IMDb RATING
6.6/10
4.7K
YOUR RATING
An inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.
- Awards
- 2 nominations total
Dmitri Ponce
- Guy
- (as Dmitri from the Lower Haight)
Wendy Turner
- Lisa
- (as Wendy Turner-Low)
Bradley K. Ross
- Aaron
- (as Bradley Ross)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is probably the closest you can come to experiencing a real rave without actually attending one. I can't understand user comments about poor acting, as I felt that everyone did a very good job here. The story centers around a group of people looking to have a harmless good time, with a number of side-characters. The rave organizer story is great, and the gay couple who can't find where the happening is is absolutely hilarious. The strongest part of the film is the magnificent soundtrack, and appearances by some of the best (and most underappreciated) DJ's around, John Digweed, Pollywog, etc. If you're at all into techno/rave music, just rent this for the great tunes. And you might find that you also enjoy the storyline.
I watched this movie because of a trailer I watched on HBO. Never heard of it before, but it seemed interesting.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
I've never been to a rave before, so I can't say anything about how realistic this film is.
I've also never used drugs before, but I really liked the way drug use was portrayed in the movie... One of the characters mentions that when it comes to drugs, it's best to be "baked not fried," which I interpreted as "using not abusing." The parallel threads we see evolve throughout the film observe people who don't use drugs at all, others who use them, and others who abuse them... All but the last case end up decidedly happy and content. But the film also remains very open minded and non-judgemental about the abusers; it refuses to condemn them, but rather it simply shows the results of what they do and allows the audience to form an opinion of these people on their own.
Another interesting theme I noticed was the fact that although raves are a great experience, there might be more to life than having a good time... One of the ravers explains how she has spent her entire life going to raves and has enjoyed herself, but somehow feels unsatisfied about what she's doing with her life. The idea that people must face fear in their lives in order to be content is presented, but a conclusion is never made, once again allowing the audience to use the film as "food for thought" and figure it out on their own terms.
The soundtrack to the film is great, as are the visuals... The movie has a very energetic feel to it that really made me want to be at a rave, even though I might not end up liking it.
If you want an interesting slice of American filmmaking and generational portraits from the 1950's, 70's, and 90's, I suggest consecutively viewing American Graffiti, Dazed and Confused, and this film. All of these films are done in a fairly similar style (following multiple story threads at the same time, being non-judgemental about the characters) and have a very feel-good atmosphere about them while still portraying the atmosphere, lifestyle, and challenges of a generation in a very interesting and entertaining way.
I've also never used drugs before, but I really liked the way drug use was portrayed in the movie... One of the characters mentions that when it comes to drugs, it's best to be "baked not fried," which I interpreted as "using not abusing." The parallel threads we see evolve throughout the film observe people who don't use drugs at all, others who use them, and others who abuse them... All but the last case end up decidedly happy and content. But the film also remains very open minded and non-judgemental about the abusers; it refuses to condemn them, but rather it simply shows the results of what they do and allows the audience to form an opinion of these people on their own.
Another interesting theme I noticed was the fact that although raves are a great experience, there might be more to life than having a good time... One of the ravers explains how she has spent her entire life going to raves and has enjoyed herself, but somehow feels unsatisfied about what she's doing with her life. The idea that people must face fear in their lives in order to be content is presented, but a conclusion is never made, once again allowing the audience to use the film as "food for thought" and figure it out on their own terms.
The soundtrack to the film is great, as are the visuals... The movie has a very energetic feel to it that really made me want to be at a rave, even though I might not end up liking it.
If you want an interesting slice of American filmmaking and generational portraits from the 1950's, 70's, and 90's, I suggest consecutively viewing American Graffiti, Dazed and Confused, and this film. All of these films are done in a fairly similar style (following multiple story threads at the same time, being non-judgemental about the characters) and have a very feel-good atmosphere about them while still portraying the atmosphere, lifestyle, and challenges of a generation in a very interesting and entertaining way.
