User reviews

I have to say I was presently surprised by this little film, I expected way less then I got. That's not to say that this is a fantastic film but it's a good one. It does a great job of representing a believable friendship between it's three main characters. I once again have to gripe of the pointless and sub par acted female character who is injected for the point of having one and doesn't add much to the film. Alec Baldwin is great as he usually is, and the three main characters are both well acted and believable unlike their accents but that's not important here. The story may be filled with a few clichés but the friendship of the characters make it work well enough to pull you into the story, not immerse you in it but keep your interest. I don't want to say Freddie Prinze was amazing but he was rather good, I wish he would lean more into films like this and stay away from any romantic comedy/dramas for a little while, play a villain or something, I do believe he has the talent it's just that he gets type cast in those romantic roles. Anyway, the film was surprisingly good, as was the story and the acting. Don't expect the Sopranos, Goodfellas and definitely not The Godfather and you won't be disappointed.

This film was written by Terence Winter, one of the driving forces behind the Sopranos TV series and, given the reputation of that show (which I have to admit to never having seen), I was quite surprised by the routine nature of this film. Freddie Prinze Jr. finds himself out of his depth as Michael, a Brooklyn kid half-scamming his way through law school while trying to avoid becoming sucked into the mob life so adored by Carmine (Scott Caan), one of his closest friends.

Much of the problem lies with the fact that everything that happens here we have seen before in better, more original gangster flicks. The story is OK, but the script rarely rises above the pedestrian and, despite some rather clumsy attempts to insert a number of 80s pop culture references there is no real feeling for time or place. Alec Baldwin, who appears as the local mob ruler is by far the best thing about this film. In fact, Baldwin's pretty good in everything he does these days, having successfully negotiated the thorny transition from leading man to character actor without falling foul of the pitfalls encountered by some of his contemporaries. The best scenes in the film are the ones in which he appears and aren't just the most violent incidents. There is more insight into the workings of the mob in the scene in which Baldwin sits down with another gangster to iron out a few issues between Michael and the local mob psycho than there is in the beatings and shootings, etc.

Scott Caan is memorable, but it's difficult to be sure whether it is because he gives a good performance in his own right or because in a number of scenes he is so reminiscent of his father playing Sonny Corleone.

While there's nothing new here, the picture is entertaining enough and is a relatively painless experience.

OK, this isn't the best Brooklyn-coming-of-age-in-the-midst-of-wiseguys movie ever made, but all in all I think it was pretty good.

First off, I think all the acting was pretty good. A great turn from Jerry Ferrara, "entourage"s Turtle. One may think from watching that show that this kid was plucked off the streets of Bensonhurst (where's he's from... and I am too) to be on the show, and is a one-trick-pony, but, he gave a great, nuanced, sweet performance of a character that was nothing like his "entourage" alter ego. Kudos to him. I look forward to seeing him in more films, growing as an actor. He was likable, believable, and genuine.

Scott Cahn was excellent. He played his character, one that isn't new in mob-related films, with intensity, humor, and honesty. While his character Carmine may be bordering on a life of crime, he kept the character's heart in tact. I swear moments in this film reminded me of his dad... in a good way.

Freddie Prinze Jr, who'ds I've never seen in a "real movie", was pretty good in this too. Out of the three though, he seemed the most out of place, but, I felt he tried hard and played the role with conviction. His and Mena Suvari's (another actor who I felt didn't fit this film) romance plot line was one the movie could have done without. Upper crust girl falls for and inspires scrubby neighborhood guy to shoot for the stars. It's been done before, and it didn't need to be done again. ANyway, I think if this kid had more roles like this to beef him up, he'd become a pretty good actor. He's not BAD now... but he'd get better for sure doing character driven films like this.

Alec Baldwin, who I think is always entertaining, did a good job in this as the local neighborhood mob boss. He didn't ham it up or go over the top as he sometimes does. He did a nice understated job that suited the character. He was likable, but also had that sheen of danger about him. Good work for this kind of character.

The Brooklyn setting (basically the neighborhoods visited in this are Bensonhurst, Coney Island, Bay Ridge, and Dyker Heights) were genuine (Pastels was a nice touch... and if you're from this neighborhood, you'd agree). The backdrop plot line of the "rise of John Gotti" was a cool one to see everything eveolve around. It hasn't really been touched upon except for on those not-very-great TV movies about Gotti and Sammy "The Rat" Gravano. I thought it was a nice touch. Ss were the scenes with Bobby's family. Perfect! It had comedy, drama, believable characters, and while it may not be the greatest movie ... mob related or not... it had heart. I dug it. It's worth a view.

