A 19th century French aristocrat, notorious for his scathing memoirs about life in Russia, travels through the Russian State Hermitage Museum and encounters historical figures from the last ... Read allA 19th century French aristocrat, notorious for his scathing memoirs about life in Russia, travels through the Russian State Hermitage Museum and encounters historical figures from the last 200+ years.A 19th century French aristocrat, notorious for his scathing memoirs about life in Russia, travels through the Russian State Hermitage Museum and encounters historical figures from the last 200+ years.
- Awards
- 10 wins & 15 nominations total
Storyline
Did you know
- TriviaShot in a single take. The first three attempts were cut short by technical difficulties, but the fourth was successful.
- GoofsMany extras look to the camera and they quickly return to a default mark.
- Quotes
The Time Traveller: Sir. Sir. A pity you're not here with me. You would understand everything. Look. The sea is all around. And we are destined to sail forever, to live forever.
- ConnectionsEdited into Catalogue of Ships (2008)
- SoundtracksMazurka
(from opera "A Life For The Tsar")
Music by Mikhail Glinka
Performed by Mariinsky Theatre Orchestra
Conducted by Valery Gergiev
It would have been enough that the director got extensive access to the Hermitage Museum in Petersburg to show it to us.
It would have been enough to have authentic costumes, choreography, and make-up for several centuries of Russian history. (I was reminded that my husband's grandmother was a young seamstress for rich folks like these, making this extravagant lifestyle possible.)
It would have been enough to have literally a cast of thousands because how else can one really know how those fantastic ballrooms and grand staircases were meant to be used and seen without a full orchestra and gowned and uniformed participants as far as the camera can see?
It would have been enough to come up with a cute gimmick of a time-traveling two-some to glide us through the rooms of the Hermitage to show the tsars, aristocrats, curators, and ordinary Russian tourists who have passed through over the years, with humorous commentary on Russia's changing relationship with Europe over these centuries as shown through the art and architecture of the building while wars and revolutions loomed outside.
But then, it would have been enough that it's all done in a single take over just an hour and a half with luscious cinematography.
There was a slow line to get in the theater so I missed the opening historical background, and I've learned most of my Russian (let alone European) history from novels and movies so I did get a bit lost here and there wandering the corridors of history, but the unseen narrator posits that this is all a dreamscape anyway.
I made a point of seeing this because a fellow cinephile who I frequently bump into at my local arthouse had directly called the distributor asking when it would be playing elsewhere and was told they can't afford to make more prints available so one can only see it at the Manhattan theaters -- so make a point to see it on a movie screen and not just wait for when the History Channel shows a reduced version.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- El arca rusa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,048,997
- Opening weekend US & Canada
- $29,022
- Dec 15, 2002
- Gross worldwide
- $8,691,860
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1