Jessica, the eldest daughter of a coal miner-turned-farmer, has a fling with her half-brother Carl, which complicates things more when she becomes pregnant.Jessica, the eldest daughter of a coal miner-turned-farmer, has a fling with her half-brother Carl, which complicates things more when she becomes pregnant.Jessica, the eldest daughter of a coal miner-turned-farmer, has a fling with her half-brother Carl, which complicates things more when she becomes pregnant.
Ted Heimerdinger
- Carl
- (as Ted Heim)
Marjorie Johnson
- Mother
- (as Marj Johnson)
Hersha Parady
- Donna
- (as Betty Ann Parady)
Ron Parady
- Tom
- (as Ronald B. Parady)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film was shot for $29,000. That money covered the cost of 35mm film stock, processing and food, which was easily raised by taking advantage of '60s-era tax laws that made losing money on investing in film a profitable endeavor for wealthy funders. [IndieWire]
- GoofsWhen Carl is walking up the road; he carries a suitcase in his left hand and a bag in his right. However, in the next immediate cut when a car passes him by it is now in reverse. The suitcase is carried with the right hand and the bag with the left hand.
- Alternate versionsShortly after release, the film was sold to an exploitation producer who added raunchier scenes to give the film more appeal on the drive-thru grindhouse circuit. Amongst the changes made to this version (which was renamed Miss Jessica is Pregnant) were a shot of Carl spotting Jessie naked from behind in the bath near the beginning after he clears the dinner table, a sex scene between two revellers from the bar in the basement of the gas station after Carl manhandles Jessie back into the car, and a sex scene between Carl and Jessie in the field which was much more ambiguous in the original. When restored in the late 2010s, the brief shot of Jessie naked in the bath was retained, but the other sex scenes (including some shot but not included in either version) can only be seen in the supplemental material on the Blu-ray releases.
- ConnectionsFeatured in Twisted Sex Vol. 18 (1998)
Featured review
Here's a film richly deserving of wider exposure. Can't someone pick it up for distribution? It's been described as "the missing link between THE LAST PICTURE SHOW and SHADOWS", which isn't quite on the mark. I think a better pair comparison could be made between the early semi-documentary films of Willard Van Dyke and Pare Lorentz and SHADOWS, due to the casting of unknowns and non-actors in all roles.
Seen nationally in 2005 as part of the Rural Route Film Festival (under the title SPRING NIGHT, SUMMER NIGHT), this film manages to focus on the taboo topic of incest without being sensational in the slightest, and that's only one of its amazing facets. A stark, black and white drama set (and filmed) entirely in southeastern Ohio, amidst the farms, gas stations, bars and simple homes of the area, it's filled with beautiful and memorable photography. This is not a "verité"-type outing of the "DAVID HOLZMAN'S DIARY" variety at all, but an extremely nuanced, melancholy tale of two lovers who may or may not be brother and sister (depending on which story they believe from which parent) with stunning set pieces on foggy hills, in musty barns, dimly-lit dinner tables, on dusty roads. Intensely moving and superbly acted, it feels nearly perfect and is a total anomaly for late-1960s independent cinema, so often considered an urban-based art form.
Seen nationally in 2005 as part of the Rural Route Film Festival (under the title SPRING NIGHT, SUMMER NIGHT), this film manages to focus on the taboo topic of incest without being sensational in the slightest, and that's only one of its amazing facets. A stark, black and white drama set (and filmed) entirely in southeastern Ohio, amidst the farms, gas stations, bars and simple homes of the area, it's filled with beautiful and memorable photography. This is not a "verité"-type outing of the "DAVID HOLZMAN'S DIARY" variety at all, but an extremely nuanced, melancholy tale of two lovers who may or may not be brother and sister (depending on which story they believe from which parent) with stunning set pieces on foggy hills, in musty barns, dimly-lit dinner tables, on dusty roads. Intensely moving and superbly acted, it feels nearly perfect and is a total anomaly for late-1960s independent cinema, so often considered an urban-based art form.
- Howard_B_Eale
- Feb 26, 2006
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Details
- Release date
- Country of origin
- Language
- Also known as
- Miss Jessica Is Pregnant
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 22 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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Top Gap
By what name was Spring Night Summer Night (1967) officially released in Canada in English?
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