Directed by
Darren Ashton |
Writing Credits
Shaun Angus Hall | ... | (written by) & |
Darren Ashton | ... | (written by) |
Shaun Angus Hall | ... | (original screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Al Clark | ... | executive producer |
Andrena Finlay | ... | executive producer |
Barbara Gibbs | ... | line producer |
Jodi Matterson | ... | producer |
Bjorg Veland | ... | co-executive producer |
Music by
David Thrussell | ||
François Tétaz |
Cinematography by
Geoffrey Hall |
Editing by
Martin Connor |
Casting By
Nick Hamon |
Production Design by
Karen Harborow |
Art Direction by
Tony Campbell |
Set Decoration by
Chris Jobson | ||
Juliet John |
Costume Design by
Ariane Weiss |
Makeup Department
Penny Armstrong | ... | assistant hair makeup |
K.T. Crocker | ... | makeup department head |
Production Management
Mark 'Sharky' Johnson | ... | unit manager |
Second Unit Director or Assistant Director
Matt Enfield | ... | first assistant director |
Brad Lanyon | ... | third assistant director |
Scott Lovelock | ... | second assistant director |
Art Department
Obie O'Brien | ... | assistant stand-by props (as Alex O'Brien) |
Yuri Poetzl | ... | props |
Angus Smith | ... | action vehicle coordinator |
Sound Department
Christian Bass | ... | sound editor |
Bruce Emery | ... | dolby consultant |
Timothy Jordan | ... | crowds editor |
Sonal Joshi | ... | dialogue editor |
Leah Katz | ... | dialogue editor |
Adrian Medhurst | ... | foley artist |
Scott Montgomery | ... | sound recordist |
Wayne Pashley | ... | sound designer / supervising sound editor |
Fabian Sanjurjo | ... | adr editor / dialogue editor |
John Simpson | ... | foley editor / foley recordist |
Pete Smith | ... | re-recording mixer (as Peter D. Smith) |
Peter Townend | ... | sound supervisor |
Andy Wright | ... | adr recordist |
Special Effects by
Tony Garland | ... | special effects |
Visual Effects by
David Booth | ... | visual effects supervisor |
Nick Booth | ... | scanning and recording supervisor: Weta Digital |
Darrin Hanley | ... | titles designer |
Mick Harkin | ... | digital compositor |
Nick Monton | ... | digital intermediate supervisor |
Jamie Watson | ... | compositor |
Phil Greig | ... | digital intermediate technologist (uncredited) |
Stunts
Dean Gould | ... | stunt performer |
Joe Pampanella | ... | stunt performer |
Camera and Electrical Department
Jason Binnie | ... | additional assistant camera |
Nick Remy Matthews | ... | assistant camera: additional scenes (as Nick Matthews) |
Jane Moustakas | ... | video assistant attachment |
Matthew Richards | ... | electrician |
Kevin Scott | ... | focus puller |
Trent Skipper | ... | video assistant attachment |
Marc Spicer | ... | camera operator |
Nigel Tomkinson | ... | second assistant camera: "a" camera |
Trevor Toune | ... | gaffer |
Matthew Wolters | ... | grip |
Casting Department
Megan D'Arcy | ... | casting assistant / casting associate |
Angela Heesom | ... | casting associate |
John L. Simpson | ... | extras casting |
Editorial Department
Julie-Anne De Ruvo | ... | first assistant editor |
Siggy Ferstl | ... | digital intermediate colorist |
Jackie Lee | ... | digital intermediate executive producer |
John L. Simpson | ... | post-production coordinator |
Location Management
Tim Burns | ... | location manager |
Mark Evans | ... | location manager |
Script and Continuity Department
Oksana Sokol | ... | script supervisor |
Additional Crew
Tony Ayres | ... | story editor |
Jennifer Bichard | ... | safety assistant (as Jenny Bichard) |
Pauline Burt | ... | risk manager |
Sally Clarke | ... | production coordinator |
Ben Gartrell | ... | art department attachment: assistant props builder |
Rachel Higgins | ... | development coordinator / post-production accountant |
Lyn Jones | ... | production accountant |
Steve Marcus | ... | caterer |
Stuart Morrice | ... | production runner |
John L. Simpson | ... | assistant to producer |
Thanks
Adam Wells | ... | special thanks |
Mark Woods | ... | thank you |