35
Metascore
26 reviews · Provided by Metacritic.com
- 63Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonIt's a movie of elegant surfaces, great background music (by both the Mahlers), gossipy underpinnings and pretensions to romantic grandeur.
- 58Seattle Post-IntelligencerWilliam ArnoldSeattle Post-IntelligencerWilliam ArnoldA rather dull movie.
- 50Portland OregonianShawn LevyPortland OregonianShawn LevyThe stifling piety of this film -- which regards anything old and vaguely arty as next to sacred -- needs some serious airing out.
- 50L.A. WeeklyChuck WilsonL.A. WeeklyChuck WilsonShe is known as one of the great muses, yet director Bruce Beresford, Wynter and screenwriter Marilyn Levy are never clear if this is by design or chance.
- 50New York Daily NewsJack MathewsNew York Daily NewsJack MathewsThere's great music and lovely settings, but the filmmakers have done little more with their subject than reiterate the Britannica's description of her.
- 50The New York TimesDana StevensThe New York TimesDana StevensFor all the talk of artistic and amorous passion, the film is trapped in snobbish inertia; its idea of period drama amounts to a kind of highbrow name- dropping.
- 50New York PostLou LumenickNew York PostLou LumenickWas Alma a masochist? Repressed? Neurotic? A pre-feminist? Don't look for insight here.
- 30Chicago ReaderLisa AlspectorChicago ReaderLisa AlspectorDirector Bruce Beresford -- not intending to be funny but succeeding wildly.
- 30Wall Street JournalJoe MorgensternWall Street JournalJoe MorgensternMs. Wynter's performance is only one of many failings in a heavily accented costume drama that Bruce Beresford has directed turgidly from Marilyn Levy's amateurish script.
- 30New Times (L.A.)Bill GalloNew Times (L.A.)Bill GalloMoviegoers might have preferred a little more care with the characters. As it is, Alma comes off not as a courageous trailblazer but as an indiscriminate adventuress.