PS. Someone mentioned in their review that if you're gonna use The Stones in your mob movie soundtrack, you shouldn't use songs already used in other mob movies. Well, to correct them, the only Stones song in this flick is "Sympathy for the Devil"... which to my knowledge was never used in another mob movie. And anyway, Scorcsese used "Gimme Shelter" in not one but TWO of his films. I guess he should be chastised even more for ripping himself off, huh?

Went to a screening last night and was blown away. Michael Corrente is the kind of director that is in short supply these days. With all the garbage coming out of Hollywood, he has resisted the temptation to head west and make more $ and has instead stuck to his roots. Brooklyn Rules is a powerful independent film with a very realistic take on the coming of age genre. The cast is top notch. The stars and supporting characters ring incredibly true. I'm not going to list all the names (and there are some of the top actors out there) but just look at the credits and know that each of the actors did some of his/her best work to date. Scenes of the three best friends growing together are inter-cut with elements of harrowing violence and blossoming love. The total effect is one that left me wondering why so few films have the balance of Brooklyn Rules. So many are all out in one direction. Hyper violence- or total sex for 90 minutes. This movie has classical composition and pacing yet is completely original in it's own way. A harrowing portrait of learning the horrors of the modern city life. The soundtrack is amazing on its own. Kudos to all involved- Great job!

I love mob movies and all they have to do is mention that it is a mob movie for me to see it.

Some of the mob movies I have seen were terrible and I walked out on them.

I would rate this movie slightly above average. Yes I will admit that some parts have bad acting but then parts of good fellas has bad acting. The thing is I could identify with a lot of people in movie. As in things I have done or people I know.

Alec Baldwin was great as Caesar. The way he looked at people as if he owned them. When the time came he reacted swiftly and violently. But on the other hand he showed compassion to his friends.

From the dialogue to the soundtrack, I felt like this movie was grabbing from other classic mob movies.

There were even direct quotes! ex: a conversation between freddie prinze jr and scott cahn about whether or not it was better to be loved or feared... come on! ... It was like listening to fingernails going down a chalkboard to here these two guys butchering one of the great mob movie moments between Sonny & C in A Bronx Tale.

The dramatic role was clearly too much for Freddie to handle. Scott Cahn and Alec Baldwin were bright spots, but there were too many other awkward moments that seemed like a collision between your typical romantic comedy and a bad mob movie.

If you're going to use the Stones in a mob movie soundtrack... at least pick songs that have not been used in other mob movies.

Don't waste your money and pay to see this in the theater. Its a rental.

Brooklyn Rules is a good story about the undying love and loyalty of three friends growing up in Brooklyn, under some very difficult circumstances. Some fine acting by Alec Baldwin and Scott Caan and very good dialog, so listen carefully. I think this movie has a minor flaw. Sometimes it moves a little slowly but the story line does keep you interested. There is some very funny dialog in this script that breaks up some of the serious moments in the movie, which I liked. This movie is also very violent at times but I believe it was a necessary part of the story.The script,written by Terence Winter was very good and superbly directed by Michael Corrente. I also liked the way this movie was filmed, the set decoration was good and so was the lighting. It made a lot of the scenes very easy on the eye. All in all, I came away from this movie feeling good. It reminded me of growing up with my friends, not under the same circumstances, mind you, but just the way good friends talk to each other with brutal honesty and oh yes, always a wisecrack.I recommend this movie because it is about all of us in some ways. I think people will identify with the characters, I think they will like the film.

I'm a huge mob film fan and The Sopranos was one of the greatest things to ever happen to my life so i expected 'Brooklyn Rules' to further affirm my belief that being a mobster is the greatest thing a man can do... unfortunately it didn't really help a great deal.

As i always seem to end up saying, this certainly wasn't a bad movie, i just expected a bit more from Terence Winter. The plot is very typical, three young kids grow up in the same neighborhood, one turns over to the mob lifestyle, the others follow different paths... i won't spoil you're enjoyment but yeah it's very typical, it reminded me a lot of 'The Black Donnellys' television series if it was set in the 80's. Mena Suvari is superb, Freddie Prinze Jr. struggles to grasp the new york accent and Alec Baldwin is... well... Alec Baldwin.

