An ex-con returns to his Florida hometown after three years and becomes involved with the wife of his best friend, the local Sheriff.An ex-con returns to his Florida hometown after three years and becomes involved with the wife of his best friend, the local Sheriff.An ex-con returns to his Florida hometown after three years and becomes involved with the wife of his best friend, the local Sheriff.
- Awards
- 1 nomination
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film was shown at the 2002 Sundance Film Festival, but it was not actually released until four years later because it could not find a distributor.
- GoofsDave makes a point of unloading his gun by locking the slide back and removing the magazine when he gets home from work. You can see when he does this that the gun was never loaded to start with.
- Quotes
Pa Mann: Ain't you out too soon?
Sonny Mann: It was too crowded. They had to let someone go. I was picked.
Featured review
Victor Nunez is on par with a lot of directors who use their surroundings as their muse. Like Scorcese with New York, Mann with L.A., or Shamalyan with Pennsylvania, Nunez builds his stories around an area he knows well: east coast Florida. His masterpiece "Ulee's Gold" used the enchanting backdrop of Orlando's peaceful outskirts to build on the emotional aspects of its main character Ulee. The movie came alive from Nunez's subtle, but powerful focus on atmosphere, character nuance and rich symbolism.
It's disappointing that his follow-up "Coastlines" (which completes his "Panhandle Trilogy") had some of those elements in tact, but failed to use them effectively. The story is about a young man named Sonny (played by a well-cast Timothy Olyphant) who gets released from prison to a home town that has grown up without him. He gets back in touch with his old friend Dave, who is now a police officer and married to Sonny's old crush Ann. Simultaneously, he deals with unsettled issues from his old mobbed-up employers.
From that story come some potentially engaging themes like revenge, jealousy, nostalgia, disenchantment and betrayal. However, disappointment quickly sets in when the scenes become more and more dull. The screenplay was written before "Ulee's Gold," and is extremely similar, with many characters and back stories almost exactly mirroring those of the previous film. "Coastlines" brings nothing new to the table, and has no energy with the subject matter at hand. As the movie moves on, it becomes hard to shake the feeling that Nunez had run out of inspiration.
What the movie lacks despite energy is originality. The movie contains plenty of drama, but there is nothing happening that hasn't been done better in other movies. What Nunez needed, in order to transcend the clichés, was the rich undertones and subtexts that made "Ulee" so engrossing. Nunez needed another layer of depth to give weight to all the things going on in his story.
There is no doubt that Victor Nunez is an excellent independent director. However, that doesn't excuse the fact that "Coastlines" is a movie that simply didn't need to be made.
It's disappointing that his follow-up "Coastlines" (which completes his "Panhandle Trilogy") had some of those elements in tact, but failed to use them effectively. The story is about a young man named Sonny (played by a well-cast Timothy Olyphant) who gets released from prison to a home town that has grown up without him. He gets back in touch with his old friend Dave, who is now a police officer and married to Sonny's old crush Ann. Simultaneously, he deals with unsettled issues from his old mobbed-up employers.
From that story come some potentially engaging themes like revenge, jealousy, nostalgia, disenchantment and betrayal. However, disappointment quickly sets in when the scenes become more and more dull. The screenplay was written before "Ulee's Gold," and is extremely similar, with many characters and back stories almost exactly mirroring those of the previous film. "Coastlines" brings nothing new to the table, and has no energy with the subject matter at hand. As the movie moves on, it becomes hard to shake the feeling that Nunez had run out of inspiration.
What the movie lacks despite energy is originality. The movie contains plenty of drama, but there is nothing happening that hasn't been done better in other movies. What Nunez needed, in order to transcend the clichés, was the rich undertones and subtexts that made "Ulee" so engrossing. Nunez needed another layer of depth to give weight to all the things going on in his story.
There is no doubt that Victor Nunez is an excellent independent director. However, that doesn't excuse the fact that "Coastlines" is a movie that simply didn't need to be made.
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Details
Box office
- Gross US & Canada
- $7,883
- Opening weekend US & Canada
- $736
- Jun 4, 2006
- Gross worldwide
- $7,883
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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