"Pastasciutta nel deserto" is a film that masterfully combines elements of comedy and drama, illustrating the delicate balance between the absurdity and tragedy of war. Directed by a seasoned filmmaker nearing the end of his career, this film is both a homage to and a continuation of the themes explored in "La grande guerra," set this time against the backdrop of World War II in North Africa.
From a cinematic perspective, the film showcases a commendable use of contrasting tones. The early portions of the film are lighthearted, filled with the humorous escapades of the soldiers, particularly Venantino Venantini, who delivers a standout performance in a role reminiscent of the classic Italian commedia all'italiana style. His character is that of a brash, well-connected Roman soldier, navigating the bureaucracy in a quest for leave. The film's tone gradually shifts as the harsh realities of war take center stage, leading to a more somber, reflective conclusion.
The cinematography effectively captures the desolate and unforgiving desert landscape, which mirrors the internal desolation felt by the soldiers. The barren North African setting serves as a stark contrast to the lively, often chaotic camaraderie among the troops, highlighting the dissonance between their vibrant personalities and the bleakness of their situation. This visual juxtaposition adds depth to the film's narrative, underscoring the futility and absurdity of war.
The screenplay, written by Giuseppe Berto and Sandro Continenza, is another strength of the film. It focuses on the mundane, everyday struggles of the soldiers, eschewing grandiose depictions of heroism in favor of a more grounded portrayal. The script's attention to the small, human moments provides a poignant counterbalance to the broader, more dramatic elements of the story. The humor, while at times light and even farcical, is never allowed to completely overshadow the underlying tragedy, creating a rich, multifaceted experience for the audience.
The supporting cast, though not widely recognized, delivers solid performances that complement Venantini's lead. Actors like Riccardo Billi and Giovanna Ralli add depth to the ensemble, bringing authenticity to their roles as soldiers caught in a war they neither understand nor want to fight. Their portrayals help to convey the film's central theme: the disillusionment of the common soldier and the disconnect between individual experiences and the abstract concept of national duty.
In terms of direction, the film maintains a steady pace, with careful attention to the timing of its tonal shifts. The moments of levity are well-placed, providing necessary relief before the narrative delves into more serious, dramatic territory. The director's approach ensures that the film's transitions between comedy and drama feel natural and unforced, contributing to the overall cohesion of the work.
Overall, "Pastasciutta nel deserto" is a film that, while perhaps modest in its ambitions, succeeds in delivering a compelling and thought-provoking portrayal of war. Its blend of humor and pathos, supported by strong performances and a well-crafted script, makes it a memorable entry in the canon of Italian war cinema.
