Directed by
| Don Ashley | ||
Writing Credits (in alphabetical order)
| Frank Renzulli | ||
Cast (in credits order)
Produced by
| Don Ashley | ... | executive producer/producer |
| Kevin Candido | ... | producer |
| Michael French | ... | associate producer |
| Trudy Handleman | ... | associate producer |
| Kim Levine-Ashley | ... | executive producer (as Kimberly Levine Ashley) |
| Pamela Littky | ... | associate producer |
| Christopher Montgomery | ... | co-producer |
| Robert Reitzen | ... | associate producer |
| Frank Renzulli | ... | co-producer |
| Mike Starr | ... | associate producer |
| Will Wallace | ... | associate producer |
| Richard 'Dub' Wright | ... | associate producer (as Richard Wright) |
| Daniel Wulkan | ... | line producer/producer |
Music by
| Steve Dorff | ... | (original score) |
Cinematography by
| Carlos Arguello | ||
Editing by
| Stanford C. Allen | ||
| Dana Shockley | ||
Production Design by
| Tom Callinicos | ||
Art Direction by
| Michael Triant | ||
Set Decoration by
| Dea Jensen | ||
Costume Design by
| Ariyela Wald-Cohain | ||
Makeup Department
| Brenda d'Seaux | ... | key makeup and hair (as Brenda d'Usseaux) |
| Jillian Kenger | ... | first assistant makeup |
| Melanie Schmidt | ... | second makeup and hair |
Production Management
| Anette Vlacancich-Cottrell | ... | post-production supervisor (as Anette V. Cottrell) |
Second Unit Director or Assistant Director
| John David Ashley | ... | first assistant director |
| Eric Burcham | ... | second assistant director |
| Rachel Dickson | ... | second second assistant director |
| Brian Good | ... | second assistant director |
| Dagmar Jordan | ... | second second assistant director |
Art Department
| Bruce Bridgeford | ... | construction |
| Heather Burcham | ... | assistant set decorator |
| Michael Marcos Gonzalez | ... | painter / set dresser |
| Chuck McSorley | ... | property master |
| Cathal Watters | ... | construction coordinator |
Sound Department
| Sergio Bandera | ... | sound effects editor |
| Brad Bryan | ... | sound mixer |
| David Cook | ... | boom operator |
| Marc Jacob Hudson | ... | online: dialogue editor |
| Jay Jones | ... | re-recording mixer |
| Mary Jo Lang | ... | foley mixer (as Maryjo Lang) |
| Dean Okrand | ... | re-recording mixer |
| Matt Olivo | ... | online: sound effects editor |
| Andy Potvin | ... | dolby sound consultant |
| John Roesch | ... | foley artist |
| Carolyn Tapp | ... | foley mixer |
| Bill Thiederman | ... | re-recording mixer |
| Dan Tittiger | ... | online: foley artist |
| Anna Weber | ... | dialogue editor |
| Scott Weber | ... | sound supervisor |
| Dan Yale | ... | dialogue editor |
Special Effects by
| Tony Bonaventura | ... | weapons specialist |
| Ethan McKinnon | ... | special effects: 3D graphic design |
| Paul Staples | ... | on-set special effects |
Visual Effects by
| Michael Adkisson | ... | digital effects compositor |
| Eric Brown | ... | 3D: animation design |
| Christopher Dusendschon | ... | scanning/recording (as Chris Dusendschon) |
| Julie Fischer | ... | digital effects producer |
| Brian Fortenberry | ... | optical line-up: Title House Digital |
| Kristen Grant | ... | online: titles |
| Dave Piedra | ... | scanning/recording |
Camera and Electrical Department
| Tyler Allison | ... | second unit assistant camera |
| Sergio Arguello | ... | second unit cinematographer |
| Tony C. Brucato | ... | best boy electric |
| Chris R. Bush | ... | grip intern |
| Greg Code | ... | steadicam operator |
| Michael Stewart Collins | ... | second unit assistant camera |
| Steve Cox | ... | second unit assistant camera |
| Christopher Goe | ... | key grip |
