Directed by
Jonathan Teplitzky |
Writing Credits
Jonathan Teplitzky | ... | (written by) |
Cast (in credits order) complete, awaiting verification
David Wenham | ... | Josh | |
Susie Porter | ... | Cin | |
Kris McQuade | ... | Taxi Driver | |
Simon Bossell | ... | Tim | |
Catherine McClements | ... | Sam | |
Imelda Corcoran | ... | Carole | |
Dina Gillespie | ... | Girl B | |
Emily Saunders | ... | Girl C | |
Laura Keneally | ... | Girl D | |
Leah Vandenberg | ... | Girl E | |
Tammy Macintosh | ... | Girl F | |
Mark Priestley | ... | Guy A | |
Tamblyn Lord | ... | Guy B | |
Jason Clarke | ... | Guy C | |
Jason Chong | ... | Guy D | |
Tim Richards | ... | Guy E | |
Harry Bragg | ... | Phone Box Man | |
Pauline Anderson | ... | Phone Box Woman |
Produced by
Marc Bonduel | ... | executive producer |
Frank Cox | ... | producer |
Bruna Papandrea | ... | producer |
Music by
David Hirschfelder |
Cinematography by
Garry Phillips | ... | director of photography |
Editing by
Shawn Seet |
Casting By
Nikki Barrett |
Production Design by
Tara Kamath |
Art Direction by
Tara Kamath |
Set Decoration by
Carisse O'Brien |
Costume Design by
Kelly May |
Makeup Department
David Grainger | ... | makeup artist |
Angela Mork | ... | assistant hair stylist / makeup assistant |
Helene Simone | ... | hair stylist supervisor / makeup supervisor |
Production Management
Cathy Flannery | ... | unit production manager |
Les Taylor | ... | unit manager |
Second Unit Director or Assistant Director
Dennis Kiely | ... | first assistant director |
Belinda Mravicic | ... | second assistant director |
Annabel Osborne | ... | third assistant director |
Art Department
Gillian Farrow | ... | stand-by props |
Lea Lennon | ... | props buyer |
Ben Lord | ... | art department assistant |
Sound Department
Andrew Belletty | ... | production sound mixer |
Mark Blackwell | ... | sound effects editor / sound recordist |
Les Fiddess | ... | foley artist |
Mauricio Hernández | ... | foley recordist |
Phil Heywood | ... | re-recording mixer |
Steve Murphy | ... | stereo sound consultant: Dolby |
Conor O'Connor | ... | boom operator |
Philip Purcell | ... | adr recordist |
Penn Robinson | ... | dialogue editor |
Sue Scott | ... | adr coordinator |
Stephen R. Smith | ... | re-recording mixer / sound supervisor |
Visual Effects by
Ken Phelan | ... | opticals |
Camera and Electrical Department
Hallie Burton | ... | still photographer |
Steve Carter | ... | gaffer |
Stacey Cross | ... | camera attachment |
Sally Eccleston | ... | focus puller |
David Litchfield | ... | key grip |
Michael Metzner | ... | camera attachment |
Nicholas Seckold | ... | best boy |
Irene Seeto | ... | clapper loader |
Darryl Short | ... | assistant grip |
Bradley Patrick | ... | marketing & publicity stills (uncredited) |
Costume and Wardrobe Department
Kelly May | ... | stand-by costumer |
Editorial Department
Greg Chapman | ... | negative matcher |
Kelvin Crumplin | ... | color grader |
Al Hansen | ... | digital colorist |
Milena Romanin | ... | assembly editor / assistant editor |
Music Department
Ross Cockle | ... | music score engineer |
Con Frantzeskos | ... | music supervisor |
David Hobson | ... | performer |
Peter Hoyland | ... | music supervisor |
Nigel MacLean | ... | assistant music producer / musician: violin |
Script and Continuity Department
Genevieve Mooy | ... | script editor |
Eve Spence | ... | continuity |
Transportation Department
Peter Vorst | ... | vehicle coordinator |
Additional Crew
Robert Connolly | ... | consultant |
Jane Corden | ... | production accountant |
Shelley Grace | ... | production assistant |
Christian Luxton | ... | production runner |
Tracy McKeown | ... | accounting assistant |
Annie Parnell | ... | production coordinator |
Annette Smith | ... | unit publicist |
Thanks
Kimble Rendall | ... | thanks |
Corrie Soeterboek | ... | thanks |