One Day's music, including songs from the time period, sets the scene and mood for this romantic series. The show features a phenomenal score by Anne Nikitin, Jessica Jones, and Tim Moorish while also incorporating artists like Vanbur and Badly Drawn Boys. The series follows the twenty-year love story of Emma and Dexter, using July 15 as an anchor point for key moments.
Warning: This article contains Major spoilers for Netflix's 2024 series One Day.The One Day Netflix soundtrack includes songs appropriate to the time period that help set the scene and mood. Based on the eponymous 2009 book by David Nicholls, this series follows Emma Em Morley and Dexter Dex Mayhew, two students at Edinburgh University who meet on July 15, St. Swithins Day. After hitting it off, the pair keep in contact. One Day covers the next twenty years of their lives, using July 15 as an anchor point.
In addition...
Warning: This article contains Major spoilers for Netflix's 2024 series One Day.The One Day Netflix soundtrack includes songs appropriate to the time period that help set the scene and mood. Based on the eponymous 2009 book by David Nicholls, this series follows Emma Em Morley and Dexter Dex Mayhew, two students at Edinburgh University who meet on July 15, St. Swithins Day. After hitting it off, the pair keep in contact. One Day covers the next twenty years of their lives, using July 15 as an anchor point.
In addition...
- 5/23/2024
- by Dani Kessel Odom, Shawn S. Lealos
- ScreenRant
Enter here for your chance to win two passes to all of the 2016 performances in the Metro Detroit area that are part of the Metropolitan Opera’s award-winning Live in HD series of cinema presentations, including Les Pêcheurs de Perles (The Pearl Fishers), Turandot, Manon Lescaut, Madama Butterfly, Roberto Devereux, and Elektra.
Go behind the scenes with the Met’s stars! During intermission, interviews with cast, crew, and production teams give a revealing look at what goes into the staging of an opera. Celebrate the tenth anniversary of the Metropolitan Opera’s Peabody and Emmy Award-winning series The Met: Live in HD.
For your chance to receive two (2) complimentary passes to all of the performances listed below, just look for the “Enter the Contest” box further down on this page (we’ll ask what city you live in so we know what might be the closest theater to you).
But,...
Go behind the scenes with the Met’s stars! During intermission, interviews with cast, crew, and production teams give a revealing look at what goes into the staging of an opera. Celebrate the tenth anniversary of the Metropolitan Opera’s Peabody and Emmy Award-winning series The Met: Live in HD.
For your chance to receive two (2) complimentary passes to all of the performances listed below, just look for the “Enter the Contest” box further down on this page (we’ll ask what city you live in so we know what might be the closest theater to you).
But,...
- 12/18/2015
- by Administrator
- CinemaNerdz
This is the second year for the Makeup and Hairstylists Guild joining the awards game, and they've been a welcome addition to the circuit. They spread their nods thin across a number of categories, but it's a good window into what this branch digs, for sure. This year, the only two films on the Academy's bake-off list of finalists that didn't garner any recognition were "The Amazing Spider-Man 2" and "Noah." Meaning "Foxcatcher," "The Grand Budapest Hotel," "Guardians of the Galaxy," "Maleficent" and "The Theory of Everything" were each represented in one form or another. Meanwhile, "Guardians of the Galaxy" led with the most mentions at three, while "The Grand Budapest Hotel," "Interstellar" and "Into the Woods" each got a pair. As previously announced, Oscar-winning make-up artist Rick Baker and Emmy-nominated hair stylist Kathryn Blondell will receive the Guild's Lifetime Achievement Awards. Check out the full list of nominees below,...
- 1/8/2015
- by Kristopher Tapley
- Hitfix
Captain America: The Winter Soldier, Hunger Games: Mockingjay Part 1 and Into The Woods are among the feature nominees announced today for the Make-Up Artists and Hair Stylists Guild Awards. There is a tie in the Television and New Media Series Best Contemporary Make-Up Category resulting in six nominees. The awards will be presented during a ceremony February 14 at Paramount Studios. Here’s the complete list:
Feature Length Motion Picture (Feature Films)
Best Contemporary Make-up
Captain America: The Winter Soldier
Make-Up Artists: Allan Apone, Nicole Sortillon and Lisa Rocco (Petition)
Gone Girl
Make-Up Artists: Kate Biscoe and Gigi Williams
Guardians of the Galaxy
Make-Up Artist: Elizabeth Yianni-Georgiou
Interstellar
Make-Up Artists: Luisa Abel and Jay Wejebe
Nightcrawler
Make-Up Artists: Donald Mowat and Malanie Romero
Feature Length Motion Picture (Feature Films)
Best Period And/Or Character Make-up
Hunger Games: Mockingjay – Part 1
Make-Up Artists: Ve Neill, Nikoletta Skarlatos and Conor McCullagh (Petition)
Into the Woods...
