141
- Aug 13, 2000
- Gross worldwide
- $1,961,544
- Runtime1 hour 27 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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