A documentary about freestyling--the improvised, on-the-spot rhymes that demonstrate the skills of hip-hop MCs.A documentary about freestyling--the improvised, on-the-spot rhymes that demonstrate the skills of hip-hop MCs.A documentary about freestyling--the improvised, on-the-spot rhymes that demonstrate the skills of hip-hop MCs.
- Awards
- 4 wins
Photos
Muhammad Ali
- Self
- (archive footage)
Yasiin Bey
- Self
- (as Mos Def)
Jonathan Sway Calloway
- Self
- (as Sway)
John Coltrane
- Self
- (archive footage)
Kevin Fitzgerald
- Self
- (voice)
Storyline
Did you know
- Alternate versionsSpecial limited Edition Directors Cut released 2013
- ConnectionsFeatures Wild Style (1982)
Featured review
This documentary had so much to offer. Unfortunately, it didn't push forward and deliver what it could have. Hip hop heads will leave this film knowing a few more names or stories about underground hip hop but the history lesson ends there.
Documentaries, for the most part, are made to expose a niche. To show others its esoteric quality. While Freestyle: The Art of Rhyme begins to scratch at the surface, it barely leaves a mark. The history of hip hop and its origins in the Bronx are passed over as though everyone in the audience were a hip hop connaisseur. The other aspects of hip hop (graffiti, break dancing and DJing) are mentioned in passing as though it had no correlation to Freestyling.
The Art of Rhyme is simply a fan's video of favourite MCs and friends freestyling and battling in the streets. The psychology of freestyle rhyme, of battles and its roots (some historians date it back to the days of slavery) are muted by the redundant scenes of freestyle artists rhyming for the camera, hoping for exposure.
While showing actual freestyling is essential for the film, too much of it just dilutes the artistic and historically-significant aspect of Hip Hop. Most importantly, its lack of depth confirms what narrow-minded critics have said for years about Hip Hop music and its generation.
Documentaries, for the most part, are made to expose a niche. To show others its esoteric quality. While Freestyle: The Art of Rhyme begins to scratch at the surface, it barely leaves a mark. The history of hip hop and its origins in the Bronx are passed over as though everyone in the audience were a hip hop connaisseur. The other aspects of hip hop (graffiti, break dancing and DJing) are mentioned in passing as though it had no correlation to Freestyling.
The Art of Rhyme is simply a fan's video of favourite MCs and friends freestyling and battling in the streets. The psychology of freestyle rhyme, of battles and its roots (some historians date it back to the days of slavery) are muted by the redundant scenes of freestyle artists rhyming for the camera, hoping for exposure.
While showing actual freestyling is essential for the film, too much of it just dilutes the artistic and historically-significant aspect of Hip Hop. Most importantly, its lack of depth confirms what narrow-minded critics have said for years about Hip Hop music and its generation.
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Details
Box office
- Gross US & Canada
- $12,600
- Opening weekend US & Canada
- $4,842
- Jul 18, 2004
- Gross worldwide
- $12,600
- Runtime1 hour
- Color
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Top Gap
By what name was Freestyle: The Art of Rhyme (2000) officially released in Canada in English?
Answer