User reviews

A classic triangle movie with a married couple and a male lover in-between, only this time it's not the wife but the husband who's cheating with another man. Hot sexual male scenes makes this film a must by gay viewers when Spanish cinema is currently leading this matter. Though, it is a bit TV plot based on a true story, and it has rarely been seen on cinema, doesn't necessarily mean that it cannot be done. In fact, the quality that makes this particular movie a good piece of art and so worth watch it, is that it's portrayed as an archetype of a modern life situation that happen to occur more often than one could suspect. The husband's unwillingness and incapableness to find his true nature, constantly lying to his wife and his lover, has driven those last characters to despair in understanding and helping the man they love but who they don't know. The wife, never suspected that her lack of involvement in their relationship could endanger her marriage at the point of seeing her husband seeking for an affair. As for the gay lover, the fact that his present companion has afraid to be seen in public with him, like two lovers rather than two friends, hurts him badly because he accepts his own nature. The intriguing excuses of Alberto, the husband, makes them reacting towards him trying to solve the puzzle that he consists, when the easy way out of the situation is right near them (like when the wife cannot enjoy being with another man when she has the opportunity or the lover won't accept his female colleague to help getting over him). Three persons portrayed in their interior (the opening credits with the x-rays is one of the most beautiful openings I've seen lately) with their emotions thickening as the film passes. The players of this movie are excellent, particularly Ariadna Gil, the wife. What disappointed me were the last fifteen minutes in which seems that the writer and director of this movie were replaced by others who didn't know what was done before, leaving the ending so pathetic and inconclusive. Still, it is good to watch it.

Solid but downbeat drama by Gerardo Vera , being well photographed and compellingly shot . Diego (Javier Bardem) is a surgeon who has fallen in love with a married man (Jordi Molla) to Elena (Ariadna Gil) and with a son . Against the advice of his chief (Cecilia Roth) and best friend , he goes on his affair with Alberto . Then, it takes place doubts , mistrusts , jealousy , standing between the three lovers . The consequences of this twisted love story profoundly alter not only the two men's lives , but also that of Alberto's spouse . Alberto is a man now broke and ill who has sentimental problems of his own . But Elena is not willing to cede more and Alberto is torn between the two sides of love . Events go wrong , confrontation is inevitable, and the breakdown is accelerated until an unexpected ending with tragic consequences .

Intense and heart-rending melodrama about a peculiar and suffering trio . This interesting as well as intimate story is a passionate retelling and a touching melodrama , including strong sex scenes and nudism . The film relies heavily on the relationships among the main characters , a complex loving cobweb plenty of deceptions , pain , mistrust and lies . The main problem has to face "Segunda Piel" , beyond not being able to avoid falling into a claustrophobic drama is precisely derived from the coldness of its staging , which eventually become monotonous and excessive heart-breaking over one hundred minutes and some of footage . Very good acting from trio protagonist , as Javier Bardem as Diego, orthopedic doctor at a private clinic , he is a man without folds or prejudices who is pulled to the pool of loving risks with their professional and emotional stability ; Jordi Molla as a young and prestigious aeronautical engineer and Ariadana Gil as his zealous wife who wants to be in love with him , in spite of the hard circumstances . They are supported by a magnificent secondary cast such as Cecilia Roth , Mercedes Sampietro , Javier Albalá , Pilar Castro , among others . Colorful and brilliant cinematography by Julio Madurga . Special mention for excellent musical score , marvelously composed by Roque Baños . He composes a wonderful soundtrack full of sensitivity and good feeling . Roque Baños is considered to be one of the best Spanish musicians with successes such as Fragiles , Machinist , Sexy beast , 800 bullets and El Niño .

The motion picture was well shot by Gerardo Vera , being filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . It was notorious screen-writer Rafael Azcona who encouraged director Gerardo Vera to make this movie . Gerardo Vera was born in Madrid , where he often shoots his films . He is a good filmmaker , production designer and costume designer , known for Deseo (2002) , Tattoo (1999) , La Celestina (1996) and especially this , Segunda Piel (1999) . Gerardo Vera is particularly famous as a prestigious Production designer , being known for El Pecador Impeccable , Fuego Eterno , Mitad del Cielo , Tasio , Feroz and La Niña De Tus Ojos (1998).

For all it's shortcomings, "Seguna Piel" is entertaining in a Lifetime movie kind of way, with some of the most overwrought background music you'll hear in this kind of film.

As someone else here noted, the character of the husband is underwritten to the point where you can't imagine why his wife or male lover waste their time on him. This isn't helped by the more vibrant performances of Javier Bardem as the gay lover and the actress who plays the wife. The husband comes off like a shallow, self-centered, spoiled child. Only at the end does he reveal himself as the conflicted, angry, self-hating man that he is, but it's too much info too late at that point.

