Ok, the man is an establishment. That's what keeps this movie from being vague, shallow and void. Woody Allen can claim for himself his kind of movies, and nobody else does them like he does. So, when you see a Woody Allen movie, you know precisely what you are going to get, the difference being sometimes more surprised, and sometimes less. Well, here there's no surprise, except the way that Allen seeks new talent and awards them with the typical alter ego role. It's up to them to prove that they can handle it. Kenneth Branagh did it, John Cusack did it, and now Jason Biggs is the nervous new yorker who goes to psycho analysis. Well, it works, but the truth is that Biggs' character behaves like a 35-year-old trapped in a 21-year-old body. And the fact that some of the movie doesn't make much sense, you can never forget that this is the realm of Woody Allen, and even if it doesn't make sense, it's always funny and you'll always laugh. Everybody remembers the plotless "Everybody Says I Love You" but no one cared for the plot. It was entertaining. Same here. Sometimes I'd wish that Woody Allen tried a little harder to make movies with a thicker plot - remember "Bullets Over Broadway". But anyway, this movie is a permanent joy to watch, thanks to the great actors, great comedy (even with a non-existent story) and a great photography from Darius Khondji.