If you enjoy any mob film then definitely check this out as it won't harm you one bit but if you're just looking for a casual watch then you're better off digging out 'A Bronx Tale' again.

seriously, this is one of the worst movies I've seen in a while. so bad I felt compelled to post a comment here for the first time. I trusted the above 7+ IMDb rating this movie had. big mistake. from the excessive narration to the utter lack of an original plot line, this movie was just terrible. and the narrator is freddie prinz jr. need I say more? you can't compare this to brooklyn's version of a Bronx Tale, because A Bronx Tale was actually a decent movie. the best thing about it is the brooklyn/manhattan backdrop. second best was scott caan. even alec baldwin was a bit of a disappointment, maybe because we were hoping he could save the film. he couldn't. save your money and netflix this only if you're desperate.

If you enjoy any of the (non-comedic) 'coming-of-age' movies that have come out since the mid-eighties (with Stand By Me in 1986)...Also, any Alec Baldwin fans must see this. Although I really don't feel Alec was in nearly enough scenes and could have substantially helped this movie considerably by his presence with 'the boys'...Even if he'd been superimposed as a ghost that 'somehow influenced their decisions'...The acting (or maybe casting) of the main characters was a lil' sketchy from tie to time, in my opinion and left e feeling somewhat like 'hey, I'm watching a movie'...which is distracting, as it's a sign of quality when you are 'only able' to stay immersed in the story being told and literally 'forget' you are watching a movie...I even found myself 'taking a couple of breaks (to let the cat out, take a pee, get a drink, etc, etc.) during some of the slower 'connecting' scenes...And I'm sure you know what I mean...The sign of a really well-done film, is when you literally 'can't take your eyes off the screen', allowing any normal distractions to go completely unnoticed (or when the distraction is too much, you flip out and extinguish whatever -or whoever- is the cause of the distraction)...That's a great movie and although this one doesn't fall into that category, it's still one that shouldn't be missed...Overlook the small 'blips' in the acting (it really does get a little awkward -and forced- in a few scenes) and the 'non-emotion' in a few scenes (when there should be a great deal of tear-jerking emotion)...And, as previously stated, the 'under-use' of Alec Baldwin in scenes where he could have definitely been utilized in some creative (and often obvious) ways, which would have really contributed to the overall 'effectiveness' of the story trying to 'get-told'...Otherwise, it's a decent attempt and still stands as (yet another) must-see coming-of-age movies...In easier terms...put it on your 'list-o'-flicks' and when the movie you wanted to see isn't available, grab a copy of this instead...it's pretty much guaranteed to be in-stock...and you won't feel like it was a wasted trip to the 'get a movie place' after you've seen it...Just don't feel like you are incapable of emotion, when you think you should be 'upset over this' or whatever...It's not you, it's the film...

Three lifelong friends grow up in a tough Brooklyn neighborhood. Carmine Mancuso (Scott Caan) is the vain one. Bobby Canzoneri (Jerry Ferrara) is the cheapskate. Michael Turner (Freddie Prinze Jr.) is the scammer. In 1974, the 3 young boys found a dead body in the woods. Carmine took the lighter, Bobby got the dog, and Michael took the gun. Now in 1985, Michael is studying at Columbia Law and getting close to rich fellow student Ellen (Mena Suvari). Bobby is living at home whose biggest dream is a postal job. Carmine is getting in with wise guy Caesar (Alec Baldwin) who is a captain in the Gambino family.

This is not as rich as other NY mafia movies. Director Michael Corrente has created a world of clichés and expected characters. The three guys do a reasonable job. They have a good mix of personalities. Alec Baldwin does a very good wise guy. The story just lacks the needed tension. It feels like a thin simple mobster movie.

...especially since the first billed is Freddie Prinze Jr.

I was at my friendly neighbourhood DVD retailer and saw this on sale for two bucks. I like Alec Baldwin so I thought Id give it a go.

The premise itself isn't terribly original - Its a coming of age type story meets a mild Goodfellas - but aside from the occasional eye-rolling moment it is well acted and beautifully shot.

Alec Baldwin is great as Ceasar and appropriately over the top. Freddie Prinze Jr, Jerry Ferrara and Scott Caan all do fine jobs as well.

Again, its nothing we haven't seen before, but its definitely worth the two bucks and certainly respectable enough to add to your DVD collection.

