Alix is taken in by a photographer, Digna, who despite her friends' protests, tries to help Alix piece her life back together and overcome her addictions.Alix is taken in by a photographer, Digna, who despite her friends' protests, tries to help Alix piece her life back together and overcome her addictions.Alix is taken in by a photographer, Digna, who despite her friends' protests, tries to help Alix piece her life back together and overcome her addictions.
- Awards
- 5 wins & 4 nominations total
Photos
- Dan
- (as Brian Burchill)
- Lisa
- (as Susan O'Connor)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
Alix: I found out how hard it is to change, really change. Even hell can get comfortable if you're used to it. All I wanted my whole life, was for that lonliness inside me to go away. But, it never did, no matted what I drank, or what drug I took, or where I went, who I was with. We all need something to help us get through life. All I needed was to find the right thing to rely on, something that would never go away, something I would never run out of. Turned out to be the same thing for everybody. And the funny thing was, it was there all the time, in those little glimpses of heaven in every day... In the smile of a stranger, the green of the trees, the advice of a friend, the laughter of a child, the help of a neighbor, the plane that arrived safely.
The drama in this film is SO UTTERLY CONVINCING. The performances get first prize for portrayals that, even when you want to try and find something wrong with it (I'm guessing this film might be considered too sentimental by some), keep the drama serious and prominent, not allowing the audience to let go of their suspension of disbelief. If it wasn't for the production quality, it would seem like this was a documentary and these were real people. And it's not just Ana and Michael, the two main characters, it's everyone, from the boyfriends to the crack addicts that have two seconds of screen time to everyone.
Secondly, the cinematography and editing are very well tuned to excellence. This movie definitely has the feel of an independent film, but more than that it doesn't have that "Look at me, I'm independent!" feel. Skewed angles and purposeful jump cuts exist stylistically in the film, but they come at the right times and are completely necessary, versus what tends to happen in a lot of independent cinema where the camera becomes relatively self-conscious and goes places it needn't. For example, the hand-held quality of this film is almost invisible, while some independent films tend to show off their independence via hand-held in a wannabe cinema-verite sort of conceit.
It's disappointing that I haven't heard anything about this film before. I literally picked it up because it was the first movie on the first row of the first aisle to rent because I wanted to surprise myself, and whadyaknow but it happened to be a real gem! I hope it builds a bigger audience because it deserves to be recognized.
--PolarisDiB
- Polaris_DiB
- Dec 13, 2005
- Permalink
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Πράξεις λατρείας
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $9,377
- Opening weekend US & Canada
- $6,626
- Nov 23, 2003
- Gross worldwide
- $9,377
- Runtime1 hour 34 minutes
- Sound mix