Where the Heart Is

For the first 1:15 or so, I was really enjoying this sweet and funny movie about a young girl (Novalee, played by Natalie Portman) dealing with being pregnant and unmarried, who is abandoned by her boyfriend (Dylan Bruno) and takes up residence (unknown to anyone) in a local Wal-Mart. After giving birth to the baby in the store, she is swindled and abandoned by her mother (Sally Field) but survives and flourishes thanks to the kindness of some rather eccentric strangers.

So far, so good. Very enjoyable. But the last 45 minutes or so really unravelled rather quickly. I questioned the need to continually bring us back to Willie Jack's (the baby's father) attempts to get a singing career going. None of his scenes really served to advance the plot in any way, and quite frankly, the guy was a loser who abandoned his pregnant girlfriend. I didn't care what happened to him - even though some of what happened was poetic justice - and the movie could have been shortened by 20 or 30 minutes - without losing a thing - if all his scenes had been simply cut. I also felt that it was totally unnecessary to include (albeit - thankfully - only for a few minutes) a theme about child molestation. Where did that come from and why? It made a relatively enjoyable movie very heavy, and it was a heaviness that - for me at least - never really disappeared. The end of the movie (revolving around the relationship between Novalee and Forney (James Frain) was also telegraphed quite early on.

Having made those criticisms, the real highlight of the movie for me was Natalie Portman as Novalee. I wasn't familiar with this young actress until now, but she was marvellously cast as the sweet, innocent, naive young Novalee, and then showed a wonderful capacity to show her character evolve into a mature and independent young woman. (I have to say that, while the movie seemed to be trying to say she was a great mother, she seemed to spend a lot of time away from little Americus, but that's a minor point.) Portman was excellent, and I will look forward to seeing her again.

This rates a 6/10. Would have been higher, except for the weak second half.

Natalie Portman is superb here. If there is anything that this actress is brilliant at, it's giving thankless characters a lot of emotional depth. This film is intelligent and well made, that is often moving. It isn't the best movie I have ever seen, but there are a lot of things that I really liked about this movie. There was some detailed direction, but it is the performances from the likes of Stockard Channing, Ashley Judd, Joan Cusack and Sally Field, that take centre stage. The principal characters are well developed and meaningful, however I do have two complaints of this movie. One is that it is overlong, and sometimes drags with the subplots. Secondly, the uneven script disallows the more minor characters to fully develop as they should do. Still, it is a well performed and well intended film, that I will award a 8/10. Bethany Cox.

This film is a bittersweet human-interest story with a side order of romance. The story has a country flavor, plenty of country music and a story that could serve as the film version of the typical lyrics of any country music CD. It is replete with bad decisions, bad luck and tragedies at every turn. It is sappy, corny, stereotypical, and unfortunately full of the types of things that really happen in rural America. Despite this seething despondency, it has an upbeat fatalism that suggests that at least for some of the people, the struggle against bad breaks and hard times pays off.

The story follows the life of Novalee Nation (Natalie Portman), poor young girl setting out to start a new life with her no account boyfriend. When Novalee makes a rest stop at a Wal-Mart in Oklahoma, he ditches her, literally leaving her there barefoot and pregnant. Having only five dollars to her name, she takes up residence in the Wal-Mart and ultimately has the baby there. She becomes a minor celebrity and she is adopted by the Welcome Wagon lady. The remainder of the film examines the various relationships and experiences she has in this small town over the next seven or eight years.

The story is charming and steeped in sentiment. The character development of Novalee is excellent, although Director Matt Williams could have spent more time on some of the supporting characters, especially Sister Husband (Stockard Channing). To his credit, the film was nicely shot, and the tornado scene was fabulous.

Natalie Portman's performance was her best to date. She played the part with a near helpless determination that made her a very attractive and lovable character. Her southern accent was terrible, but her portrayal of the rural southern attitude was on target. Though the part didn't have a lot of range, she was extremely effective with the emotional element, and elicited great sympathy and admiration for her response to her desperate situation.

Stockard Channing was wonderful as the eccentric Welcome Wagon lady. I would have liked to see this part expanded, just to see more of Channing. She was enchantingly warm and peculiar. James Frain was also very good as Forney. He made the character very interesting and affable. He continues to be a solid supporting actor who has shown himself to be extremely versatile (Hilary and Jackie, Reindeer Games, Titus). Ashley Judd added another fine performance to her resume, with a free spirited portrayal of Lexie.

This was a nice story with an agreeable and upbeat ending. I rated it a 7/10. Add a point if you are a woman or if you have ever lived in a mobile home. It will find its most enthusiastic audience with women due to its extreme sentimentality, but it is not so `female' that it can't be enjoyed by men, making it a good date movie.

A young pregnant girl (Natalie Portman) gets left in a small Oklahoma town by her loser boyfriend (Dylan Bruno) on their way to California from Tennessee. Portman is literally stranded at the local Wal-Mart and then becomes a national celebrity when she gives birth late one night at the store. Local gardener Stockard Channing and her live-in lover (Richard Jones) take the youngster and her child in as Portman gets the opportunity to work for Wal-Mart. Immediately we are introduced to a whole host of vivid characters. There is nurse Ashley Judd who is rearing five young children of her own, department store photographer Keith David and shy librarian James Frain who is taking care of his alcoholic older sister (Margaret Ann Hoard). And we even get a short glimpse of Portman's trashy, money-hungry mother (an electrically-charged cameo for Sally Field). Time passes, and Portman experiences life, love, triumph, tragedy and everything in between as she makes the small Oklahoma town her own. Smart drama that never loses its way and stays interesting due to Portman's show-stopping performance. The rest of the cast is right on key as well as fellow "Heat" alum Judd does a deceptively deep and heartfelt job. The movie works due to a steady pace, strong direction and a totally under-appreciated script. 4 stars out of 5.

This is one of those movies where you feel "all is right with the world" when it's over. It is inspirational - in the midst of the violence and profanity that occurs in life, it reminds you that there are still good, honest and decent people. I admire the fact that a wonderful movie was created without nudity, very little violence or excess profanity (were there 4-letter words in the movie?). I admit, it's somewhat of a fantasy that good things happen only to good people and bad things to bad people - but it makes you feel good about the outcome all the same.