If I had to sum up this movie it would have to include a mixture of Boondock Saints, A Bronx Tale and a little taste of Goodfellas all rolled into one to create BROOKLYN RULES...the cast was awesome the storyline was as truthful as you can get and the movie had it's moments of comedy and others of reflection....I would give this movie a 10 out of 10 and I hope that more people get to see this movie which without the hype will gain it's legion of viewers by word of mouth...those are the best kind of movies in my opinion the ones that just spread like a tidal wave without the pomp and circumstance but still end up being all-time classics or at least achieve Cult Status.

First off let me say the casting for this movie was blatantly and utterly retarded and it killed the movie for me. One of the main bad guys who is supposed to be a tough Italian mobster is a coddled Irish blue-eyed fop named Alec Baldwin- every scene he is in fails miserably in giving the tough guy Italian one-two punchola- he looks like he needs an Irish coffee and a warmed towel.

A lot of voice overs in this movie to cover ground that may have been too difficult for the director to imagine onto film. That was a big minus too.

Plusses- da usual tuff guys talking crap and knockin heads and getting some respect when they is out on da town wit dere dames.

Final conclusion: the equivalent of methadone for the heroin that is goodfellas, below sopranos in accuracy or believability- but watchable and occasionally pretty good, it loses points since the topic has been covered much, much better in a wide number of other films that came before it.

THE PLOT: Some guys that grew up in the neighborhood feel some growing pains as their closeness to several wiseguys intrudes on their lives. Gotti is used as a backdrop for street cred. It would have been better if a lot of stuff the voice over was talking about was instead part of the actual film.

Goodfellas, The Godfather, Donnie Brasco, and reservoir dogs do a better wiseguy coverage than this flick- but this IS a watchable addition to the list, so foggedaboudit.

Coming off of last years nearly perfect The Departed which cast a huge shadow in how good mob movies have to be or how great every actor was compared to this indie flick. I think every actor in this film was very good and engaging, you feel the friendship between the three main characters and Alec Baldwin is always dead on in his rendition of a ruthless mob boss, if you don't like him i would rent The Cooler with William H Macy which he was nominated for an Oscar for best supporting actor. All in this movie is worth 10 dollars, its got a great cast and story that you may remember from the news of the 1980s Growing up in NY as a kid this movie hits home, hearing about Paul Castellano getting in front of Sparks Steakhouse was one of the most insane things to see on TV. John Gotti was a ruthless killer and he wanted everyone to know, he flaunted it to the point where he killed dozens of people for years. He would walk to the courthouse on charges weekly in his three thousand dollar suit nobody could touch him. This is why this movie is special, it captures that feeling of how it came down to an all out mob war on the streets of NY and how it was growing up in the midst of it-60s and 70s have been done. The 80s is when every move these guys made was front page news. I was lucky enough to catch this in the theater and i must say i was highly entertained. Maybe its from being a big mob movie fan or an entourage fan or just a fan of quality characters and acting, either way its fun to watch three guys from Brooklyn grow up trying to keep their nose clean in those mean Brooklyn streets of the 1980s. I just wish this movie went wide release because it was a film that had a huge cast and setting that it would have scored big with a lot of moviegoers-like the scarface generation who all think they are gangsta!

I haven't seen acting this bad since Showgirls!! Freddie Prinze Jr.'s accent was horrible! His delivery made B list soap stars chuckle out loud.

Beyond the aforementioned display of ineptitude the movie needs help...its beyond bad. The story is weak. The dialog is unoriginal and banal. Jerry Ferrara has a decent scene or two, namely the ring scene but aside from that the remaining hour and twenty nine minutes is pure hell on tape.

I recommend you watch it just to see how bad acting really can be. Pay particular attention to FPJ, and try not to feel bad for him...its hard.

What a movie! It is like a Bronx Tale meets Stand By Me. A Romeo & Juliet/ West Side Story Combo. From the streets of Brooklyn to the streets of Manhattan. Three friends follow their dream. One follows the path of the street; the wannabe gangster. Another follows the path out of the streets/college. And one lost soul is just happy to be the blue collar regular guy. A love story; a story about friendship and loyalty. Freddie Prinze Jr. is fantastic; as is Mena Suvari. Scott Caan reminds us so much of his father in this role. Jerry Ferrara's break out big screen role. Michael Corrente outdid himself with this masterpiece. He has Alec Baldwin back in another good role. And check out the non-speaking doorman; his expressions are priceless. A must see film!