IMDb RATING
6.1/10
3.6K
YOUR RATING
A man has the power to see the fate of missing people - with the exception of his own beloved wife.A man has the power to see the fate of missing people - with the exception of his own beloved wife.A man has the power to see the fate of missing people - with the exception of his own beloved wife.
- Awards
- 1 nomination
Maria Canals-Barrera
- Esme Palomares
- (as Marí'a Canals)
Anthony Diaz-Perez
- Policeman 1
- (as Anthony Díaz Pérez)
Carlos Kaniowsky
- Rubén Mendoza
- (as Carlos Kaniowski)
María Nydia Ursi Ducó
- Plaza Mother 1
- (as Maria Nydia Ursi)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen it became clear that two additional scenes would help the script, a) the quarrel about whether Cecilia should publish her article and b) the flashback scene why Cecilia and Carlos got married, there was a little competition going on between Writer and Director Christopher Hampton and Dame Emma Thompson, who wrote their versions of those scenes. Thompson's version of the flashback scene was finally agreed on.
- GoofsWhen Cecilia is seen by Carlos in the roof of "Casa Rosada", there is a modern surveillance camera near the characters. Those cameras were not available in 1976.
Featured review
Imagining Argentina (2003)
The story, and the facts behind the story, of innocent people being kidnapped, tortured, and killed in Argentina is so disturbing and emotionally draining it's hard to see this movie objectively. I wish it was a better movie, both in its construction (the filming and editing) and in the storytelling decisions (too much emphasis on empty searching, and too much torture, even after we get the point).
Cruelty needs no sympathy, and this movie gives it none. But it gives it attention, offering only a solution in perseverance and romantic love. There are lots of evocative scenes of dancing and music, of wide open countryside, and of warmly lit interiors. It paints a picture of a beautiful country with a beautiful culture, just to show how a small tilt in a great place can turn to horrors.
The final statistics of all the people "disappeared" under the Argentine dictatorship is an indictment of cruel dictators. The movie serves to remind us, and to paint the horrors, and it goes half way. I wish it had been a poetic, or raw, or inventive success as well.
The story, and the facts behind the story, of innocent people being kidnapped, tortured, and killed in Argentina is so disturbing and emotionally draining it's hard to see this movie objectively. I wish it was a better movie, both in its construction (the filming and editing) and in the storytelling decisions (too much emphasis on empty searching, and too much torture, even after we get the point).
Cruelty needs no sympathy, and this movie gives it none. But it gives it attention, offering only a solution in perseverance and romantic love. There are lots of evocative scenes of dancing and music, of wide open countryside, and of warmly lit interiors. It paints a picture of a beautiful country with a beautiful culture, just to show how a small tilt in a great place can turn to horrors.
The final statistics of all the people "disappeared" under the Argentine dictatorship is an indictment of cruel dictators. The movie serves to remind us, and to paint the horrors, and it goes half way. I wish it had been a poetic, or raw, or inventive success as well.
- secondtake
- Sep 1, 2010
- Permalink
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Kayıp Hayatlar
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $8,899
- Opening weekend US & Canada
- $3,752
- Jun 13, 2004
- Gross worldwide
- $383,106
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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