Feature Length Motion Picture (Feature Films)
Best Contemporary Make-up
Captain America: The Winter Soldier
Make-Up Artists: Allan Apone, Nicole Sortillon and Lisa Rocco (Petition)
Gone Girl
Make-Up Artists: Kate Biscoe and Gigi Williams
Guardians of the Galaxy
Make-Up Artist: Elizabeth Yianni-Georgiou
Interstellar
Make-Up Artists: Luisa Abel and Jay Wejebe
Nightcrawler
Make-Up Artists: Donald Mowat and Malanie Romero
Feature Length Motion Picture (Feature Films)
Best Period And/Or Character Make-up
Hunger Games: Mockingjay – Part 1
Make-Up Artists: Ve Neill, Nikoletta Skarlatos and Conor McCullagh (Petition)
Into the Woods...
- 1/8/2015
- by Denise Petski
- Deadline
Dr. Grace Holloway
Portrayed by: Daphne Ashbrook
Doctor(s): Eighth Doctor
Tenure: 1 story, Doctor Who: the Movie (referred to by some as “The Enemy Within”)
Background: Dr. Grace Holloway is a cardiovascular surgeon in San Francisco. She has a strained relationship with her live-in boyfriend, due to her constantly being constantly either at work or on call. When she has to leave Madama Butterfly during the start of the second act, this is the last straw; he’s moved out by the time she gets home, with the newly regenerated Doctor in tow (he’s the patient she’s called in to do surgery on).
Family/Friends: We know very little about Grace, aside from her profession and her romantic status, and nothing about her family.
Personality: Grace is hardworking, determined, and focused. She has a love of culture and whimsy, quickly being swept into the Doctor’s struggle against the Master,...
Portrayed by: Daphne Ashbrook
Doctor(s): Eighth Doctor
Tenure: 1 story, Doctor Who: the Movie (referred to by some as “The Enemy Within”)
Background: Dr. Grace Holloway is a cardiovascular surgeon in San Francisco. She has a strained relationship with her live-in boyfriend, due to her constantly being constantly either at work or on call. When she has to leave Madama Butterfly during the start of the second act, this is the last straw; he’s moved out by the time she gets home, with the newly regenerated Doctor in tow (he’s the patient she’s called in to do surgery on).
Family/Friends: We know very little about Grace, aside from her profession and her romantic status, and nothing about her family.
Personality: Grace is hardworking, determined, and focused. She has a love of culture and whimsy, quickly being swept into the Doctor’s struggle against the Master,...
- 11/12/2013
- by Kate Kulzick
- SoundOnSight
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
- 2/27/2013
- by BWW News Desk
- BroadwayWorld.com
The Hawaii Opera Theatre Hot has a rich history dating back to 1960 when it opened with Madama Butterfly with performances in McKinley High School Auditorium. The company has continued to evolve into what it is today- with international artists who have graced the most renowned stages as the New York Metropolitan Opera, La Scala, the Royal Opera house and many others through Europe, Asia and North America.
- 2/21/2013
- by Scott Frost
- BroadwayWorld.com
Striking Russian opera singer and wife of Mstislav Rostropovich, she was made an 'unperson' during the Soviet era
The soprano Galina Vishnevskaya, who has died aged 86, coloured her performances of opera, and especially of Russian song, so beautifully that full comprehension was not essential for enjoyment. Of course, once you did understand the words, you realised how much meaning she brought to them.
Possessed of a striking physical presence with lustrous dark hair, she was such a natural actor that she became the star of her generation at the Bolshoi opera company in Moscow, forging artistic relationships with the stage director Boris Pokrovsky and the conductor Alexander Melik-Pashaev. And – appropriately for a performer who sang with all the skill of an instrumentalist – for more than half a century she was married to Mstislav Rostropovich, not just a great cellist, but also a considerable conductor and pianist.
Their marriage – her third...
The soprano Galina Vishnevskaya, who has died aged 86, coloured her performances of opera, and especially of Russian song, so beautifully that full comprehension was not essential for enjoyment. Of course, once you did understand the words, you realised how much meaning she brought to them.
Possessed of a striking physical presence with lustrous dark hair, she was such a natural actor that she became the star of her generation at the Bolshoi opera company in Moscow, forging artistic relationships with the stage director Boris Pokrovsky and the conductor Alexander Melik-Pashaev. And – appropriately for a performer who sang with all the skill of an instrumentalist – for more than half a century she was married to Mstislav Rostropovich, not just a great cellist, but also a considerable conductor and pianist.
