Horatio Hornblower: The Wrong War
Original title: Hornblower: The Frogs and the Lobsters
- TV Movie
- 1999
- 1h 40m
IMDb RATING
7.9/10
4.4K
YOUR RATING
Lt. Hornblower and his mates are sent to accompany a doomed royalist invasion of revolutionary France.Lt. Hornblower and his mates are sent to accompany a doomed royalist invasion of revolutionary France.Lt. Hornblower and his mates are sent to accompany a doomed royalist invasion of revolutionary France.
- Won 1 Primetime Emmy
- 2 wins & 9 nominations total
Stephen Mascoli
- British Marine Major
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Captain Pellew sends Hornblower to France with the French royalist Colonel Moncoutant (Anthony Sher.) He reminded me of Monsieur Faberge, a Brut.
The British have teamed up with their enemy with the hope of helping the royalists to overthrow the revolutionaries. Hornblower accompanied by Major Lord Edrington (Sam West) find that Moncoutant is too busy exacting revenge against the villagers they are based in. Hornblower falls for the beautiful schoolteacher.
It is not long before Pellew and Hornblower separately realise that this unholy union is doomed. Hornblower is appalled by what he sees the royalist soldiers do. Major Erdington a man of sardonic dry wit tries his utmost to keep things diplomatic with the French royalist soldiers and the angry Hornblower.
Less seafaring action in this one, especially as Pellew is struck as there is no wind for the sails of his ship. Romance is in the air for Hornblower with the schoolteacher who tries to keep her and the children safe.
There is character development for Archie Kennedy who becomes more experienced in battle, a good performance from Sam West and an over the top one from Anthony Sher.
The British have teamed up with their enemy with the hope of helping the royalists to overthrow the revolutionaries. Hornblower accompanied by Major Lord Edrington (Sam West) find that Moncoutant is too busy exacting revenge against the villagers they are based in. Hornblower falls for the beautiful schoolteacher.
It is not long before Pellew and Hornblower separately realise that this unholy union is doomed. Hornblower is appalled by what he sees the royalist soldiers do. Major Erdington a man of sardonic dry wit tries his utmost to keep things diplomatic with the French royalist soldiers and the angry Hornblower.
Less seafaring action in this one, especially as Pellew is struck as there is no wind for the sails of his ship. Romance is in the air for Hornblower with the schoolteacher who tries to keep her and the children safe.
There is character development for Archie Kennedy who becomes more experienced in battle, a good performance from Sam West and an over the top one from Anthony Sher.
Exiled French Royalists gain British support for a desperate attempt to take back the Republic. Against his better judgment, Capt. Pellew(Lindsay, who balances maintaining discipline with a respect and fondness of Horatio) is made to oversee the operation, as well as keep secret a terrible fact that may doom it. Hornblower(Gruffudd, a man who stands against injustice, and here experiences his otherwise strong sense of diplomacy failing him in favor of that principle) is joined by the "Lobsters", English army soldiers, and their officer, Edrington(West, a man who reveals more layers to him as this progresses, with none of them conflicting with the earlier ones). They must work under the seemingly endless certainty of the "Frogs" in charge - General Charette(Shrapnel, fierce in his support of the monarchy) and Colonel Moncoutant(Sher, who cannot wait to take on the role of Marquis of the village they take as part of the assault).
Thematically and in developing characters, this is possibly the richest of these so far. One particular object appears a number of times in this, each bathed in meaning, altering the situation, in a manner that flows logically from what has been seen until that point. As already mentioned, this further fleshes out our main cast(Bamber's Kennedy, while youthful, growing into a man, delivers a line that, compared to what he's said earlier, simultaneously elegantly shows one of the larger conflicts in this), as well as doing justice to the new ones. They are human beings, for better or for worse, and they will grip and effect you - I spent most of this glued to my seat, and either clenching my fists in hope for some, or digging my nails into my hands to quell my fury with others. The arrival of nobility in their post-revolution motherland is a microcosm of the international clash of two vastly different political and philosophical approaches. The UK's king was terrified for his own position. Would "liberty, unity, and power" spread? Could it even be stopped?