Yes the sex scenes - one in particular near the beginning - are steamy, but the drama itself is pure soap.

his Spanish exploration of love and family centers on Alberto (Jordi Molla from Blow and Bad Boys II). A successful family man at an aeronautics firm, he finds himself in a passionate love affair with Diego (Javier Bardem), a confident physician. Diego is comfortable with his homosexuality and is madly in love with Alberto. Alberto, who can't deny his love for Diego, doesn't want to admit that he is gay and struggles with his desires. Alberto's wife Elena (Ariadna Gil) tries to understand the reservedness and lack of sexual interest in her husband. When she finds out, she's not very happy about it, he is her true love and what will she do? A sudden event alters all three lives, leading to compassionate conclusion.

I really like Adriana Gil, known in Spain for taking new, difficult roles, but Javier Bardem carries the show, I've never seen an actor express so much with his face and hands. Truly an amazing actor. Jordi Molla did a good job, but since he always plays a slimeball in American movies, it is hard to move past that character.

This movie is like a pear. I've got a pear right now sitting on my desk, trying to ripen. I'm looking forward to the juicy, grainy pulp that will hopefully develop as it sits there. Often though, it doesn't fully ripen before some parts start to spoil, so you eat it a little underdone. That's how this movie felt. Some good situations pregnant with emotion, but not developed to the extent I would have liked. 6/10

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A must see for Spanish film fans, Segunda Piel brings together some of the most interesting contemporary actors. The plot is however quite disappointing. Slick photography in a wanna-be-almodovar setting: interior design with striking silimarities to Carne Tremula and t.v. commercials that unluckily do not reach the level of subtility of the Spanish Oscar winning director.

I found myself feeling very annoyed with Alberto throughout the movie. From the very beginning you could see he was trying to find himself even after he had been married with a child already. But even after he knew he didn't truly, deep down within himself love Elena, he was still so selfish as he didn't want to let her go and be free to find someone that could love her the way she deserved to be loved. He wanted his bread buttered both sides because he did the same thing with Diego. Although, in this case Diego wouldn't take no for an answer and was extremely persistent, Alberto would still string him along and give him false hope just so that he wouldn't have to be alone with himself to actually make decisions about his life and who he truly is, what it is he actually wants and then be able to free the people around him that he has been holding down for so long. I loved the ending where he dies because it was like a huge, but tragic weight has been lifted off both Elena and Diego's shoulders because now they weren't hurting anyone by wanting to be with a man that doesn't know what he, himself wants. I know it sounds harsh that I enjoyed him dying off but his character was just awful and he was messing with people's emotions, which isn't acceptable anywhere or with anyone. I found it quite surprising to see how well Elena and Diego got along with each other even before he died. It may have been as civil as it was because the person she was being cheated on with was the same set as her husband which was probably a lot to take in and so it seems she needed the confrontation and the face to face to actually make her thoughts and feelings a reality, that this was actually happening to her. But even then, they still did not lash out at each other or even exchange harsh words. To me, this goes to show the kind of people, or rather, the kind of character they have played. Which would be kind, compassionate and understanding and that is why they put up with him until his last day.

I saw "Second Skin" at Kansas City's Gay and Lesbian Film Festival 2002. The opening credits were beautiful; the photography and settings were luscious; the story started in a suspenseful and believable way; the characters were engaging (and MIGHTY easy on the eyes): I found myself thinking, "At last! I'm going to make up for some of the movies I've walked out on this week."

Alas, come midway in the movie, things started to look increasingly hopeless. Then in the last twenty minutes or so, pure soap opera took over. I was actually cringing and crawling down into my seat with discomfort and dismay.

I don't even know if I can say, "Nice try." The more I think about it, the more I think this film is based on and permeated with homophobia. A great pity--it started out so well.

The kaleidescope of images that make up the beautiful opening credits (which is probably the best opening I've seen in a long time) truly sets the tone for this film. And in this film ,just like a kaleidescope, the parts that make it up seem simple enough. You have the pretty wife, the cute kid, and the husband with a secret. You have the lover on the side, a handsome doctor. But this handsome Doctor Diego, played wonderfully by Javier Bardem, is having an affair with Alberto, the husband in the not so perfect marriage. But , just like the kaleidescope ,this is where the simplicity ends. We've all seen the films of people finding out, and coming to terms with their sexuality.That's what makes this film unique. It's not another "I'm discovering I'M Gay" picture. This movie doesn't follow that typical plot. The kaleidescope effect comes into play. You have to deal with a range of emotions that for me, at first, made me completely loath Alberto . The wife suspects, the wife finds out, yet Alberto's lies are too deeply woven in his psyche . And although Diego knows there's not something quite right, but because he's in love, he looks past them. He wants to believe he's not a fool.Alberto incessantly lies to both his wife, and his lover.The man is completely arrogant and self absorbed on every level. He is indifferent to his wife and Diego.Though his wife knows, he makes promises to her he can't keep. And he strings Diego along with more lies and distance, with complete disregard for the mans love for him.. I was completely hateful in regards to Alberto, but the more I thought about it..the more he came across to me as a man so desperately and selfishly in love with two people , and what each had to offer, that he actually couldn't fathom losing either one of them. The range of emotions, from love, betrayal , trust , and understanding are just a few of the emotions that come into play. I love how this movie isn't about being gay, but how one person can effect the lives of others with the tangled web of deception , that eventually effects and destroys exactly what one was trying to hold onto in the first place.I know many are disappointed with the conclusion of the story. But for me, I found the journey far more important to what was the obvious and inevitable outcome.Ohh..and the man on man sex scene...SMOKING HOT!

