Directed by
| Ina Lüders | ||
Writing Credits
| David Fedash | ... | (script) |
Cast (in credits order)
|
|
Cia Berg | ... | Woman (as Cia Soro) |
|
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Rocco Barker | ... | Boyfriend |
|
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Chick Ortega | ... | Butcher |
|
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Nick Marsh | ... | Boyfriend's Accomplice |
| Detlev Buck | ... | Removal Man 1 | |
| Graham Kent | ... | Removal Man 2 | |
| Dean Cook | ... | Boy | |
|
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Leah Fitzgerald | ... | Girl |
|
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Robert Meadwell | ... | Skinny Man |
|
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John Channell Mills | ... | Old Man |
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Beryl King | ... | Old Woman |
Produced by
| Barnaby Bates | ... | executive producer |
| Ian Harry | ... | line producer |
| László Kadar | ... | associate producer (as Lazslo Kadar) |
Cinematography by
| Jasper Fforde | ... | director of photography |
Editing by
| Grant Hodgson | ||
Casting By
| Amanda Stewart | ||
Art Direction by
| Sophie Newman | ||
Costume Design by
| Anna Laflin | ||
Makeup Department
| Charlie Dwight | ... | makeup artist |
| Clara Ford | ... | makeup artist |
Second Unit Director or Assistant Director
| Joe Carter | ... | first assistant director |
Art Department
| Louisa Beer | ... | assistant art director |
| Andrew Golding | ... | constructor |
| Rob Mobray | ... | title artwork |
Sound Department
| Terry Brown | ... | dubbing editor |
| Crispin Gill | ... | sound recordist |
| Billy Mahoney | ... | dubbing mixer: Magmaster (as Bill Mahony) |
Camera and Electrical Department
| Sam Barnes | ... | focus puller |
| Splürge Blürgi | ... | gaffer |
| Balazs Bolygo | ... | grip |
| Tim Booth | ... | still photographer |
| Philip Coleman | ... | key grip (as Phil Coleman) |
| Annette Hamilton | ... | focus puller |
| Jake Hull | ... | clapper loader |
| Dusan Sekulovic | ... | electrician |
| Chloë Stewart | ... | electrician (as Chloe Steward) |
Costume and Wardrobe Department
| Hannah Davis | ... | costume assistant |
Music Department
| Rocco Barker | ... | composer: incidental music |
| Crispin Gill | ... | composer: incidental music / composer: song "For You" / music recordist |
Transportation Department
| John Orsler | ... | driver: art department |
Additional Crew
| Oscar Chalis | ... | production runner |
| Lucas Fettes O'Neill | ... | insurance |
| Ashwin Matthews | ... | production assistant |
| Ian Sexton | ... | armorer |
| Graham Strong | ... | production runner |
Thanks
| Pancho Alted | ... | very special thanks |
| Alyson | ... | very special thanks |
| Anabel | ... | very special thanks: London Filmcommission |
| David Antoine | ... | very special thanks |
| Luciano Antoniazzi | ... | very special thanks: Valentino's |
| Mark Baugh | ... | very special thanks: Blue post-production |
| Tim Booth | ... | very special thanks |
| Terry Brown | ... | very special thanks |
| Carol Cook | ... | very special thanks |
| Phillip Cooper | ... | very special thanks: Arri Media |
| Chris Crome | ... | very special thanks |
| Duncan | ... | very special thanks |
| Elise | ... | very special thanks: Brent Council |
| Emily | ... | very special thanks |
| Vanessa Goeghagan | ... | very special thanks: Blue post-production |
| Greg | ... | very special thanks: AFM Lighting |
| Mary Hamilton | ... | very special thanks |
| Micki Heras | ... | very special thanks |
| Alan John | ... | very special thanks |
| László Kadar | ... | very special thanks (as Laszlo Kadar) |
| Tommi Mansi | ... | very special thanks |
| Rob Marche | ... | very special thanks |
| Daniel Martin | ... | very special thanks: Blue post-production |
| Matthew | ... | very special thanks |
| Raimondo | ... | very special thanks: Rainbow Post-Production |
| Sharon Tapper | ... | very special thanks |
| Rachel Wilson | ... | very special thanks |