We see a historically early example of traditional warfare facing off against guerrilla tactics, of the psychological repercussions of being in such a situation. The two countries are contrasted - in favor of one of them? Absolutely. However, vital points are nonetheless made, and the people of the other are not made out to be, even mostly, "bad". We come closer than before to the intimate, nasty detail of the reality of armed battles - meeting people caught between those who overthrew Louis XVI, and those who wish to reinstate such a ruling system(and yet the perspective always remains that of our returning ensemble). Production values, filming, editing all continue to be amazing - hardly anything betrays that this was made for TV, and not the silver screen. It inspires debate, research, and delving into what made what this depicts, and other things like it, occur. The people and nations involved and what drove them to be and do such.
There is disturbing, brutal, bloody, violent content in this. I recommend this to everyone - if you are not yet old enough to handle the unpleasant aspects, make a note to see it once you are. 9/10
Thematically and in developing characters, this is possibly the richest of these so far. One particular object appears a number of times in this, each bathed in meaning, altering the situation, in a manner that flows logically from what has been seen until that point. As already mentioned, this further fleshes out our main cast(Bamber's Kennedy, while youthful, growing into a man, delivers a line that, compared to what he's said earlier, simultaneously elegantly shows one of the larger conflicts in this), as well as doing justice to the new ones. They are human beings, for better or for worse, and they will grip and effect you - I spent most of this glued to my seat, and either clenching my fists in hope for some, or digging my nails into my hands to quell my fury with others. The arrival of nobility in their post-revolution motherland is a microcosm of the international clash of two vastly different political and philosophical approaches. The UK's king was terrified for his own position. Would "liberty, unity, and power" spread? Could it even be stopped?
We see a historically early example of traditional warfare facing off against guerrilla tactics, of the psychological repercussions of being in such a situation. The two countries are contrasted - in favor of one of them? Absolutely. However, vital points are nonetheless made, and the people of the other are not made out to be, even mostly, "bad". We come closer than before to the intimate, nasty detail of the reality of armed battles - meeting people caught between those who overthrew Louis XVI, and those who wish to reinstate such a ruling system(and yet the perspective always remains that of our returning ensemble). Production values, filming, editing all continue to be amazing - hardly anything betrays that this was made for TV, and not the silver screen. It inspires debate, research, and delving into what made what this depicts, and other things like it, occur. The people and nations involved and what drove them to be and do such.
There is disturbing, brutal, bloody, violent content in this. I recommend this to everyone - if you are not yet old enough to handle the unpleasant aspects, make a note to see it once you are. 9/10
I agree that the acting is phenomenal, I too wish to see Sam West and Robert Lindsay in other productions, but it seems that there is very little available by way of backtracking their other works. I am tickled every time Lord Edrington gives one of his dry little commentaries, he would make an awesome verbal adversary. I can't remember where I heard this quote but it pops into my head when I watch Sam West's portrayal of the redoubtable Lord Edrington, "It's difficult to fight a battle of the wits with the unarmed." Not that HH is 'unarmed', but Lord Edrington seems to leave the Naval folk deliciously speechless rather frequently.
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This is a wonderful finale to a wonderful series. It is not, in my opinion, the best of the lot, but that does not mean that it doesn't have it's strong points.
I skimmed Mr. Midshipman Hornblower, the book that these four films are based on. Consequently, as someone who enjoyed this particular chapter immensely, I could have skipped the love story - but then again, I'm not a romantic by any stretch of the imagination. I thought that because of time constraints, the whole thing was rather rushed. Falling in love in the course of a day is something for a sitcom, not a serious movie, but the actors did an amazing job with what they were given.
The good greatly outnumbers the bad. Ioan Gruffudd did a wonderful job as Horatio throughout the series and he remained consistent throughout this episode. I consider him to be a wonderful actor - the perfect one to play the young, gangly seventeen year-old who comes into his own gradually.
Gruffudd's performance was only accentuated by the brilliance of his dynamic co-star Robert Lindsay, himself an amazing actor. Lindsay's performance as the indomitable (and indefatigable) Captain Pellew was right on the mark.
The rest of the cast was wonderful, including poor Mariette, played by Estelle Skornik. I will never tire of watching Matthews, Styles and Oldroyd and Paul Copley, Sean Gilder, and Colin MacLachlan fit these roles perfectly. Jamie Bamber as Midshipman (Acting-Lieutenant) Kennedy also did very well. John Shrapnel as Charette affected a decent French accent, as did Antony Sher as the infamous Moncoutant.
One last praise goes out to the fabulous Sam West, admitibly one of my favorite actors. West does an amazing job portraying Major Edrington and that dry, upper-class sarcastic wit never fails to earn a grin from me. The character of Edrington is one of my favorites in the book and West does an amazing job portraying him.
