A girl has frightening visions after visiting an insane asylum where one of the inmates claims to be Drakula and she can not be sure whether they were a nightmare or real.A girl has frightening visions after visiting an insane asylum where one of the inmates claims to be Drakula and she can not be sure whether they were a nightmare or real.A girl has frightening visions after visiting an insane asylum where one of the inmates claims to be Drakula and she can not be sure whether they were a nightmare or real.
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- TriviaThough officially thought to be a lost film, film historian Troy Howarth wrote in his 2015 book " Tome of Terror" that a print exists in a Hungarian Archive, but this is not the case, as explained by author László Tamásfi, who has translated the film's official novelization and various promotional texts into English in 2020, during which he had worked closely with the Archive's staff. He claims that the film's short novella adaptation from 1924 has been mistakenly thought to be the film itself by foreign authors. As such, the film is still considered lost, along with approximately 90% of all Hungarian silent films.
- ConnectionsFeatured in Cinemassacre's Monster Madness: Top 10 Lost Horror Films (2017)
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Germany, with the release of Nosferatu, eine Symphonie des Grauens in 1922 has long claimed this honor. However a film book has recently been found in the Budapest National Library that strongly suggests that the Hungarians got there first.
The Hungarian film Drakula halala (1921), aka The Death of Dracula, was the first adaptation of Irish writer Bram Stoker's 1897 vampire novel Dracula. However, recent research has carried out in Hungary that indicates this movie was not based on Stoker's novel.
The narrative from Drakula halala models itself not from any historical event, but from the fictional stories circulating in the early part of this century. Svengali-like stories of powerful dynamic men hypnotizing pure innocent girls were one of the staples of popular melodrama. Indeed, since Mary is kidnapped by her former music teacher, one could argue that the story is closer to Gaston Leroux's The Phantom of the Opera, than to anything Stoker visualized.
Newspaper accounts confirm that Drakula halala opened in Vienna in February 1921. Nosferatu premiered thirteen months later, in Berlin in March 1922. On these grounds alone, The Death of Drakula is clearly the first film adaptation relating to Stoker's novel. Perhaps the Austrians should get some of bragging rights as to which country produced the first screen Dracula. The film was both partly shot and premiered in Vienna, and Paul Askonas (who played Drakula) is Austrian. Depending on your politics, either the film was an Austro-Hungarian collaboration, or this Hungarian Count had more than a little Germanic blood.
A trade journal reporting on the 1921 opening in Vienna mentions that the lead actress was played by a Serbian actress named Lene Myl. The film next resurfaces in Budapest in 1923 with the lead actress named as Margit Lux. Although this might be simply the result of a marketing decision designed to highlight different actresses, the possibility exists that Lajthay re-cut or re-shot the film to star Margit Lux, making the 1923 film an alternative version.
Those who insist that their Counts live in coffins and suck blood can rest assured that the German Nosferatu still qualifies as the first attempt to film Stoker's novel. The rest of us who like life with its complications and ambiguities can point instead to Hungary. It is only fitting for the country of the birthplace of Bela Lugosi to also have made the first filmed Dracula.
The Hungarian film Drakula halala (1921), aka The Death of Dracula, was the first adaptation of Irish writer Bram Stoker's 1897 vampire novel Dracula. However, recent research has carried out in Hungary that indicates this movie was not based on Stoker's novel.
The narrative from Drakula halala models itself not from any historical event, but from the fictional stories circulating in the early part of this century. Svengali-like stories of powerful dynamic men hypnotizing pure innocent girls were one of the staples of popular melodrama. Indeed, since Mary is kidnapped by her former music teacher, one could argue that the story is closer to Gaston Leroux's The Phantom of the Opera, than to anything Stoker visualized.
Newspaper accounts confirm that Drakula halala opened in Vienna in February 1921. Nosferatu premiered thirteen months later, in Berlin in March 1922. On these grounds alone, The Death of Drakula is clearly the first film adaptation relating to Stoker's novel. Perhaps the Austrians should get some of bragging rights as to which country produced the first screen Dracula. The film was both partly shot and premiered in Vienna, and Paul Askonas (who played Drakula) is Austrian. Depending on your politics, either the film was an Austro-Hungarian collaboration, or this Hungarian Count had more than a little Germanic blood.
A trade journal reporting on the 1921 opening in Vienna mentions that the lead actress was played by a Serbian actress named Lene Myl. The film next resurfaces in Budapest in 1923 with the lead actress named as Margit Lux. Although this might be simply the result of a marketing decision designed to highlight different actresses, the possibility exists that Lajthay re-cut or re-shot the film to star Margit Lux, making the 1923 film an alternative version.
Those who insist that their Counts live in coffins and suck blood can rest assured that the German Nosferatu still qualifies as the first attempt to film Stoker's novel. The rest of us who like life with its complications and ambiguities can point instead to Hungary. It is only fitting for the country of the birthplace of Bela Lugosi to also have made the first filmed Dracula.
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- Drakula's Death
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- Runtime1 hour 5 minutes
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- 1.33 : 1
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