Their marriage – her third...
- 12/11/2012
- by Tully Potter
- The Guardian - Film News
Swiss soprano renowned for her beauty and singing of Strauss
When the Swiss soprano Lisa Della Casa, who has died aged 93, made her Covent Garden debut in the title role of Richard Strauss's Arabella on the Bavarian State Opera's visit to London in 1953, she won all hearts with the beauty of her singing and of her appearance. This role became her trademark, and when the Royal Opera decided to stage its own production of the work in 1965, Della Casa was, of course, the Arabella, with Georg Solti in the pit.
The producer was Rudolf Hartmann, who had done much to launch Della Casa's career on an international level. That career had begun in 1941 in the Swiss town of Solothurn-Biel, where she made her debut in the title role of Madama Butterfly. She joined the Zurich Opera House in 1943, appearing as the First Boy in The Magic Flute, later ascending...
When the Swiss soprano Lisa Della Casa, who has died aged 93, made her Covent Garden debut in the title role of Richard Strauss's Arabella on the Bavarian State Opera's visit to London in 1953, she won all hearts with the beauty of her singing and of her appearance. This role became her trademark, and when the Royal Opera decided to stage its own production of the work in 1965, Della Casa was, of course, the Arabella, with Georg Solti in the pit.
The producer was Rudolf Hartmann, who had done much to launch Della Casa's career on an international level. That career had begun in 1941 in the Swiss town of Solothurn-Biel, where she made her debut in the title role of Madama Butterfly. She joined the Zurich Opera House in 1943, appearing as the First Boy in The Magic Flute, later ascending...
- 12/11/2012
- by Alan Blyth
- The Guardian - Film News
San Francisco — The San Francisco Opera will present the world premiere of Tobias Picker's "Dolores Claiborne" on Sept. 18 next year.
The company said Monday that the opera, with a libretto by J.D. McClatchy, will be based on Stephen King's 1992 novel about a character who denies killing her employer but admits murdering her husband almost three decades earlier after learning he sexually molested their 14-year-old daughter.
Mezzo-soprano Dolora Zajick will sing the title character, soprano Elizabeth Futral will perform the elderly employer Vera Donovan, Susannah Biller the daughter Selena St. George, Wayne Tigges the husband Joe St. George, and Greg Fedderly will be Detective Thibodeau.
George Manahan conducts and James Robinson directs. There will be six performances through Oct. 4 of the staging, a co-production with the Opera Company of St. Louis.
This will be the fifth opera for Picker following "Emmeline" (1996), "Fantastic Mr. Fox" (1998), "Therese Raquin" (2001) and "An American Tragedy...
The company said Monday that the opera, with a libretto by J.D. McClatchy, will be based on Stephen King's 1992 novel about a character who denies killing her employer but admits murdering her husband almost three decades earlier after learning he sexually molested their 14-year-old daughter.
Mezzo-soprano Dolora Zajick will sing the title character, soprano Elizabeth Futral will perform the elderly employer Vera Donovan, Susannah Biller the daughter Selena St. George, Wayne Tigges the husband Joe St. George, and Greg Fedderly will be Detective Thibodeau.
George Manahan conducts and James Robinson directs. There will be six performances through Oct. 4 of the staging, a co-production with the Opera Company of St. Louis.
This will be the fifth opera for Picker following "Emmeline" (1996), "Fantastic Mr. Fox" (1998), "Therese Raquin" (2001) and "An American Tragedy...
- 12/4/2012
- by AP
- Huffington Post
Indianapolis — African-American opera pioneer Camilla Williams has died in Bloomington. She was 92.
Williams' attorney, Eric Slotegraaf, said in a statement that the soprano died Sunday.
Indiana University Jacobs School of Music spokesman Alain Barker said Williams died of complications from cancer.
The school says Williams became the first African-American female to appear with a major U.S. opera company when she debuted on May 15, 1946, with New York City Opera in the title role of Puccini's "Madama Butterfly."
She became the first African-American professor of voice at Iu in 1977 and retired in 1997.
Williams was born in Danville, Va., on Oct. 18, 1919, the daughter of a chauffeur. Her grandfather was a singer and choir leader, and by age 8 she was singing in Danville's Calvary Baptist Church.
Williams' attorney, Eric Slotegraaf, said in a statement that the soprano died Sunday.
Indiana University Jacobs School of Music spokesman Alain Barker said Williams died of complications from cancer.