I find it a horrible pity that wonderful actors such as these listed above have trouble finding roles in internationally acclaimed films. After seeing this particular film, I performed an extensive search for the above actors. Armed with a list of some of the ones I desperately wished to see, I visited all of the local movie stores. Apart from Howard's End (Sam West), Fierce Creatures (Robert Lindsay), and 102 Dalmatians (Ioan Gruffudd), I came up empty-handed. So, here I am, armed only with a taped version of the Frogs and the Lobsters.
You will not be disappointed with this film - at least I doubt you will. I have yet to find someone who didn't enjoy it throughly. The costuming is accurate, the characters wonderful, the story is gripping and the acting is phenomenal. I highly recommend it to just about anyone.
I skimmed Mr. Midshipman Hornblower, the book that these four films are based on. Consequently, as someone who enjoyed this particular chapter immensely, I could have skipped the love story - but then again, I'm not a romantic by any stretch of the imagination. I thought that because of time constraints, the whole thing was rather rushed. Falling in love in the course of a day is something for a sitcom, not a serious movie, but the actors did an amazing job with what they were given.
The good greatly outnumbers the bad. Ioan Gruffudd did a wonderful job as Horatio throughout the series and he remained consistent throughout this episode. I consider him to be a wonderful actor - the perfect one to play the young, gangly seventeen year-old who comes into his own gradually.
Gruffudd's performance was only accentuated by the brilliance of his dynamic co-star Robert Lindsay, himself an amazing actor. Lindsay's performance as the indomitable (and indefatigable) Captain Pellew was right on the mark.
The rest of the cast was wonderful, including poor Mariette, played by Estelle Skornik. I will never tire of watching Matthews, Styles and Oldroyd and Paul Copley, Sean Gilder, and Colin MacLachlan fit these roles perfectly. Jamie Bamber as Midshipman (Acting-Lieutenant) Kennedy also did very well. John Shrapnel as Charette affected a decent French accent, as did Antony Sher as the infamous Moncoutant.
One last praise goes out to the fabulous Sam West, admitibly one of my favorite actors. West does an amazing job portraying Major Edrington and that dry, upper-class sarcastic wit never fails to earn a grin from me. The character of Edrington is one of my favorites in the book and West does an amazing job portraying him.
I find it a horrible pity that wonderful actors such as these listed above have trouble finding roles in internationally acclaimed films. After seeing this particular film, I performed an extensive search for the above actors. Armed with a list of some of the ones I desperately wished to see, I visited all of the local movie stores. Apart from Howard's End (Sam West), Fierce Creatures (Robert Lindsay), and 102 Dalmatians (Ioan Gruffudd), I came up empty-handed. So, here I am, armed only with a taped version of the Frogs and the Lobsters.
You will not be disappointed with this film - at least I doubt you will. I have yet to find someone who didn't enjoy it throughly. The costuming is accurate, the characters wonderful, the story is gripping and the acting is phenomenal. I highly recommend it to just about anyone.
I was so surprised by the excellence of this movie which is the third I have seen and now look forward to seeing the complete series. Even my wife who is not particularly interested in naval history was entranced by it. Having read Patrick O'Brian's naval history Aubrey & Maturin series I have become fascinated by this period of history. Master and Commander was a movie made from a combination of two of O'Brians's book and also was a realistic portrayal but somehow Hornblower has given another dimension to life and living in these wooden ships. The Hornblower filmed series adds a memorable visual quality to this history and I can heartily recommend them.
Storyline
Did you know
- TriviaCaptain Pellew's line, "As idle as a painted ship upon a painted ocean," is a quotation from the second part of 'The Rime of the Ancient Mariner' by Coleridge. It was first published, anonymously, in 1798.
- GoofsGeneral de Charette refers to restoring His Catholic Majesty. That title was used by the kings of Spain. The kings of France were known as the Most Christian King.
- Quotes
Major Edrington: [Watching as Hornblower struggles to mount a horse] Now I see why you chose the Navy.
- ConnectionsFeatured in The Story of the Costume Drama: The Greatest Stories Ever Told (2008)
- SoundtracksThe Girl I Left Behind Me
Traditional
Details
- Release date
- Country of origin
- Languages
- Also known as
- Hornblower: Las ranas y las langostas
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 40 minutes
- Color
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By what name was Horatio Hornblower: The Wrong War (1999) officially released in India in English?
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