It's a genuine film. You could say an advertisment for Uday's future school and it will do its most to covey importance of purity and sincerity in your act (and in life). Taunts on the classless capitalists, disgust on prostitution, corruption of innocense and ultimately greed, you go through it all along the journey.
But you'll find a few shots, some sequences that'll stay with you forever. A sequence of typhoon could work well in a horror film. A shot of an agonized Uday could be a cover of a tragic novel. Film's dark sequnces can get really haunting sometimes.
No need to emphasize on the dance and choreography (not that I can if I wanted to), the main showpiece. Masters at play with their storytelling, I wouldnt know what to make of most of the moves. But its classical dancing in wide continuous shots, it's what every dance film/musical should aspire to be.
