Jam, the television series, is a work of surrealist genius that is both hilarious and profoundly disturbing, turning on its head the familiar world in a way that Sigmund Freud would no doubt have relished when writing his essay 'The Uncanny', had Freud been alive today. One of the funniest examples of how Jam manages to make unfamiliar the familiar, is in the 'sketch' in which a man robs a convenience store, with gun in hand. He asks for the change, only for the owner to point out that with a gun, he doesn't need to pay for things or wait for the change. The stirring music that accompanies his realisation of the power he now has is both moving and funny. Adding to the strange narratives is a vivid aesthetic reminiscent of many modern art installations: we see this in the interesting use of editing in which collages of colour, unusual lighting,slow motion film, slow motion sound, and visual effects blend one scene into another, and further contribute to the uncanniness of Jam. Layered on top of the narrative and the aesthetic, is the extensive use of ambient music by Brian Eno and Aphex Twin. Jam almost defies definition and to simply call it a comedy is to mislead. All I can say is that for those who despair of the false laughter and intellectual vacuity of Friends, watch Jam. It is like nothing else you've ever seen, unless it's something else by Chris Morris.
