Zakhm is, by and large, the finest work of Mahesh Bhatt of the 1990s, a decade throughout which he made some disastrous movies with little substance. Zakhm is a lifelike, wonderful story, which unfolds in two time-lines. The first is the present-day turmoil happening in the life of a young music director named Ajay. He is in a hospital where his mother is lying in a critical condition as a result of recent communal riots in which she was burned by a group of Islamists. The second time-line is presented through a flashback which recounts Ajay's childhood when he lived with his mother and recently-born brother. His father did not live with them and would only come to visit them from time to time. He never married Ajay's mother because he was a Hindu and she was a Muslim. Yet, she kept hiding her Muslim faith because of her involvement with a Hindu man, disguising as a Christian for the rest of her life.
Zakhm works because it feels very much a documentation of a true and personal story, and it actually is, from what I understand. It is deeply moving and absorbing, and in this regard is reminiscent of Bhatt's efforts during the 1980s, like Arth, Saaransh and Kaash, some amazing, hard-hitting pictures known for realistically portraying complex relationships and lifelike struggles. Zakhm is not as great as these films, generally speaking, and technically too it could have been better, but then it is definitely a special film in many ways. Bhatt's direction is very good. He tackles a delicate subject which is always relevant and presents a sincere and brutally honest account of communal strife, even if it's faulty and preachy at times. The portrayal of Ajay's childhood and his relationship with his mother is beautiful and heart-touching. Bhatt captures the mind of a troubled child with excruciating authenticity.
To achieve the right amount of credibility, the casting was very crucial. And well, no one disappoints. Ajay Devgan is excellent in his first great role. His performance is incredibly heartfelt and intense, and it's memorable more because most of it is internal and non-verbal. His devastated expression of anguish and grief is haunting, to say the least. Pooja Bhatt has never looked more beautiful. She is brilliant as the loving mother and suffering wife, who is tormented by her everyday struggle of raising her kids all alone, hiding her religious identity, and living in distance from her husband. This is certainly her best performance. Child actor Kunal Khemu is quite amazing as the young Ajay, who is a smart kid and a loving son. Sonali Bendre is beautiful and provides good support. Zakhm is not a flawless movie, but it is definitely a moving and riveting movie experience which remains in the mind for a long time.