The school says Williams became the first African-American female to appear with a major U.S. opera company when she debuted on May 15, 1946, with New York City Opera in the title role of Puccini's "Madama Butterfly."
She became the first African-American professor of voice at Iu in 1977 and retired in 1997.
Williams was born in Danville, Va., on Oct. 18, 1919, the daughter of a chauffeur. Her grandfather was a singer and choir leader, and by age 8 she was singing in Danville's Calvary Baptist Church.
- 1/30/2012
- by AP
- Huffington Post
Where to begin. Perhaps with the first sentence of the Wikipedia entry: "Steven Allan Spielberg Kbe (Hons.) (born December 18, 1946) is an American film director, screenwriter, producer, video game designer, and studio entrepreneur." And this year, as he turns 65, he's Father Christmas, too — at least at the box office. After a mightily successful run in Europe, The Adventures of Tintin opens in the Us on Wednesday, followed by War Horse on Christmas Day.
"Every time a new Steven Spielberg film opens, a divisive critical discourse emerges," wrote Michael Koresky and Jeff Reichert in 2003, introducing a symposium at Reverse Shot. "Are Saving Private Ryan and Amistad heavily critical of American history, or are they glowing tributes to democracy? Is The Color Purple a progressive portrayal of a region mostly ignored by Hollywood, or a sugarcoated bastardization of Alice Walker's far grittier novel? Is A.I. sentimentalized Kubrick or cynical Spielberg? Does Schindler's List...
"Every time a new Steven Spielberg film opens, a divisive critical discourse emerges," wrote Michael Koresky and Jeff Reichert in 2003, introducing a symposium at Reverse Shot. "Are Saving Private Ryan and Amistad heavily critical of American history, or are they glowing tributes to democracy? Is The Color Purple a progressive portrayal of a region mostly ignored by Hollywood, or a sugarcoated bastardization of Alice Walker's far grittier novel? Is A.I. sentimentalized Kubrick or cynical Spielberg? Does Schindler's List...
- 12/20/2011
- MUBI
Last week our critics picked their highlights of 2011. Did they get it right? Readers respond with their own highs (and lows)
MattB75
One Man, Two Guvnors was the most fun I've had in a theatre for years – easily the best play of 2011, and James Corden best performer. The National theatre largely misfired for me: A Woman Killed with Kindness, Cherry Orchard, 13, The Kitchen, Frankenstein and Greenland were all largely disappointing.
The RSC's Homecoming was the best revival. Rupert Goold's Merchant of Venice was great fun, even if the inconsistency in Portia's characterisation (from ditzy blond Glee fan to brilliant prosecutor, hm) took the edge off it.
Tom Brooke was my favourite actor of the year – in The Kitchen, and I Am the Wind.
oogin
Frank Gehry and Zaha Hadid are still two of my least-admired starchitects. However, credit where it's due. I had the pleasure of wandering Toronto's Ago...
MattB75
One Man, Two Guvnors was the most fun I've had in a theatre for years – easily the best play of 2011, and James Corden best performer. The National theatre largely misfired for me: A Woman Killed with Kindness, Cherry Orchard, 13, The Kitchen, Frankenstein and Greenland were all largely disappointing.
The RSC's Homecoming was the best revival. Rupert Goold's Merchant of Venice was great fun, even if the inconsistency in Portia's characterisation (from ditzy blond Glee fan to brilliant prosecutor, hm) took the edge off it.
Tom Brooke was my favourite actor of the year – in The Kitchen, and I Am the Wind.
oogin
Frank Gehry and Zaha Hadid are still two of my least-admired starchitects. However, credit where it's due. I had the pleasure of wandering Toronto's Ago...
- 12/15/2011
- The Guardian - Film News
Opera Boston announces the company's first commissioned work- the world premiere of Madame White Snake, a new opera based on a beloved ancient Chinese legend, by composer Zhou Long and librettist Cerise Lim Jacobs. Co-commissioned with the Beijing Music Festival (Bmf), it is the first world premiere by the Bmf and an American company. Madame White Snake will have three performances (Feb. 26, 28, and March 2, 2010) at the Cutler Majestic Theatre in Boston and two performances in Beijing in October 2010. Planning has begun to bring Madame White Snake to several Chinese cities following the Chinese premiere in Beijing; the proposed tour is the first by an American Opera Company in China since San Francisco's Western Opera Company in 1987. The education and outreach program of Madame White Snake is presented by State Street Corporation.
Madame White Snake is one of just four world premieres by U.S. opera companies in the 2009-10 season.
Madame White Snake is one of just four world premieres by U.S. opera companies in the 2009-10 season.
- 11/12/2009
- BroadwayWorld.com
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