Finally! A film that dead-on nails the rave experience. It's about time that an emotionally accurate depiction was shown to the public. These intimate underground parties are truly a positive unifying force; bringing all sorts of people together through music. There have been some previous attempts on film to capture the rave scene. Last year's film, "Go," tried, but the rave segment was merely a background setting. The story wasn't ABOUT the party. "Party Girl" was a pretty cool take on the New York scene of several years ago, but still failed to capture the true passionate essence of THE PARTY itself. Mainstream media has inaccurately and negatively smeared raves as being wholly BAD just because of some reckless drug use. Trying to use scare tactics by harping on the constant drug overdoses. It is indeed very unfortunate that there are party-goers who are not smart enough to know their limits. One must remember however that most rave folks' intentions are pure, like the promoter states in the film: It's all about the "nod"... the subtle, grateful acknowledgement from a party-goer who's spirts were lifted by the party. The rave experience is not solely about the pursuit of profit or the "perfect" drug high. It's about joining with your loved ones, friends, and peers in a magical and musical setting where anything seems possible. Even if only for a night (into an early morning!). "Groove" definitely captures this vibe and you can't help but love it. Even if you're not in the "scene," I beleive that there is a universal message of compassion and community that should speak to all. "Groove" literally puts you IN the party... the surround sound with the sounds of other party-goers talking around you create this amazing illusion. You feel like you're actually in the movie, taking part. "Groove" doesn't make you feel like an outsider. It wraps you up and sucks you in and leaves you jones-ing for more. That's why you'll have to make sure that you make plans to go out and dance right after you see it. "Groove" IS the Saturday Night Fever" for the Millennium. Get up and dance and FEEL IT!!!
This film was verrrry well done. To those that say it wasn't...I guess you have never owned a club where raves took place. I did.
I bought this movie in a stack of films and it only cost me 99 cents. Well shock the pants off me.
What I thought would be a lame party and just a bunch of stoners walking around talking trash was certainly an enlightenment.
GROOVE is EXACTLY what a rave is about...and how would I know? I know because I hosted them myself...packed to the hilt in Vancouver B.C. at PLANET X...and you could guess what the X stood for.
Anywayz, this is very well done in terms of casting, lighting performance, music, tone and everything.
The scene that struck me most is when Ernie says this...and this is classic to me.
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what? Ernie: You don't know? Guy: No. Ernie: The Nod. Guy: The Nod? Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back. Guy: ... That's it? Ernie: That's it.
That little piece of dialogue is everything...it's what made me want to run the rave at PLANET X, even thought I was't making big bucks...to me it was the NOD...
So I know exactly where Ernie was coming from...and I felt the director Greg Harrison was getting to.
Watch Groove and relive your youth before it slips away from you in your daily 9-5 and rush hour traffic.
I only wish I was at the club...because it was so intense and so real...and made me so jealous that I was only watching it on my TV screen.
With a $500000 budget, this is tops.
Once again, everybody...extras and all cast included...an awesome job and one very satisfied viewer...certainly worth my time.
I bought this movie in a stack of films and it only cost me 99 cents. Well shock the pants off me.
What I thought would be a lame party and just a bunch of stoners walking around talking trash was certainly an enlightenment.
GROOVE is EXACTLY what a rave is about...and how would I know? I know because I hosted them myself...packed to the hilt in Vancouver B.C. at PLANET X...and you could guess what the X stood for.
Anywayz, this is very well done in terms of casting, lighting performance, music, tone and everything.
The scene that struck me most is when Ernie says this...and this is classic to me.
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what? Ernie: You don't know? Guy: No. Ernie: The Nod. Guy: The Nod? Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back. Guy: ... That's it? Ernie: That's it.
That little piece of dialogue is everything...it's what made me want to run the rave at PLANET X, even thought I was't making big bucks...to me it was the NOD...
So I know exactly where Ernie was coming from...and I felt the director Greg Harrison was getting to.
Watch Groove and relive your youth before it slips away from you in your daily 9-5 and rush hour traffic.
I only wish I was at the club...because it was so intense and so real...and made me so jealous that I was only watching it on my TV screen.
With a $500000 budget, this is tops.
Once again, everybody...extras and all cast included...an awesome job and one very satisfied viewer...certainly worth my time.
Did you know
- TriviaThe featured or "Headliner" DJ who gives the young DJ Spaz the Bedrock anthem record at the end of the film really is John Digweed.
- GoofsMidway through the movie after the police man gets a tour of the "company" he is holding a bottle of water that is nearly full, but a few seconds later when he takes a drink, the bottle is nearly empty.
- Quotes
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what?
Ernie: You don't know?
Guy: No.
Ernie: The Nod.
Guy: The Nod?
Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back.
Guy: [scoffs] ... That's it?
Ernie: That's it.
- SoundtracksProtocol
Written by Deryl Dorsett & Stan Dorsett
Performed by Symbiosis
Courtesy of Domestic Recordings
- How long is Groove?Powered by Alexa
Details
Box office
- Budget
- $500,000 (estimated)
- Gross US & Canada
- $1,115,313
- Opening weekend US & Canada
- $55,946
- Jun 11, 2000
- Gross worldwide
- $1,162,001
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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