| Richard Gormley | ... | loader |
| Michael Gulbin | ... | additional key grip |
| Dan Hallak | ... | grip (as Daniel Hallak) |
| Leotis Hobbs | ... | grip |
| Zephreum A. Humphreys | ... | additional key grip (as Zephreum A.A. Humphreys) |
| Denny Kasunic | ... | second assistant camera |
| Matthew Kennedy | ... | second unit assistant camera |
| Bob Myers | ... | grip (as Bob Meyers) |
| Otto Nemenz | ... | cameras provided by |
| Matthew Pearce | ... | first assistant camera |
| John Pierce | ... | gaffer (as John Peirce) |
| Michael Santy | ... | second unit cinematographer |
| Anna Shorenstein | ... | still photographer |
| Red Sinclair | ... | first electrician |
| Katherine Thorson | ... | grip |
| Mark Viliborghi | ... | second electrician |
| Keith O. Wilson | ... | additional gaffer |
| Rick Yost | ... | grip/electric swing (as Rik Yost) |
Costume and Wardrobe Department
| Melanie Schmidt | ... | first assistant costume designer |
Editorial Department
| Michiko Byers | ... | assistant editor |
Location Management
| Russell Prior | ... | location manager |
Music Department
| Bob Beecher | ... | music editor |
| Larry W. Herbstritt | ... | orchestration (as Larry Herbstritt) |
| Chris Ledesma | ... | music editor |
| Michael McLaughlin | ... | symphony editor |
| Ray Pyle | ... | scoring engineer |
Script and Continuity Department
| Helen Caldwell | ... | script supervisor |
Transportation Department
| Kevin Cooke | ... | transportation intern |
| Kevin C. Scott | ... | insert car driver |
Additional Crew
| Robert Conway | ... | production assistant |
| Larry Davis | ... | craft service |
| Joanne DiDomenico | ... | studio teacher |
| Kristen Hepinstall | ... | production assistant |
| Joseph Moretti | ... | assistant to: Don Ashley |
| Ron Rolek | ... | product placement |
| Nancy Watson | ... | assistant production coordinator |
| Cory Welles | ... | production coordinator |
Thanks
| Moses Anshell | ... | the director and producers wish to thank |
| Ann Marie Ashley-Freeny | ... | special thanks to |
| Dusty Barbee | ... | special thanks to: The Lot |
| Diane Bolton | ... | special thanks to: Continental Airlines |
| George Borghi | ... | special thanks to: Universal Studios |
| Jim Cashman | ... | special thanks to: Universal Studios |
| Sharon Davenport | ... | the director and producers wish to thank |
| Marc Dorfman | ... | special thanks to |
| Art Eleid | ... | the director and producers wish to thank |
| Greg Fister | ... | the director and producers wish to thank |
| Edward Freeny | ... | special thanks to |
| Matthew Grimaldi | ... | special thanks to |
| Napoleon Hill | ... | special thanks to: PMA |
| John Inouye | ... | special thanks to |
| Bill Kirkpatrick | ... | the director and producers wish to thank |
| Damon Marcellino | ... | special thanks to |
| Vinita McClennon | ... | special thanks to: Universal Studios |
| Kathy McCurdy | ... | special thanks to: San Diego Film Commission |
| Bill Neff | ... | the director and producers wish to thank |
| Pam Neff | ... | the director and producers wish to thank |
| Carl Rock | ... | special thanks to: Universal Studios |
| Arlene Schwen | ... | special thanks to |
| Roy Schwen | ... | special thanks to |
| Chad Slocum | ... | the director and producers wish to thank: Prescott Police Department (as Sergeant Chad Slocum) |
| Nick Smerigan | ... | special thanks to: The Lot |
| Alan Stewart | ... | special thanks to |
| Ricky Stoutland | ... | thanks to |
| Diane Upson | ... | special thanks to |
| David Warshawski | ... | special thanks to (as David Warshawsky) |
| Alex Wengert | ... | special thanks to |