All About Lily Chou-Chou

The one agreeable thing that can be said about Shunji Iwai is that he makes beautiful images. Lily Chou Chou is his most recent release (and let me state, since someone incorrectly wrote it is pronounced "Choo Choo" it is not, it is spoken "Shoo Shoo"), and one of his most coherent films. For some reason this movie seems to puzzle a lot of people... maybe it is the translation from English to Japanese (I watched the movie in Japanese dialog only, so I don't know if they killed it with subtitles or not), but the movie's plot is really not so complicated. If you know a little bit about Japanese life and culture, the emotions of youth, and devotion to an artist then you can watch this movie and understand it. Even for those who were confused by the plot, another one or two viewing should clear up any misunderstandings. Iwai does have some issues with complicating plot stories, or leaving out plot at all. As a writer he is great, but not perfect. As a director of film and photography he is mind blowing. The images that Iwai creates and displays to the audience are the most beautiful presented. Whether or not the story behind this movie shines to you, the images should be enough to blow your mind. Iwai uses re-occurring themes to present lovely contrasts. He also chose a beautiful selection of music to accompany his film, from Debussy to old Okinawan songs to Lily Chou Chou's own. If you pay attention to the gentle subtleties presented in this film, there is no way you can walk away with your life unchanged. I know this film has changed my life, and has become my main source of inspiration.

I loved this film, it is very complex but is also very captivating. the complex narrative and set of characters add to the charm of the film. it also makes the film something to think about, even if the actual events within the film are easy to follow. the use of juxtaposition of normal shots and computer screen shots(other times computer writing) is beautiful and adds to the slight mystery within the film. the use of hand held camcorders in the middle of the film compliments the narrative and helps build more atmosphere. it is a great film to watch. it is well shot, has a great cast and leaves the viewer with a sense of satisfied confusion. i personally still do not under stand all of the film, but have thoroughly enjoyed it!i would recommend this to anyone who likes Japanese films, world cinema or intellectual films that carry more substance then the average film.

"all about lily chou chou" begins with a series of manually keystroked chat-room-style statements that introduce facts and ideas, mostly related to mythical pop-star "lily chou chou." this sort of cinematic introduction sounds similar to many other computer-age-themed films, but amazingly the keystroke dialogue between several anonymous internet fanatics continues past the credits and runs through almost the entire movie. the nicely-scripted, brilliantly executed text acts as the backbone that beautifully holds together a story that is ultimately about many things, including the fragility of relationships and the personas we use based on them, fanatical envy and love contrasted against blind rage and hate, metamorphosis, and technology versus nature.

although executed in an arguably confusing manner, consisting of many non-chronological vignettes, the film ultimately succeeds in depicting a modern-day story involving the relationship between two early-adolescent japanese boys, their journey through life and school, their changing identities, and their fascination with and "connection" to the strangely popular musician, lily chou chou. visually, the filmmaking complements the ideas perfectly. the camera is often puerile and shaky when showing the boys' ventures and conversations. at one point, a vacation sequence is depicted solely through excited and dizzying amateur videography by the boys themselves, humorous close-ups of accompanying girls' bodies included. during the non-video portions of the film, the colors are beautifully rich, with verdant fields and saturated skies.

the abrupt, but fitting pattern between flowing, dreamlike camerawork, shaky camerawork, textual discourse, and the eerily sensual, fictitious lily chou chou tracks provide a momentum that is both refreshing in its originality but effectively discomforting. by the film's closing the style is not so much regretfully confusing as it is fittingly and fully dramatic, as well as both amazing and beautiful. the film is nothing short of art.

lastly, the film did well to keep free of preaching. with much of what goes on in the world today, filmmakers feel social commentary is an added bonus (or even a main goal) to depicting a narrative. this is not so much a problem until the viewer begins to feel manipulated in a propaganda-like fashion. this film is very much based in a realistic society with realistically harsh and shocking issues and occurrences. however, respectfully, this film does a fine job of depicting its characters and events in a manner that allows for the viewer's empathy without pointing direct fingers or offering direct solutions. incidentally, much of the films drama and marvel comes from this quality.

Lilly Chou-Chou is quite a perculiar movie experience, there is no over riding message, there is no moment to reflect, everything that this movie expresses appears in an instance and then is lost again in the great 'ether'. Throughout I felt lost, not merely due to the disjointed narrative but the pacing and overall premise did not register to me as 'a movie'. Trying to find meaning in Lilly Chou-Chou is similar to attempting to find meaning in ambient electronic music, as we watch the movie we are detached, the story, so to speak, unfolds gracefully but the audience can not relate to the characters, but can only attempt to make sense of it all.

Lilly Chou-Chou is in my opinion a great achievement of movie making, interms of acting, editing, sound mixing and visual flair, fans of cinema are treated to something entirely fresh, but there is the overall feeling of dissatisfaction, I wanted more from the story, I wanted to see more of the characters, more of their lives and their interaction with one another. Yet the director withholds much of this from the viewer, choosing to present the characters relationships with one another in small doses, leaving the visuals and sound to complement the rest. And this I feel is one of the dissapointments of this movie, so much is conveyed yet so little is actually on screen, the watching of this movie requires a level of understanding of emotions, and the viewer is called upon to make sense of it all.

This would be the movies strongest point, and one of its weakneses. I urge anyone with a curiosity for this movie to watch it.

I had the pleasure of seeing this movie alone on a quiet weekday night. I wasn't prepared for the power of this film, and how much it would hurt me and inspire me when i saw it.

The film moves fluidly, and seems like a work of art more than entertainment. As we watch we are shown a side of Japanese youth not often seen in such an honest light. This world is shocking and scary, yet there is a comfort in seeing it in such an honest way. Much of the film is short with a music video quality to it, but it is the careful, intimate direction that keeps this film grounded as it shifts from situation to situation. I will not tell much about the story, since any spoiling of the plot might weaken the effect of the first viewing. I can say that this is truly a rare achievement in film, and it deserves to be seen.