IMDb RATING
6.9/10
1.6K
YOUR RATING
In German-occupied France, two filmmakers solve the collaboration dilemma differently.In German-occupied France, two filmmakers solve the collaboration dilemma differently.In German-occupied France, two filmmakers solve the collaboration dilemma differently.
- Awards
- 7 wins & 3 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis movie has more than 115 speaking parts.
- GoofsThe film credits include references to a Lysander and a Dakota but Devaivre flies out in a de Haviland Dragon Rapide, and is parachuted back into France from what looks like a Lockheed Hudson (as it has twin tailfins, it cannot be a Dakota).
- ConnectionsFeatures Carnival of Sinners (1943)
Featured review
In 1942, in Paris, the assistant director and member of the French resistance Jean-Devaivre (Jacques Gamblin) joins the German studio Continental Films to be infiltrated and get a safe conduct. Along the years, he spies while making French movies produced by the Germans. Meanwhiile, the wolf bourgeois screenwriter Jean Aurenche (Denis Podalydès) spends his shallow life with his three lovers the artist Suzanne Raymond (Charlotte Kady), the whore Olga (Marie Gillain) and Suzanne's friend and costumes stylist and trying to not collaborate with the Germans with his work.
"Laissez-Passer" has a magnificent cinematography and reconstitution of occupied France, supported by top-notch performances. Unfortunately the story is tiresome, uninteresting and too long, and the subplot with Jean Aurenche goes nowhere. The narrative of the lead story with Jean-Devaivre is too cold, without any tension and could be shorter and shorter. My vote is six.
Title (Brazil): "Passaporte Para a Vida" ("Passport for the Life")
"Laissez-Passer" has a magnificent cinematography and reconstitution of occupied France, supported by top-notch performances. Unfortunately the story is tiresome, uninteresting and too long, and the subplot with Jean Aurenche goes nowhere. The narrative of the lead story with Jean-Devaivre is too cold, without any tension and could be shorter and shorter. My vote is six.
Title (Brazil): "Passaporte Para a Vida" ("Passport for the Life")
- claudio_carvalho
- Oct 24, 2008
- Permalink
Details
Box office
- Gross US & Canada
- $25,440
- Opening weekend US & Canada
- $6,811
- Oct 13, 2002
- Gross worldwide
- $1,713,421
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