On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.
Photos
Lona Andre
- Florence Davis (edited from 'Race Suicide')
- (archive footage)
- (uncredited)
Dean Benton
- Harry - A Henchman (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Betty Compson
- Mrs. Lucy Morgan (edited from Mad Youth)
- (archive footage)
- (uncredited)
Lester Dorr
- Eddie's Henchman (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Sam Flint
- Martin Standish - Gang Leader (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Kit Guard
- Henchman (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
John Ince
- Judge (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Selmer Jackson
- The District Attorney (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Donald Kerr
- Man at Party House
- (archive footage)
- (uncredited)
Frank LaRue
- Mr. Benton (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Noel Madison
- Nick - Procurer at Nightclub (edited from 'The Pace That Kills')
- (archive footage)
- (uncredited)
Blanche Mehaffey
- Florence Jones (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Rose Plumer
- Mrs. Benton (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Veola Vonn
- Lois - The Nice Girl (edited from 'Smashing the Vice Trust')
- (archive footage)
- (uncredited)
Frank Wayne
- Eddie - Henchman (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Constance Worth
- Judy (edited from 'Wages of Sin')
- (archive footage)
- (uncredited)
Storyline
Did you know
- TriviaThis wartime exploitation film was mostly made up of scenes from earlier exploitation films. New footage features Willy Castello as a prisoner about be be executed who dictates the the story of his life of crime. This provides the framework for the use of scenes from earlier films.
- ConnectionsEdited from The Murder in the Museum (1934)
Featured review
Confessions of a Vice Baron (1943)
* 1/2 (out of 4)
Mildly entertaining exploitation picture has a prisoner (Willy Castello) about to be put to death but before that he walks into the wardens office and asks to talk. It seems the prisoner wants to talk about his life in crime so that hopefully others will hear the stories and decide to take a different path in life.
The exploitation roadshow had its biggest period during the mid to late 30's once the Hayes Office started to put an end to anything naughty coming out of Hollywood. For fans of the genre, CONFESSIONS OF A VICE BARON should keep them entertained but it should be noted that this movie is pretty much edited together from other movies. The stuff dealing with the prisoner "confessing" is all new footage but the rest comes from movies like SMASHING THE VICE TRUST (lost outside the footage here), THE WAGES OF SIN, RACE SUICIDE, MAD YOUTH and THE PACE THAT KILLS, which is the only film not to have Castello actually in.
While this film isn't too bad and it only runs 58-minutes, it would still be wise to check out the other movies since you can seen them in their entirety. As you'd expect, the story here is pretty thin to say the least and there's no question that the quality ranges from bad to awful depending on which film you're actually watching. As for Castello, you can clearly call him one of the first kings of exploitation.
* 1/2 (out of 4)
Mildly entertaining exploitation picture has a prisoner (Willy Castello) about to be put to death but before that he walks into the wardens office and asks to talk. It seems the prisoner wants to talk about his life in crime so that hopefully others will hear the stories and decide to take a different path in life.
The exploitation roadshow had its biggest period during the mid to late 30's once the Hayes Office started to put an end to anything naughty coming out of Hollywood. For fans of the genre, CONFESSIONS OF A VICE BARON should keep them entertained but it should be noted that this movie is pretty much edited together from other movies. The stuff dealing with the prisoner "confessing" is all new footage but the rest comes from movies like SMASHING THE VICE TRUST (lost outside the footage here), THE WAGES OF SIN, RACE SUICIDE, MAD YOUTH and THE PACE THAT KILLS, which is the only film not to have Castello actually in.
While this film isn't too bad and it only runs 58-minutes, it would still be wise to check out the other movies since you can seen them in their entirety. As you'd expect, the story here is pretty thin to say the least and there's no question that the quality ranges from bad to awful depending on which film you're actually watching. As for Castello, you can clearly call him one of the first kings of exploitation.
- Michael_Elliott
- Jan 4, 2015
- Permalink
Details
- Runtime59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Confessions of a Vice Baron (1943) officially released in Canada in English?
Answer