A masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated to... Read allA masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated to reflect several early-21st-century sensibilities.A masterful con artist tries to bilk a staid Midwestern community, with unexpected results, in this contemporary rethinking of the legendary Broadway musical and lively 1962 film, updated to reflect several early-21st-century sensibilities.
- Nominated for 5 Primetime Emmys
- 1 win & 10 nominations total
- Jacey Squires
- (as Peter Luciano)
Storyline
Did you know
- TriviaThis version reinstates two songs absent in the original film version and excludes one other. "My White Knight" replaces "Being in Love" and another song for the Quartet was also included.
- GoofsIn a few scenes, "modern" (post-1959) 50-star American flags are visible. Official designs available between 1908 and 1912 (the time of the story) would have had 46 stars.
- Quotes
Professor Harold Hill: You pile up enough tomorrows, and you'll find you've collected a lot of empty yesterdays.
- ConnectionsFeatured in ABC's 50th Anniversary Celebration (2003)
First of all, the casting. I thought that if I hadn't seen the original movie version of this musical I would have enjoyed Matthew Broderick in this role a lot more. I thought he was good, but he didn't hold a candle to Robert Preston's performance as Harold Hill. He wasn't as convincing as Harold Hill as I hoped he would be. Overall, I wasn't impressed with him.
Kristin Chenoweth is definitely someone in this musical that I was impressed with. I really didn't think I would like her in this role, but I think I actually liked her better than Shirley Jones. I knew how well she fit the role of Sally in the new Broadway version of "You're A Good Man, Charlie Brown" and after that, I was having trouble picturing her as Marian Paroo. I still found her speaking vioce a little annoying and Sally-ish, but I thought she made it work. I think what I liked most about her performance was the change I saw in the character of Marian throughout the movie. I saw the transition from the up-tight librarian to a woman who is a lot looser and not as shrewish. I never saw that in the version with Shirley Jones. I really saw Marian fall for Harold Hill in this version, I don't think Shirley Jones played that up as well as she could have.
A couple complaints I have about this version are the fact that I found the girl playing Zaneeta Shinn pretty annoying and...well...not very good. Her "Ye Gods" was...well...just kind of...blah. I found the dance number of Shapoopi to be pretty weak, also. I thought that Harold and Winthrop's thing was cute and I thought that the Shinns' thing was cute, but where was all the fun dancing?
I don't really know how I felt about Molly Shannon playing Eulalie. I thought Hermione Gringold was perfect in that role in the original movie, but I really had no problem with Molly Shannon in this role. I didn't think she was better or worse, just different. Victor Garber could have been better, though. The role of the mayor is an entertaining role and he didn't really play up the mayor's stupidity as much as he could have. Same for the guy who played Marcellus. He could have put more into it. Buddy Hackett made this role unique and fun. This guy just made it...okay. Not bad, but not very good either.
Overall, I enjoyed the movie more than I thought I would. Mainly because of Kristin Chenoweth. I didn't think this movie was great, but it wasn't bad. It was...fine.
- robin_taylor11
- Jul 2, 2003
- Permalink
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- Музыкальный человек
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- See more company credits at IMDbPro