The current Spanish Cinema can teach a thing or two to puritanical Hollywood in its treatment of themes the American movie executives would not dare to show a discerning adult public. This film, directed by Gerardo Vera shows us a different love triangle that could very well happen. The director decides to show gratuitous sex that frankly doesn't add a thing to the story, but it is repeated throughout the current crop of new Spanish films. The story is not too far fetched because as love triangles go, the sexes can vary and so they do in this one. Next time there's a film in which Jordi Molla appears, chances are that we might get to see all his endowments, as is the case with his appearance in Son de Mar, directed by Bigas Luna. The same goes for Javier Bardem, who can act pretty convincingly as he does in this film. Poor Ariadna Gil, she goes from movie to movie suffering all the time. She needs to get a supply of Chill pills next time she accepts a film offer, or maybe she can try her hand at comedy. She can even sing, because she's like that song, I Will Survive, since it appears she's unbreakable after all she's been through at the hands of some of the new Spanish 90-day-wonders...

This is a dramatic, very realistic story about the internal strife of a bisexual man, torn between his beautiful wife and child and his desire for romance with a Gay surgeon. Well photographed and directed with excellent music. Excellent beach scenery. Explicit sex scenes are well done. The emotional pain of the 'bisexual' man (more likely a Gay man who married to please his parents and conform to societal pressures) is very graphically and honestly portrayed. The damage that his refusal to deal with his identity crisis causes both his wife and his lover is also honestly shown. Javier Bardem is excellent as the surgeon and Adriana Gil as the wife is stunningly beautiful.

I have to see this a second time...the subtitles made is tough to follow especially toward the end. it's powerful when you are a married man with a male lover...let me assure you of that. How many of us find ourselves in that situation - hoping for a solution that makes every one happy....how can we live happily overate..and love those important to us? At the very least, the movie serves as a catalyst for discussion with one's therapist. that's sad to say but if there are 1000 such situations in the world, i suspect that there are 10,000. Many thanks for offering this up even with the subtitles. and if someone has a solution or resolution other than a fantasy of the death of the lost soul, please post your thought. There are many ways to die beside in a motorcycle accident. Those in these situations die many times and live for another day but no solution....

my imagination has the wife and lover becoming the best of friends for the future to recall their true love. who knows maybe they get married and have sex. believe me life is stranger than fiction but not hard to accept that he loved them both and was lost in love. i think they forgave him....but could not understand him. nor did he.

This film has caused a lot of controversy in its native Spain. It is establishing a trend in Spanish films exploiting gay themes by casting some of the country's most popular male stars as lovers to lure viewers, therefore appealing to voyeurism. This "gayploitation" has been going on for over a decade in Spanish cinema. In fact, it's hard to name an established Spanish actor who hasn't appeared in at least one gay role. However, in most cases, these roles or their sexuality have been secondary. In SEGUNDA PIEL, however, it's full steam ahead as the film centers around these two stars' relationship, and features very graphic sex scenes between the two stars. Whether this film is voyeuristic or not is certainly up to the viewer to decide.

I rented this movie because I've been watching everything I can find with Javier Bardem in it. I think he's one of the world's finest actors. In addition, I have many gay friends, and I was very interested in seeing how the subject was dealt with.

Having said that, I was quite disappointed in this movie. I really wanted to care about the characters because I thought their story and their plight was very compelling. It could have been an amazing, affecting film. I'm not sure where it fell flat. The acting was quite good, but I never really felt anything for the characters--not even for Bardem's. I was satisfied just to watch Bardem, but it was still a disappointment.

I rated it as I did for the actors' contributions, but the character development could be much, much better.

A married man with a child has an affair with another guy. Both parties are unaware of each parties presence but they did find out eventually. The married man is indecisive, and after hiding his homosexual feelings for so long, he is unwilling to give up his family for the love of another man, though that tore him up tremendously as he finally found happiness with a man...

tragic consequences and handled sensitively... a very well made spanish movie that I have seen in a long time.